‎COFFINET Julien & PIANZOLA Maurice.‎
‎Tapestry.‎

‎Collaborative Tapestry in Honour of Shirley Ann Brown / Une fresque brodée en l'honneur de Shirley Ann Brown. The Bayeux Tapestry Seen by her Colleagues and Friends / La Tapisserie de Bayeux vue par ses collègues et amis‎

‎, Brepols, 2026 Hardback, 292 pages, Size:245 x 297 mm, Illustrations:7 b/w, 126 col., 3 maps b/w, Languages: English, French. ISBN 9782503609669.‎

‎Summary These 16 essays in honour of a distinguished Bayeux Tapestry scholar consider the contexts of the Tapestry's creation and preservation; new studies of its fabric, also its images; plus accounts of new creative and commemorative works inspired by it. David Bates emphasises the cross-Channel, indeed the European, culture underlying the Tapestry's creation. Pierre Bouet and François Neveux seek to recognise the role of the Bretons in 11th-century Norman history and the conquest of England. Elizabeth Carson Pastan discusses the lost relics of Bayeux inventoried alongside the Tapestry. Ulrich Kuder and Michael Lewis revisit and evaluate theories about aspects of the Tapestry's images. Alexandra Lester-Makin uses microscopic images of a single scene to reveal details of how the embroidery was worked. Sarah Keefer explores the liturgy which Harold might have heard when he attended church before setting out to sea. Gale Owen-Crocker analyses the role of boundaries, and the breaking of them, in the Tapestry's images and Malcolm Thurlby considers its buildings in terms of contemporary architecture. Michael Herren discusses the verisimilitude of art works in classical and medieval poetry and shows how they differ. Anna Henderson and Lise Gjedssø Bertelsen examine recent, Bayeux-inspired historical needlework in the British Isles and Denmark respectively, Bruce Bobick traces the history of an American facsimile. Sylvette Lemagnen addresses novels written under the influence of the Bayeux Tapestry, and Daisy Black the evolution of her own play. Clémentine Paquier-Berthelot considers the various ways in which scholars have attempted to reference precise points in the Tapestry. TABLE OF CONTENTS Introduction in English / Introduction en français Curriculum vitae and publications of Shirley Ann Brown Contributors / Auteurs Summaries of articles in English / Résumés analytiques des articles en français List of illustrations Part I: The Physical and Visual Alexandra Lester-Makin, The Bayeux Tapestry as never seen before: what microscopic imaging can tell us about the hanging's creation Gale R. Owen-Crocker, Pushing the boundaries: interaction with frames and borders in the Bayeux Tapestry Sarah Larratt Keefer, 'Guide in prosperity the journey of Thy servant': Harold's voyage and mid-eleventh century liturgy Malcolm Thurlby, Observations on architectural representations in the Bayeux Tapestry Ulrich Kuder, Valuable discoveries, plausible explanations, transient hypotheses: looking back on Bayeux Tapestry studies Michael Lewis, The Ælfgyva of the Bayeux Tapestry Panorama Part II: Context David Bates, The cross-channel world of the Bayeux Tapestry Elizabeth Carson Pastan, 'Fuga sacra': inventory and legacy at Bayeux Cathedral Pierre Bouet & François Neveux, Normands et Bretons au XIe siècle. De la confrontation à la collaboration Part III: Inspiration Michael W. Herren, Extracting truth from poetry: revisiting Baudri of Bourgueil and the Bayeux Tapestry Anna Henderson, Tapestries for our times: The Bayeux Tapestry's modern British counterparts and their stitchers Lise Gjedssø Bertelsen, From the Bayeux Tapestry to the Swedish Pilgrim Tapestry to the Danish Elsinore Tapestry Bruce Bobick, The University of West Georgia replica of the Bayeux Tapestry: its conception, creation and dedication Sylvette Lemagnen, La Tapisserie de Bayeux à la source d'une littérature Romanesque Daisy Black, The Bayeux Tapestry: New Yarns Part IV: Documentation Clémentine Pasquier-Berthelot, Se repérer dans la Tapisserie de Bayeux: sources, références et méthodes de localisation Bibliography‎

‎Flemish Tapestry in European and American Collections ,Studies in Honour of Guy Delmarcel‎

‎, brepols, 2003 232 p., 94 b/w ill. 28 colour ill., 245 x 297 mm, Languages: English,Hardback. ISBN 9782503521749.‎

