Paris, Hazan, 1996. 26 x 30, 264 pp., très nombreuses illustrations en couleurs et en N/B, reliure d'édition pleine toile + jaquette, très bon état.
Reference : 61987
"traduit de l'italien par Odile Ménégaux; introduction de Daniel Arasse."
Librairie Ausone
M. Michaël Collet
chaussée de Gand, 366, boîte 7
1080 Bruxelles
Belgium
32 (0)2 410 33 27
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[Antonio Pisanello] - Syson, Luke and Dillian Gordon
Reference : 098572
(2001)
ISBN : 9781857099461
Syson, Luke and Dillian Gordon: Pisanello. Painter to the Renaissance Court. Exhibition: London, National Gallery, 2001. ix, 264pp with 42 colour plates and 255 colour and 21 monochrome illustrations. Paperback. Focusing on the 15th-century artist's two most famous panel paintings from the National Gallery, London, this exhibition catalogue provides a fundamental review of Pisanello's life and art. His paintings are examined in the context of related paintings, preparatory drawings, medals, manuscript illumination and tapestries.
Focusing on the 15th-century artist's two most famous panel paintings from the National Gallery, London, this exhibition catalogue provides a fundamental review of Pisanello's life and art. His paintings are examined in the context of related paintings, preparatory drawings, medals, manuscript illumination and tapestries. Text in English
, Brepols - Harvey Miller, 2024 Hardback, xviii + 188 pages, Size:220 x 280 mm, Illustrations:69 col., Language: English. ISBN 9781915487124.
Summary The work of the fifteenth-century Italian painter Pisanello has long proven resistant the interpretative procedures of art history, in ways that point to the limits of those procedures as they evolved in the period after the Second World War. Taking Pisanello's art as an example of a larger theoretical issue, the book proposes a model of interpretation that addresses the realm of imitative practice. Using Cennino Cennini's Il Libro del' Arte as a primer,the author argues for an approach that confronts the evidence of the artist's self-tempering work, and then tests that model through an examination of Pisanello's drawings and medals. She exposes the drawings as primary evidence of the ontological groundwork within which the painter finds his own habits of invention, and also demonstrates the value of looking for the groundwork in a selection of Pisanello's official works, including the surviving wall paintings in Veronese churches. In the end, the author contends that the self-reflexive recognition of creative agency is a prerequisite for the apprehension of Pisanello's art, especially the agonistic scenario staged in his panel of The Virgin and Child with Saints George and Anthony and its enigmatic signature. TABLE OF CONTENTS List of Figures Acknowledgements Introduction 1. Temper: Cennino Cennini's Arte 2. Ground: Pisanello's Inventions 3. Threshold: Pisanello's Frameworks 4. Agon: Pisanus Pinxit Epilogue Under the Table Notes Bibliography
[Pisanello] PUPPI, Lionello ; BATTILOTTI, Donata ; FILIPPI, Elena ; FRANCO, Tiziana ; MAZZA, Barbara ; MOLTENI, Monica ; RUGOLO, Ruggero
Reference : 21918
(1996)
ISBN : 2850254649
Hazan 1996 Traduit de l’italien par Odile Ménégaux et Daniel Arasse. In-4, pleine toile bleue, photographies pleines pages en noir et en couleurs, 264 pp. État correct d’occasion.
Pisanello (Pise, vers 1395 - Rome, vers 1455), de son vrai nom Antonio di Puccio Pisano est un peintre, médailleur et miniaturiste de la Renaissance italienne et du Quattrocento, dernier représentant du style gothique international. Très bon état d’occasion
Henri Laurens Éditeur 126 pages collection Les Grands Artistes. in8. Sans date. broché. 126 pages. Cet ouvrage de Jean de Foville publié en 1908-1909 est une étude critique consacrée à Pisanello artiste de la Renaissance italienne et aux médailleurs italiens. L'auteur y analyse la personnalité mystérieuse de Pisanello son rôle de précurseur dans l'art de la médaille ainsi que l'influence qu'il a exercée sur ses imitateurs et disciples. Le livre s'inscrit dans la collection 'Les Grands Artistes' et propose une approche historique et esthétique de cet art
Bon état couverture insolée intérieur propre
Reference : alb2def6f8e40f3a1e6
May M.I. Pisanello. In Russian /Mayskaya M.I. Pizanello. The book is devoted to the largest northern Italian artist of the early Quatrocento, Antonio Pisanello, whose work not only has consistently attracted the attention of researchers for almost a century, but still conceals a number of unsolved mysteries. The dramatic fate of Pisanellos artistic heritage, the ambiguous assessment of his place in early Renaissance Italian art, the diversity and deep uniqueness of his talents are just a few of the aspects considered in the book that comprise the complexity of Pisanellos problem. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb2def6f8e40f3a1e6.