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CAII SALLUSTII CRISPI (86-34 BC),
QUAE EXSTANT OPERA,
Typis J. Barbou, Paris, M.DCC.LXI (1761). In-16, p. xxxvi, 346. With engraved frontispiece and 2 more illustrations by Fessard, drawn by Cochin, along with engraved headings. Contemporary full calf binding with roulettes on spine and red title label with gilt lettering; rubbed and bumped mainly along edges. Marbled end papers, gilt edges, slight foxing and a few pencil underlinings, but tight througout.
Reference : HI511
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Librairie Ancienne Cerat
M. Jean Cerat
Metamorfoseos 39
15234 Chalandri - Athènes
Greece
00 30 210 3616330
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5 book(s) with the same title
CAII SALLUSTII CRISPI QUAE EXSTANT OPERA
Parisiis Typis J. Barbou 1761 1 vol. in-12 ( 9 x 15,5 cm ) ( poids = 250 g ) 7XXXVI (dont t. ) , 348 pp. . 3 planches HT et HP dont le frontispice , d' après Charles-Nicolas Cochin fils , gravées par Fessard . Comprend : Vita C. Sallustii Crispi e sinceris monumentis depromta , Veterum scriptorum et nonnullorum recentiorum de Sallustio judicia et testimonia , L. A. Flori Bellum Catilinarium , C. Sallustii Crispi Catilina seu bellum Catilinarium , Corollarium de Sallustio quaedam dissimulante in Catilinae historia , C. Sallustii Crispi Jugurtha seu bellum Jugurthinum , Epistolae duae ad C. Caesarem Sallustio adscriptae , C. Sallustii Crispi Historiarum fragmenta , C. Sallustii Crispi Declamatio in M. Tullium Ciceronem , In Sallustium declamatio quae Ciceroni falso tribuitur , Index rerum , Index verborum , Catalogus praecipuarum Crispi Sallustii editionum . Marque typographique aux deux cygognes par Papillon , au titre . 7 bandeaux dont 3 d' après et par Papillon , 2 par de La Fosse . Nombreux culs-de-lampe . Plein veau marbré de l' époque . Dos lisse cloisonné et fleuronné , p. de titre rouge . Triple filet doré encadrant les plats . Roulette dorée sur les coupes et les chasses .Toutes tranches dorées . Gardes papier marbré coquille . Manquent la coiffe inf. et du cuir à une coupe du premier plat . De légers frottés . Coins légèrement émoussés . Intérieur frais .
Oeuvre de SALLUSTE , dont la biographie est établie par Philippe de Prétot (1710 - 1787 ) , censeur royal chargé de surveiller la réimpression des classiques latins . Barbier ( Dictionaire des ouvrages anonymes et pseudonymes , 1824 , vol. 3 ) signale : " Les éditions de Barbou , 1761 et 1774 , ont été revues par de Wailly . "
Phone number : 05 53 48 62 96
Taciti opera quae exstant opera, tomus I recensuit J.N.Lallemand
1760 Parisis, Saillant , Desaint ,J. Barbou, 1760, In douze, xxiv-444 pp, reliure d'époque en plein veau marbré ,double filet d'encadrement sur les plats, coiffes légèrement émoussées, dos à cinq nerfs orné de fleurons,pièces de titre et de tomaison en cuir rouge,tranches dorées,ouvrage en bon état,
Tome I seul,avec un portrait en frontispice,.
Opera omnia quae exstant. Opera et studio domoni Juliani Garnier. Tomus seconda: - Homiliae de diversis. - Ascetica. - Homolia S. Basilii.
Paris, Gaume 1839, 270x180mm, XCI-2ff. 562pages, demi-cuir noir, dos muet. Texte en grec.
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Opera omnia quae exstant. Opera et studio Domni Juliani Garnier. Tomus secundus. Par altera.
Paris, Gaume 1839, 270x180mm, 627pages, cartonnage percaline noire muet. Texte grecque et latin.
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Quae exstant opera.
Paris (Parisiis), Typis J. Barbou. 1761.
12mo. (XXXVI),348 p., 3 plates (one of which is the frontispiece). Mottled calf 16 cm (Ref: Schweiger 2,882; Graesse 6/1,241; Ebert 20036; Brunet 5,87) (Details: Back gilt, boards with triple fillet gilt borders. Endpapers marbled. Edges of the bookblock gilt. The plates, including the frontispiece, are designed by N. Cochin filius and executed by E. Fessard. The frontispiece depicts the elevation to the Pantheon of the author, the historian Sallustius. Woodcut printer's mark of the Barbou brothers on the title, it depicts in a central round medallion two flying pelicans (or storks), with one feeding the other; it symbolizes mutual help and brotherly love) (Condition: Binding shabby and scuffed, corners bumped. Inside good) (Note: 'One of the most widely read and influential of Roman historians, along with Caesar, Livy, and Tacitus, Sallust (86-34 BC) has been studied, quoted, and imitated not only as a historian but also as a moral philosopher, political thinker, and stylist.' Until 1600 more than 200 editions of his work appeared. Sallust was used in France during the 16th and 17th century to support absolute theories of government. But, 'on the other hand, it was the republican Sallust, ennemy of tyrants, whom John Milton admired and who bolstered the cause of liberty in the Lowlands during the war with Spain and, later, in France and on the American continent'. (The Classical tradition, Cambr. Mass., 2010 p. 856) Sallust's condemnation of corruption made a deep impression on the Founding Fathers of the American Republic at the end of the 18th century. One of them, John Adams, urged his son John Quincy to read Sallust, whom he called 'one of the most polished and perfect of the Roman historians'. The Barbou's previously published this same Sallust edition in 1754. This first Barbou is according to Schweiger and Ebert a reissue of the Sallust edition of Paris 1744, which was edited by the French historian and geographer St. Andr. Philippe, or rather Étienne André Philippe de Prétot, 1710-1787. He produced in the beginning of his career quite a number of editions of Latin classics. Between 1747 and 1755 he edited for the Parisian publisher Antoine-Urbain Coustelier Catullus, Tibullus, Propertius, Sallustius, Vergilius, Horatius, Juvenalis, Persius, Phaedrus, Lucretius, Velleius Paterculus, Eutropius and Terentius. (See Wikipedia 'Philippe de Prétot') (Collation: a12, b6; A-O12, P6) (Photographs on request)
