Write to the booksellers
PIERRE GAUTHIEZ Et LECOMTE Paul Emile
Paris
Rey Et Arthaud Grenoble 1928 In-folio ( 330 X 260 mm ) demi-chagrin marron à coins. Titre doré sur dos lisse orné de filets et fers dorés. Tête dorée. Reliure un peu frottée, bel exemplaire.Couvertures illustrée en couleurs conservées.87 pages.Ouvrage orné d'aquarelles de Paul Emile Lecomte.
Reference : 950486
Bookseller's contact details
Librairie Tiré à Part
M. Xavier Zimmer
64 boulevard de la Libération
13004 Marseille
France
04 91 42 63 17
Payment mode
Sale conditions
Nos conditions de vente sont conformes aux usages de la librairie ancienne et moderne et aux lois qui régissent le commerce en ligne. Tous les ouvrages présentés sont complets et en bon état, sauf indication contraire. Les prix indiqués sont nets, port et assurance à la charge du destinataire L'exécution des commandes téléphonées est garantie mais sans règle absolue, la disponibilité des livres n'étant pas toujours vérifiable lors de l'appel. Au delà de huit jours les livres réservés seront remis en vente. Les frais de port sont à la charge du destinataire. Les livres sont payables à la commande. Aucun livre ne sera expédié sans être réglé en totalité. Les retours sont admis sous 14 jours après notification préalable (Article L.221-13 du Code de la consommation).
5 book(s) with the same title
Patry, Sylvie, Anne Robbins, Mary Morton and Kimberly A. Jones
Reference : 123815
(2024)
ISBN : 9780300278484
Paris 1874: The Impressionist Moment
Patry, Sylvie, Anne Robbins, Mary Morton and Kimberly A. Jones: Paris 1874: The Impressionist Moment. Exhibition: Paris, MusÃe d'Orsay and Washington, National Gallery of Art, 2024. 288 pages, 230 colour and black and white illustrations. Hardback. 33 x 22cms. Celebrating 150 years since the first impressionist exhibition, which opened in Paris on the 15th April 1874, 'Paris 1874' reviews the circumstances that compelled 31 artists to join forces and exhibit their works together. The MusÃe d'Orsay presents 130 works, including some by associated artists from later Salons. Essays explore the Parisian context; Exhibiting in Paris in 1874; difference and consensus; impact and legacy and sources and references.
Celebrating 150 years since the first impressionist exhibition, which opened in Paris on the 15th April 1874, 'Paris 1874' reviews the circumstances that compelled 31 artists to join forces and exhibit their works together. The MusÃe d'Orsay presents 130 works, including some by associated artists from later Salons. Essays explore the Parisian context; Exhibiting in Paris in 1874; difference and consensus; impact and legacy and sources and references. Text in English
Paris, Capitale de la Perle / Paris, City of Pearls
Pouy, Leonard: Paris, Capitale de la Perle / Paris, City of Pearls. Exhibition: Paris, L'Ãcole des Arts Joailliers, 2024. 224 pages, illustrated in colour throughout. Hardback. 28 x 22cms. Accompanies the exhibition at the Ecole des Arts Joailliers, examining how pearls were used by Parisian jewellers and artists in the 1920s. 6 chapters look at pearls and their origins in the East, how the French conquered the pearl market, dealer Leonard Rosenthal, the pearl as a symbol of modernity, pearl mania in Paris, and the decline of the pearl trade in the second part of the 20th century. Text in French & English.
Accompanies the exhibition at the Ecole des Arts Joailliers, examining how pearls were used by Parisian jewellers and artists in the 1920s. 6 chapters look at pearls and their origins in the East, how the French conquered the pearl market, dealer Leonard Rosenthal, the pearl as a symbol of modernity, pearl mania in Paris, and the decline of the pearl trade in the second part of the 20th century. Text in French & English
Le PoinÃon de Paris. RÃpertoire des MaÃtres-OrfÚvres de la Juridiction de Paris depuis le Moyen-Age jusqu'à la Fin du XVIIIe SiÚcle. 5 volumes
Nocq, Henri: Le PoinÃon de Paris. RÃpertoire des MaÃtres-OrfÚvres de la Juridiction de Paris depuis le Moyen-Age jusqu'à la Fin du XVIIIe SiÚcle. 5 volumes. Paris: Leonce Laget, 1968. I. A-C. xvi, 326pp. II. D-K. vii, 371pp. III. L-R. vii, 442pp. IV. S-Z. viii, 293pp. V. SupplÃment. 96pp. In all, 250 monochrome illustrations, 876 line-drawings of hallmarks plus 54 monochrome plates. Cloth. 28x21.5cms. Standard work on goldsmiths of Paris from 1292 to the end of the 18th century. Includes 5511 goldsmiths. Text in French. Arntzen P492.
Standard work on goldsmiths of Paris from 1292 to the end of the 18th century. Includes 5511 goldsmiths. Text in French
Guillaume Jean Constantin (1755-1816): A Drawings Dealer in Paris
Jacoby, Joachim: Guillaume Jean Constantin (1755-1816): A Drawings Dealer in Paris. 2019. 188 pages, 75 colour illustrarions. Paperback. 25 x 19cms. Tracing the career of the influential Paris art dealer Guillaume Jean Constantin (1755-1816), an expert in estate evaluation, auctioneer and print publisher who also served as paintings curator to Empress JosÃphine. His transactions are reconstructed on the evidence of his dealer's mark applied to drawings - here identified for the first time - and unpublished material drawn from archives in Paris. His dealership in drawings is analysed with a focus on his business network within France and his contacts in England, Italy, Germany and Russia. His relationship with Johann Friedrich StÀdel, a Frankfurt collector and founder of the eponymous institute, is described in detail. Working in proximity to the contemporary art world, Constantin promoted living artists, among them his close friend Pierre-Paul Prud'hon.
Tracing the career of the influential Paris art dealer Guillaume Jean Constantin (1755-1816), an expert in estate evaluation, auctioneer and print publisher who also served as paintings curator to Empress JosÃphine. His transactions are reconstructed on the evidence of his dealerâs mark applied to drawings â here identified for the first time â and unpublished material drawn from archives in Paris. His dealership in drawings is analysed with a focus on his business network within France and his contacts in England, Italy, Germany and Russia. His relationship with Johann Friedrich StÀdel, a Frankfurt collector and founder of the eponymous institute, is described in detail. Working in proximity to the contemporary art world, Constantin promoted living artists, among them his close friend Pierre-Paul Prudâhon.
Paris Bordon
Mazzarolli, Antonio: Paris Bordon. Exhibition: Treviso, Palazzo dei Trecento, 1984. 157pp with 28 colour and 7 monochrome plates, 5 colour and 35 monochrome illustrations. Hardback. 25x23cms. Life and work of Paris Bordone, pupil of Titian. With documents and bibliography. Text in Italian.
Life and work of Paris Bordone, pupil of Titian. With documents and bibliography. Text in Italian
