Paris, Nathan, 1981. 26 x 30, 239 pp., très nombreuses illustrations en couleurs et en N/B, reliure d'édition pleine toile, très bon état.
Reference : 38504
ISBN : 2092846809
Librairie Ausone
M. Michaël Collet
chaussée de Gand, 366, boîte 7
1080 Bruxelles
Belgium
32 (0)2 410 33 27
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, Brepols, 2022 Hardback, xxix + 320 pages, Size:210 x 270 mm, Illustrations:199 b/w, Language: English. ISBN 9782503602448.
Summary This study of the La Scala opera house uses the approaches of cultural history to explore the world of Milan's historic opera house at a crucial point in Italian History. It sheds new life on La Scala's public, its rules of attendance, management, as well as its central role in the Italian national movement (the «Risorgimento»). Based on unpublished archival sources, the book explores a world of secret gatherings, revolutionary conspiracies hatched in opera boxes, displays of power, the architectures of surveillance, and the symbolic and gendered politics of operatic performances; in this world even the central lamp of the opera house took on political significance. In the early nineteenth century, while Giuditta Pasta and Maria Malibran performed «Norma», box curtains were used for public demonstrations, keys of lateral doors were contested between the impresario and the police, and a monumental gas lamp was built and installed assembled in order to spy on the public. The central claim of the book is that a multifaceted cultural struggle was fought at La Scala. The argument is constructed through a rigorous approach to original sources and an extensive analysis of archivalmaterial. Thanks to these sources, the book makes an important, original contribution to the study of Italian history. TABLE OF CONTENTS Preface by Víctor Sánchez Sánchez Introduction Chapter 1. Italian Unification Chapter 2. The Risorgimento Movement in Milan Chapter 3. The Idea of Italy: Opera and Gendered Roles for the Risorgimento Movement Chapter 4. La Scala: A Civic Hegemonic Space Chapter 5. The Struggle of the Risorgimento at La Scala Chapter 6. Concluding Reflections on the Role of La Scala during the Risorgimento Bibliography Index of Names
Museo Teatrale alla Scala. Bestetti, Milano, 1945. In-4 gr., mz. pergamena editoriale, piatti in pelle con inc. in oro del Teatro, pp. 33, con una affascinante raccolta di 296 tavv. a colori e in b.n. che illustrano scenografie realizzate alla Scala (da Alessandro Sanquirico a Mario Zampini) e costumi (da Vittorio Accornero a Laura Tretti). Esemplare ben conservato..
Editions Terre de Brume / Terres Mystérieuses 2004. In-8 broché de 230 pages au format 14 x 24 cm. Magnifique couverture, à rabats, illustrée par Eric Scala. Dos carré. Plat et intérieur frais. Complet de la bande annonce. Préface de François Ducos. Savoureux pastiches de Bram Stoker, mettant en scène Abraham Van Helsing, chasseur de Vampires, avec de nombreuses photos et dessins in et hors texte. Un des 50 exemplaires numérotés sur rives ( n° 47 ), seul grand papier. Exemplaire signé par l'auteur au colophon, accompagné du marque pages, lui aussi numéroté, et de l'ex-libris avec de Abraham Van Helsing par Eric Scala, numéroté et signé par l'artiste. Etat superbe, proche du neuf. Edition originale. Rare.
Vente exclusivement par correspondance. Le libraire ne reçoit, exceptionnellement que sur rendez-vous. Il est préférable de téléphoner avant tout déplacement.Forfait de port pour un livre 8,50 €, sauf si épaisseur supérieure à 3 cm ou valeur supérieure ou égale à 100 €, dans ce cas expédition obligatoire au tarif Colissimo en vigueur. A partir de 2 livres envoi en colissimo obligatoire. Port à la charge de l'acheteur pour le reste du monde.Les Chèques ne sont plus acceptés.Pour destinations extra-planétaire s'adresser à la NASA.Membre du Syndicat Lusitanien Amateurs Morues
1983
In 8. Dim. 24x17 cm. Pp. (52). Interessante fascicolo sul concerto sinfonico tenutosi dall'Orchestra del Teatro alla Scala di Milano diretta da Lorin Maazel il 10 Luglio 1983 a Spoleto in occasione del 26° Festival dei due mondi. All'inizio numerose pagine di pubblicità (Coca Cola, Bose, Poltrona Frau, Monini ecc...), segue: Due messaggi incomparabili del Romanticismo di Gioacchino Lanza Tomasi, programma del concerto Sinfonia n. 4 in si bemolle maggiore op. 60, Sinfonia n. 6 in fa maggiore op. 68 "Pastorale. In discrete condizioni. Copertina editoriale in buone condizioni generali con lievi usure ai margini e dorso. Legatura in discrete condizioni con rotture. All'interno le pagine si presentano in ottime condizioni con rare fioriture. Interesting pamphlet about the synphonic concert held by the Orchestra del Teatro alla Scala di Milano directed by Lorin Maazel the 10th of July 1983 in Spoleto in occasion of the 26° Festival dei due mondi. At the beginning different pages of adevrtisings (Coca Cola, Bose, Poltrona Frau, Monini ecc...), then: Two messages of Romanticism of Gioacchino Lanza Tomasi, programme of the concert Sinphony n. 4 in si bemolle maggiore op. 60, Sinphony n. 6 in fa maggiore op. 68 "Pastorale. In fair conditions. Editorial cover in good general conditions slightly worn in the edges and spine. Binding in fair conditions with cracks. Inside pages are in very good conditions with occasional foxings.
Reference : albe19d0270617e64b6
Catalogo della Mostra di scenografia del Museo Teatrale e della Scala Catalogue of the exhibition of theatrical painting at the Theatre Museum and the Teatro La Scala. In Russian /Catalogo della Mostra di scenografia del Museo Teatrale e della Scala Katalog vystavki teatralnoy zhivopisi teatralnogo muzeya i Teatra La Skala. Mosca settembre 1964 Moscow-September 1964 Milano, 1964 108c. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalbe19d0270617e64b6.