Paris, René Drouin Editeur, 1948 in 4 broché de 32 pages
Reference : 9863
"Fac simile d'un texte d'Eluard; Reproductions en noir. Bel exemplaire. PRIX PORT ENVOI EN COLISSIMO INCLUS POUR LA FRANCE MÉTROPOLITAINE (Forfait de 5 euros déductible pour une remise en main propre. Nous consulter pour un envoi vers une autre destination)."
Librairie Pascal Corseaux
M. Pascal Corseaux
Quai de Conti
75006 Paris
France
33 06 81 87 53 59
Est présentée sur ce site une sélection de titres mise à jour régulièrement. Les prix indiqués sont nets et les frais de port à la charge du client. Les expéditions se font à réception du règlement. Les ouvrages sont garantis complets et en bon état, sauf indications contraires. J’accepte les règlements par chèque rédigés en euros, les mandats postaux les virements bancaires, les cartes de crédit Visa et Mastercard et les virements Paypal. Les réservations d'ouvrages ne pourront excéder une semaine. Adresse pour la correspondance: Pascal CORSEAUX, 68 rue du Château des Rentiers 75013 PARIS France (L’adresse Quai de Conti n’est pas une adresse postale) RCS PARIS A414713669 REP FR33731501JEEK
Paul Delvaux. Exhibition: Brussels, Palais des Beaux-Arts, 1944. 20 un-paginated pages printed in red and black with 8 black & white plates. 4 page introduction by Paul Fierens. Bound in simple saddle stitched paper wrappers. 18.25x13.5cms. Catalogue of an exhibition of 63 paintings, 33 watercolours and 5 drawings dating from 1936-1944 almost all of which were loaned by named private collectors. The exhibition ran from 16 December 1944, the day that Hitler launched 'the Battle of the Bulge', his last offensive on the Western Front, it closed on 14 January 1945. Following the occupation of Belgium this was the first exhibition to showcase not only works from prior to the occupation, but also works that he had produced during the war, such as La Ville InquiÚte.
Catalogue of an exhibition of 63 paintings, 33 watercolours and 5 drawings dating from 1936-1944 almost all of which were loaned by named private collectors. The exhibition ran from 16 December 1944, the day that Hitler launched 'the Battle of the Bulge', his last offensive on the Western Front, it closed on 14 January 1945. Following the occupation of Belgium this was the first exhibition to showcase not only works from prior to the occupation, but also works that he had produced during the war, such as La Ville InquiÚte.
Bruxelles et Paris, éd. Galerie Isy Brachot, 1987, in-4, cartonnage souple à rabats, couv. ill. d'un dessin en coul. de Delvaux, non pagine (62 pp.), papier glacé, très nb. reproductions d'œuvres en coul. et en noir de Paul Delvaux, Remarquable catalogue de l'exposition de l'œuvre de l'artiste belge Paul Delvaux dans la galerie Isy Brachot à Bruxelles et à Paris, en 1987 et 1988. Très belle présentation et choix d'œuvres, dont certaines en couleurs. Très bon état
Librairie spécialisée en gastronomie , œnologie et tabagie
Bruxelles, Bon état.
NB. Les commandes et questions sont traitées dans les 24h, les expéditions reprendront le 7 septembre. Tous les ouvrages de notre catalogue peuvent être consultés et retirés sous quelques jours à Saint-Gilles ou Paris, 5e arr. Merci de nous contacter.
, DI DONNA GALLERIES, 2013 Hardcover, 96 pages, ENG. edition, 300 x 255 x 14 mm, NEW !, illustrated in color / b/w.,***please handle with care, book has a velvet-like cover ***. ISBN 9780984044733.
Paul Delvaux, the subject of a modest exhibition at the Blain Di Donna gallery in Mayfair, was JG Ballard?s favourite painter. The writer prized him for the creation of a complete world. Ballard found that world curious and inviting. He said he could spend hours gazing at the pictures wishing he could escape into their alternate reality. Ballard was made of sterner stuff than me. The places Delvaux paints seem quiet but harsh, not much happens but they feel menacing. They are sparsely populated and lonely. On the other hand, Ballard had a point about how compelling and intriguing he made his vision. It is always either night or noon. The interiors are neo-classical apartments that belong to the European bourgeoisie from before the First World War, and they come with a full collection of Freudian indicators: locked doors, open windows, floors stripped down to the boards. The landscapes are either classical or barren and they have been emptied of all but a few people. The figures rarely interact with each other. No one speaks. The women always outnumber the men. They are thoughtful and distant, isolated but content and always utterly unapproachable. On the rare occasions they are clothed, it seems to be in the dress of the years before 1914: of Delvaux?s childhood.
Bon état.
NB. Les commandes et questions sont traitées dans les 24h, les expéditions reprendront le 7 septembre. Tous les ouvrages de notre catalogue peuvent être consultés et retirés sous quelques jours à Saint-Gilles ou Paris, 5e arr. Merci de nous contacter.