Paris, chez Jacques Haumont, 1946. 13 x 19, 29 pp., broché, couverture à rabats, très bon état.
Reference : 89169
N° 760 sur 1000 exemplaires numérotés sur papier vélin blanc Docelles.
Librairie Ausone
M. Michaël Collet
chaussée de Gand, 366, boîte 7
1080 Bruxelles
Belgium
32 (0)2 410 33 27
virement bancaire européen - chèques français - Paypal
, Princeton University Press, 1979 Paperback, 348 pages, ENG, 255 x 190 x 20 mm, in good condition, illustrated in b/w, some spots on the outside ( tracks of time). ISBN 9780691018256.
A major account of Renaissance portraiture by one of the twentieth century's most eminent art historians The Portrait in the Renaissance provides an unprecedented look at two centuries of experiment in portraiture during the Renaissance. In this compelling book, John Pope-Hennessy shows how the Renaissance cult of individuality brought with it a demand that the features of the individual be perpetuated. This concept was first manifested in the portraits that fill the great Florentine fresco cycles and led, later in the fifteenth century, to the creation of the independent portrait by such artists as Botticelli, Antonio Pollaiuolo, Giovanni Bellini, and Antonello da Messina. Pope-Hennessy goes on to describe the process by which Titian and the great artists of the High Renaissance transformed the portrait from a record of appearance into an analysis of character.
Luchs, Alison: Tullio Lombardo and Ideal Portrait Sculpture in Renaissance Venice 1490-1530. Cambridge: Cambridge University Press, 1995. xiv, 306pp with 209 monochrome illustrations. Cloth. 26x21.5cms. A study of Tullio Lombardo's work, focussing in particular on two of his most famous works. This new study throws much light on the significance of the double portraits, placing them in their historical context.
A study of Tullio Lombardo's work, focussing in particular on two of his most famous works. This new study throws much light on the significance of the double portraits, placing them in their historical context. Text in English
Reliure demi-maroquin bleu-marine à bandes. Dos lisse avec titre doré en long. Tête dorée. Couverture et dos conservés. Reliure signée L. Lavigne. Dos légèrement foncé.
Paris Chez Jacques Haumont 1946 28 pp. In-12. Relié. En bon état. 1 volume. TIRAGE LIMITÉ. Un des 1 000 exemplaires numérotés sur vélin blanc Docelles.
Paris Chez Jacques Haumont 1946 Un volume in-8 broché, couverture jaune, 28 pages. Exemplaire numéroté (673), l'un des 1000 sur vélin.
La librairie est ouverte du mardi au samedi de 9h30 à 12h30 et de 13h30 à 19h00. Commandes par courriel ou téléphone. Envoi rapide, emballage soigné.
CHEZ JACQUES HAUMONT. 1946. In-8. Broché. Etat d'usage, Tâchée, Dos satisfaisant, Non coupé. 28 pages - quelques pages non coupées - EXEMPLAIRE N°727/1000 SUR VELIN BLANC.. . . . Classification Dewey : 944.02-Histoire de France de 987 à 1589
EXEMPLAIRE N°727/1000 SUR VELIN BLANC. Classification Dewey : 944.02-Histoire de France de 987 à 1589