‎Professor Dr Guy Delmarcel was Curator of Textiles at the Brussels Koninklijke Musea voor Kunst en Geschiedenis (1975-1990) and Professor of History of Art at the Catholic University of Leuven (1981-2002). He passionately devoted his career to the study of Flemish tapestry. His intensive research on the 'Mobile Frescoes of the North' resulted in numerous articles, books, lectures, and exhibitions, thereby unlocking tapestry to both scholars and the general public. Guy Delmarcel has now been given emeritus status. The Department of Archaeology, History of Art and Musicology decided to honour its former chairman by offering him a Festschrift entirely dedicated to his beloved field of research. Fourteen renowned tapestry scholars from all over the world willingly accepted the invitation to celebrate their esteemed colleague. Throughout the centuries Flemish tapestry has eagerly been collected. In the Middle Ages and Early Modern Times the European elite spent fortunes on these lavish works of art. A number of essays compiled in the present volume focus on the patronage and collections of European kings and noblemen. In the nineteenth and twentieth centuries European and American museums became important collectors of Flemish tapestry, as is demonstrated by some museological studies presented in Studies in Honour of Guy Delmarcel. This penetration by Flemish tapestry of the public realm has obviously necessitated iconographic and stylistic studies. A number of new analyses are gathered in the Festschrift. Contents : Rotraud Bauer, Zur Ikonographie der Tapisserienserie Die Sechs Weltzeitalter im Kunsthistorischen Museum in Wien; Maria Hennel-Bernasikowa, The Role of the Tapestries of Sigismund II Augustus in Polish Royal Ceremonies; Pascal-Francois Bertrand, Tapisseries de Flandres et autres tentures parmi les dessins d'archeologie de Roger de Gaignieres; Birgitt Borkopp-Restle and Andre Brutillot, L?Histoire de Saint Paul et ses additions. Une serie de tapisseries du Musee national de Baviere ; Iain Buchanan, The Tapestries Purchased by King Eric XIV of Sweden at Antwerp in 1560-1561. New Documentation; Thomas P. Campbell, The Story of Abraham tapestries at Hampton Court Palace; Ingrid De Meuter, Le peintre anversois Pieter Spierinckx (1635-1711), createur de cartons de tapisseries; Nello Forti Grazzini, Renaissance Tapestry and Italian Patronage; Wendy Hefford, Brussels Horsemanship tapestries owned by Charles I and Frederick Prince of Wales; Concha Herrero Carretero,Tapices flamencos en la coleccion de la Corona de Espana; Lucia Meoni, Gli arazzi fiamminghi nella collezione de'Medici ; Hillie Smit, New Data on the History of a Set of Scenes of Country Life "after Teniers" in the Rijksmuseum Amsterdam; Christa C. Mayer Thurman and Koenraad Brosens, Flemish Tapestries in the Collection of The Art Institute of Chicago. ‎

‎Tapestry in the Renaissance. Art and Magnificence‎

‎Campbell, Thomas P: Tapestry in the Renaissance. Art and Magnificence. Exhibition: New York, Metropolitan Museum, 2002. 596pp with 75 colour plates and 91 colour and 228 monochrome illustrations. Cloth. 31x26cms. The first major survey of tapestry production between 1460 and 1560, this exhibition highlights the outstanding tapestry cycles of the Renaissance as one of the highest and most neglected achievements of the age. With chapters on the beginnings of tapestry design in the Netherlands in the late 15th century, and how Italian artists such as Raphael designed tapestries which were then produced in Brussels, thus fusing 2 different styles to create an original aesthetic.‎

‎The first major survey of tapestry production between 1460 and 1560, this exhibition highlights the outstanding tapestry cycles of the Renaissance as one of the highest and most neglected achievements of the age. With chapters on the beginnings of tapestry design in the Netherlands in the late 15th century, and how Italian artists such as Raphael designed tapestries which were then produced in Brussels, thus fusing 2 different styles to create an original aesthetic. Text in English‎

‎Authors weaving of the XX-XXI centuries. Tapestry, mini tapestry, tapestry ser‎

‎Authors weaving of the XX-XXI centuries. Tapestry, mini tapestry, tapestry series. General catalog of Tsaritsino GMZ. Series I. Authors decorative and applied art of the XX-XXI centuries. In Russian /Avtorskoe tkachestvo XX-XXI vekov. Gobeleny, mini-gobeleny, tapiseriya. Generalnyy katalog GMZ Tsaritsyno. Seriya I. Avtorskoe dekorativnoe i prikladnoe iskusstvo XX-XXI vekov. M. GMZ Tsaritsyno 2009. 260s. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalbf475cccfaabb4603.‎

‎Habsburg Tapestries Studies in Western Tapestry ‎

‎, Brepols - Harvey Miller, 2015 Hardcover with dusjacket, 374 pages., 21 b/w ill. + 150 colour ill., 245 x 297 mm, Languages: English . ISBN 9782503516707.‎

‎The Flemish tapestries collected by the Habsburg rulers of the Low Countries are among the most beautiful art works of the Renaissance period. This book places these important tapestries in their historical and cultural context. Part I of the book examines the relationship between the Habsburgs and the tapestry industry in the Low Countries, the roles of the artists who designed the tapestries, the weavers who made them, and of the tapissiers, the court officials who looked after the royal tapestry collections. This is followed by four chapters which document and survey the collections formed by the Habsburg rulers of the Low Countries: Margaret of Austria, the Emperor Charles V, Mary of Hungary and Philip II of Spain. Part II of the book is a detailed catalogue of thirteen of the most important surviving Habsburg sets. These include such important tapestries as the Honours, the Hunts of Maximilian, the Armorials of Charles V, the Seven Deadly Sins, the History of Vertumnus and Pomona and the Apocalypse. Every tapestry of each set is given detailed analysis and all are reproduced in full colour in over 100 colour plates. An extensive Appendix gives many of the original documents concerning the tapestries as well as the most important surviving Habsburg tapestry inventories from the period.‎