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TIMMERMANS Félix
Pieter Bruegel.
Paris, Bernard Grasset, 1938. 14 x 21, 269 pp., quelques illustrations en N/B, broché, bon état (couverture défraîchie).
Reference : 75231
Texte français de Nelly Weinstein.
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Librairie Ausone
M. Michaël Collet
chaussée de Gand, 366, boîte 7
1080 Bruxelles
Belgium
32 (0)2 410 33 27
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5 book(s) with the same title
Pieter Bruegel l'Ancien au Kunsthistorisches Museum de Vienne.
1 Relié, cartonnage et jaquette illustrée de l'éditeur. 28,5 x 25 cm, 164 p., nombreuses illustrations en noir et en couleurs. Milan, Skira / Vienne, Kunsthistorisches Museum, 1999.
Première monographie d'envergure consacrée aux tableaux de Pieter Bruegel l'Ancien appartenant à la collection du Kunsthistorisches Museum de Vienne. Textes de Wilfried Seipel, Klais Demus, biographie par Karel van Mander, catalogue par Alexander Wied, bibliographie sélective. Édition en français. Très bon état
Reference : 39058
LUCAS VAN LEYDEN - PIETER BRUEGEL D.A.
Schroll-Verlag.Wien-Munchen.(s.d.)Grand in-4 toilé sous jaquette illustrée. 199 et 173 pages. Texte et très nombreuses reproductions.TBE sauf jaquette usagée. Langue allemande.
Pieter Bruegel D.A. im Kunsthistorischen Museum Wien.
Kunsthistorisches Museum Wien. 1997. 3 volumes in-4. Dont 2 pleine toile avec jaquette et un broché. Le tout dans un emboîtage. Très nombreuses ills. en couleurs. Texte en Allemand. TBE.
Tout l'oeuvre peint de Bruegel --- Pieter Bruegel - L'ancien vers 1525-1569 - paysans fous et démons
Taschen 2001 in8. 2001. Cartonné jaquette. illustré en couleurs et en noir et blanc
Très Bon Etat de conservation trace d'étiquette sur le 4e plat intérieur propre
Pieter Bruegel: Die Zeichnungen
, Brepols, 1997 Hardback 247 p., 161 bl/w. ill., 190 x 250 mm. ISBN 9782503504995.
This new catalogue raisonne of the drawings by Pieter Bruegel the Elder is a radical revision of previous catalogues, with Bruegel emerging as a zestful and inventive draughtsman. This new catalogue raisonne of the drawings by Pieter Bruegel the Elder, one of the most significant artists of the sixteenth century, is a landmark in studies of its kind. A radical revision of previous catalogues, Bruegel emerges as a highly intricate yet zestful and inventive draughtsman. The drawings range from complex allegorical designs to detailed landscapes, many depicting dramatic alpine scenery. Dr. Mielke has made one of his most significant contributions by discovering that many deceptive imitations of these views were drawn in the sixteenth century by Bruegel's follower, Roelant Savery, and have been accepted as Bruegel's own work ever since. The author also proposes that several, previously unknown or rejected drawings should be regarded as autograph, including the early River Landscape in the Louvre, one of the most overtly naturalistic landscape drawings to have survived from the sixteenth century. Many of Bruegels's drawings were made to prepare the engravings through which his work became celebrated in his own day, altough other, often more spontaneous sketches are also known. The catalogue also illustrates and discusses drawings that were formerly attributed to Bruegel. Dr Mielke, who until his death in 1994 was curator of Netherlandish drawings at the Berlin Kupferstichkabinett, had an incisive style of writing which well communicates the experience and knowledge that he had accumulated during more than three decades. In this period he was acknowledged as one of the most gifted connoisseurs in the field. The Bruegel catalogue, sadly the last he completed before his untimely death, is a model that will find many emulators and which will be the standard work on Bruegel's drawings for the foreseeable future.
