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OLLIVIER Marie-Joseph (des Frères Prêcheurs).
La Passion.
Essai historique. Paris, Lethielleux. 1891. Grand in-8 (24x15). XXIV-512 pages. Demi-chagrin marine de l'époque, dos à nerfs janséniste.
Reference : 17976
Plan de Jérusalem dépliant, 4 gravures hors texte, 16 dans le texte dont 3 plans et 9 en tête de chapitre. Bel exemplaire.
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Librairie la Devinière
J. Mazoyer - R. Munari
LA DEVINIERE, 386 Chemin des Mûriers
01090 Montmerle sur Saône
France
04 74 69 35 19
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5 book(s) with the same title
Jaffer, Amin, C. Juncker, E. Edwards, H. Molesworth and V. Becker
Reference : 126097
(2025)
ISBN : 9782757710876
Joyaux dynastiques : pouvoir, prestige et passion, 1700-1950
Jaffer, Amin, C. Juncker, E. Edwards, H. Molesworth and V. Becker: Joyaux dynastiques : pouvoir, prestige et passion, 1700-1950. Exhibition: Paris, HÃŽtel de la Marine, 2025. 287 pages, illustrated in colour. Hardback. 25 x 20cms. Catalogue of the exhibition at the Hotel de la Marine in Paris December 2025 to April 2026. Six scholarly essays look at the 131 items on display, including Mughal jewels, Royal parures, tiaras and loose gems, from ancient India to the European courts. English translations of the essays at the back, including notes, corresponding figure numbers and their provenance. Unbound flyer in the front cover explaining that three of the catalogued items are not on show in the exhibition due to the Louvre theft in October 2025. Text in French.
Catalogue of the exhibition at the Hotel de la Marine in Paris December 2025 to April 2026. Six scholarly essays look at the 131 items on display, including Mughal jewels, Royal parures, tiaras and loose gems, from ancient India to the European courts. English translations of the essays at the back, including notes, corresponding figure numbers and their provenance. Unbound flyer in the front cover explaining that three of the catalogued items are not on show in the exhibition due to the Louvre theft in October 2025. Text in French
[Sir Peter Paul Rubens] - Bulckens, Koen
Reference : 116014
(2017)
ISBN : 9781909400863
The Life of Christ Before the Passion: The Ministry of Christ. volume 5, part 2. Corpus Rubenianum Ludwig Burchard. 5.2
Bulckens, Koen: The Life of Christ Before the Passion: The Ministry of Christ. volume 5, part 2. Turnhout: 2017. Series: Corpus Rubenianum Ludwig Burchard. 5.2. 360 pages; 149 black & white and 46 colour illustrations. Hardback. 26.5 x 18cms. The present volume of the Corpus Rubenianum catalogues Rubens's exploration and representation of the theme of the public life of Christ. The works discussed span the entirety of Rubens's career and attest to the complexity of the iconographic division in which the depictions of Jesus Christ's public life were thought and created.
The present volume of the Corpus Rubenianum catalogues Rubens's exploration and representation of the theme of the public life of Christ. The works discussed span the entirety of Rubens's career and attest to the complexity of the iconographic division in which the depictions of Jesus Christ's public life were thought and created.
Marvellous Science. Passion for Porcelain in Baroque Vienna.
Koja, Stephan: Marvellous Science. Passion for Porcelain in Baroque Vienna. 2025. 208 pages, 284 colour illustrations. Hardback. 28 x 24cms. A look at Claudius Innocentius du Paquier's early 18th century Vienna porcelain factory. 14 essays discuss Baroque Vienna and the history of the Du Paquier porcelain factory, travel and experiments to simulate Asian porcelain, the economic policies of the Princes of Liechtenstein from 1600 to 1750, Chinese and Japanese porcelain in the Liechtenstein collections, the introduction of chocolate, tea and coffee to Europe, and the art of Baroque dining.
A look at Claudius Innocentius du Paquier's early 18th century Vienna porcelain factory. 14 essays discuss Baroque Vienna and the history of the Du Paquier porcelain factory, travel and experiments to simulate Asian porcelain, the economic policies of the Princes of Liechtenstein from 1600 to 1750, Chinese and Japanese porcelain in the Liechtenstein collections, the introduction of chocolate, tea and coffee to Europe, and the art of Baroque dining. Text in English
Paul Mellon's Legacy. A passion for British Art
Allen, Brian et al: Paul Mellon's Legacy. A passion for British Art. Exhibition: New Haven, Yale Center for British Art, 2007. 335pp with 346 colour illustrations. Hardback. 30x24cms. To celebrate the centenary of his birth, this catalogue examines Mellon's collecting activity and his role in creating the Yale centre for British Art as well as the Paul Mellon Centre for Studies in British Art in London. With 150 works in the catalogue including Gainsborough, Reynolds, Stubbs Constable and Turner, this represents the largest collection of British art outside the United Kingdom.
To celebrate the centenary of his birth, this catalogue examines Mellon's collecting activity and his role in creating the Yale centre for British Art as well as the Paul Mellon Centre for Studies in British Art in London. With 150 works in the catalogue including Gainsborough, Reynolds, Stubbs Constable and Turner, this represents the largest collection of British art outside the United Kingdom. Text in English
Porcelain Pugs: A Passion. The T. & T. Collection
Porcelain Pugs: A Passion. The T. & T. Collection. 2020. 224 pages, 170 pages. Hardback. 28 x 24cms. Collection of more than 100 porcelain pugs, most of which were designed in the mid-18th century by Johann Joaquim KÀndler, modeler in the Meissen porcelain factory in Germany. Pugs were introduced to Europe in the late 16th or early 17th century and quickly gained popularity among the European aristocracy. In 1740, a secret society called the Order of the Pug was established as an offshoot of the Freemasons; the pug was selected to represent the society due to its reputation for reliability, trust, and steadfastness. Also featured here is a survey of pug imagery in contemporary European decorative arts, including on snuff-boxes, flasks, and cane handles.
Collection of more than 100 porcelain pugs, most of which were designed in the mid-18th century by Johann Joaquim KÀndler, modeler in the Meissen porcelain factory in Germany. Pugs were introduced to Europe in the late 16th or early 17th century and quickly gained popularity among the European aristocracy. In 1740, a secret society called the Order of the Pug was established as an offshoot of the Freemasons; the pug was selected to represent the society due to its reputation for reliability, trust, and steadfastness. Also featured here is a survey of pug imagery in contemporary European decorative arts, including on snuff-boxes, flasks, and cane handles.
