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Annette Kolb - Jean Giraudoux (préface)
Mozart
Club des éditeurs 1958
Reference : 8627
Très bon état Reliure cartonnée tissus mauve, 1er plat orné dun médaillon profil de mozart. format: 13,5x 20cm. 288 pages + 50 annexe. illustré de gravures en noir. préface de jean giraudoux. traduit de lallemand par denise van moppès. exemplaire numéroté 6405/70000. - largeur/hauteur : x cm - poids : g - nombre de pages : p. - langue :
Bookseller's contact details
L'Avenir du Passé
M. Franck Morant
13 Avenue montaigne
33160 Saint Médard en Jalles
France
05 56 05 69 88
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Conformes aux usages de la profession. Sauf mention contraire, les livres que nous vous proposons sont en bon état.<br /> Pour commander un livre : réservez le directement à la librairie par mail, courrier ou par téléphone , en nous indiquant sa référence et le titre.<br />-Nous vous confirmerons alors, sa disponibilité ainsi que le montant des frais d'expédition.<br />-L'envoi des ouvrages se fera par la poste, après réception de votre réglement .Nous restons à votre disposition pour toutes informations supplémentaires.<br />A bientôt<br />Franck Morant<br />
5 book(s) with the same title
Collection complette des oeuvres de piano par W. A. Mozart, gravée par Richomme. Volume 1 : Quatre trios pour le piano-forte par W. A. Mozart, et un Trio manuscrit pour piano, violon et violoncelle, par Charmes Desmoulins (daté 6 janvier 1822). Volume 2 : Trois Trios de Mozart, et un Duo pour piano et violon, deux Trios, une Sonate pour piano et violon obligé, et un Duo pour piano et corno-bassetto, par Charles Desmoulins.
Paris, Pleyel, s.d . 2 volumes in-4 oblong, (28)-(10) et (11)-(28) ff., reliure de l'époque demi-vélin vert à petits coins (reliures un peu frottées, défauts, manques à une pièce de titre). Ex-libris manuscrit : Charles des Moulins. Tampon humide : Ignace Pleyel.
Partitions imprimées de 7 trios de Mozart, et partitions manuscrites de 2 duos, 3 trios et une sonate de Charles Desmoulins. * Voir photographies / See pictures. * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve.
W.-A. Mozart - sa vie musicale et son oeuvre, 2 tomes
1936, Desclée de Brouwer, in-8 cartonné de 1040 + 1224 pages, couvertures toilées rouges, W.-A. Mozart - sa vie musicale et son oeuvre, tome 1 : L'enfant prodige, Le jeune maître, tome 2 : Le grand voyage, L'épanouissement, Les dernières années | Etat : bon état (Ref.: ref85986)
Desclée de Brouwer
Le style classique. Haydn, Mozart, Beethoven
1991, nrf Gallimard, Bibliothèque des idées, in-8 cartonné de 592 pages, jaquette, Le style classique, Haydn, Mozart, Beethoven | Etat : Très bon état général (Ref.: ref85795)
nrf Gallimard
Don Juan - texte intégral de l'opéra de Mozart illustré par Barbe
1991, Editions de la Découverte, in-folio cartonné de 102 pages, jaquette, Don Juan - texte intégral de l'opéra de Mozart illustré par Barbe | Etat : bon état sauf jaquette très abîmée et déchirée sur le 1er plat (Ref.: G6386)
Editions de la Découverte
Biographie W. A. Mozart’s. Nach Originalbriefen, Sammlungen alles uber ihn Geschriebenen, mit vielen neuen Beylagen, Steindrucken, Musikblattern und einem Fac-simile. Nach (von Nissens) Tode herausgegeben von Constanze, Wittwe von Nissen, früher Wi... - [THE FIRST REAL BIOGRAPHY OF MOZART]
Leipzig, 1828. 8vo. (leaves: 207 x 125 mm). Two volumes bound together in a contemporary half calf with gilt title to spine and decorative instrumental ornamentations. Spine worn, and upper capital torn. Also wear to extremities and covers.Inner front hinge a bit weak. Occasional brownspotting, mostly to first few leaves. Frontispiece-portrait, XLIV, 702 pp + (1) f. (Book binder instructions) + 7 plates (a family portrait (laid in loose, originally belonging between pp. 44 and 45) portrait of 7-year-old Mozart façade of the “Hagenauer House”, Getreidegasse 9, Mozart’s birthplace portrait of Mozart as a man portrait of Constanze Mozart’s sons illustration of Mozart’s ear in comparison to a generic ear) + 8 folded leaves of musical scores" (Appendix:) 219, (1) pp. + 2 folded leaves of musical scores + 1 folded double-leaf with instruction for the binder. The family portrait, which is here laid in loose, is almost always missing. The present portrait is a little brownspotted and has a marginal tear, just touching the outer left edge of the illustration, but overall in very nice condition.
First edition of this important work, which is considered the first real, full-length biography of Mozart (1756-1791). This magnum opus in Mozart literature was the reference for later biographies and is still a crucial source for Mozart scholars. ""This work made public for the first time many unknown documents and details of Mozart's life... and has worked as a basic source ever since"" (The new Grove XIII, 253). “An unsuspected wealth of fresh resources was brought to light by the ‘Biographie W. A. Mozarts,’ by G. N. v. Nissen. Leipzig, 1828” (Jahn, vi) The author of the biography was the Danish diplomat Georg N. von Nissen, who married the widowed Constanze Mozart in 1809. In 1824, they settled in Salzburg, Mozart’s hometown, and in 1828 – two years after Nissen’s death – Constanze published the biography composed by Nissen. According to Jahn, “[w]e ought to own ourselves deeply indebted to him [Nissen], for without his care the most important documents and traditions would have been hopelessly lost.” (Jahn, p. vi). Nissen, being married to Constanze and living in Salzburg, had access to authentic documents and close connections of Mozart, amongst them his sister, Maria Anna Mozart (Nannerl), and Constanze’s sister, Sophie Weber. Among these documents are the transcribed correspondence between Mozart and his father, letters to his mother, etc. as well as miscellanea such as a dedication to Haydn. The second volume is an appendix comprising a chronological list of Mozart’s work, a description of “Mozart and the peculiarity of his works” including a comparison of Mozart and other composers – Haydn, Beethoven (“der Tag und die Nach”, s. 55) – and other artist (such as Shakespeare). Additionally, there is a characterization of Mozart’s operas (pp. 66-134) and pianoforte compositions. The appendix also includes poems dedicated to Mozart. “Nissen, who came to Vienna, after Mozart's death, as a Danish diplomatist, became acquainted with his widow, and interested himself in her unprotected condition. He had a great turn for business matters, and was fond of arranging papers, writing letters, and even copying, without understanding what it was that he was occupied about. He therefore willingly undertook to put Mozart's effects in order, to assist the widow in all her business arrangements, and to carry on her correspondence. A long series of letters which he wrote in her name show him to have been a well-meaning, sensible man, somewhat over-circumstantial in his style of writing. After his marriage with Mozart's widow he felt it his duty to labour with the same conscientious care for his memory as he had formerly done for his property, and he employed the leisure of his remaining years, which were spent at Salzburg, in carrying out this design. We ought to own ourselves deeply indebted to him, for without his care the most important documents and traditions would have been hopelessly lost. Mozart's sister was then living at Salzburg" her recollections, and those of his wife, afforded an abundance of characteristic traits, and the carefully preserved papers and family correspondence, were a mine of authentic documents.” (Jahn, vi) See: Jahn. (1882). The Life of Mozart (Pauline D. Townsend, Trans.).
