1950. Edite par l'Office Marocain du Tourisme de Rabat au alentour de 1950. Photo signee Belin. Bon etat.
Reference : 46110
La lueur dans le haut de l'affiche est due au reflet sur la vitre que j'ai posé sur les affiches pour pouvoir les photographier.
Librairie Frédéric Delbos
M. Frédéric Delbos
06 30 21 18 72
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(Copenhagen, 1800). 4to. Uncut without wrappers as issued in ""Det Kongelige danske Videnskabernes Selskabs Skrifter"". 204 pp. and 7 large folded engraved plates.
First edition of the first systematic description of the flora of Morocco. Schousboe was Danish consul-general in Morocco, and sponsored by the Dane Johann v. Bülow, he travlled round Morocco in the years 1791-93 to describe the flora. The catalogue descibes the plants in Danish and Latin. The work was translated the year after into German and many years later into French (1874). - Pritzel: 8343. - Jackson p. 351 (The French edition).
Hachette / guide bleus 1966 in12. 1966. Cartonné. 460 pages. Bon Etat bien complet de sa carte en fin de volume
Koehler, Jeff: Matisse in Morocco. A Journey of Light and Color. 2025. 311 pages, 29 colour illustrations. Hardback. 24 x 16cms. A look at Matisse's time in Morocco and his continued interest in Islamic art. Exploring how he divided his time between Tangiers, Issy-les-Moulineaux, Paris, and Nice, his changing relationship with patrons like Leo and Gertrude Stein, and collectors Shchukin and Morozov.
A look at Matisse's time in Morocco and his continued interest in Islamic art. Exploring how he divided his time between Tangiers, Issy-les-Moulineaux, Paris, and Nice, his changing relationship with patrons like Leo and Gertrude Stein, and collectors Shchukin and Morozov.
, Thames and Hudson, 2024 HB, 290 x 235 mm, 208 pages, 150 Color illustrations ENG edition. *new ISBN 9780500027950.
The vivid colors of Morocco as seen by master of color photography Harry Gruyaert. When Harry Gruyaert first visited Morocco in 1969, it was love at first sight. On every return visit, he has tried to relive that initial feeling of enchantment, the splendid harmony between form and color, people, and nature. From the High Atlas Mountains to the desert, from rural areas to the bustling streets of Marrakech and Essaouira, Gruyaert's photographs take us on a dreamlike cinematic journey through a reality that is nonetheless highly physical, its textures shaped by light and shadow. Each image has its own power, and all of them reflect the importance of family, community, and faith to the people of Morocco, as well as Gruyaert's own innate curiosity and desire to understand different realities.