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COLLECTIF. - [VALADE B, FLEURY M, MONNIER F, TULARD J, VIGNE G, FIERRO A, RINUY P-L].
PARIS.
Paris, Cidatelles & Mazenod, 1997. In-4 relié plein cuir bordeaux, titre en lettres dorées sur le dos et le premier plat, étui bordeau bords en cuir, gardes en couleurs, tête dorée, 494 pages plus une double-page illustrée en couleurs non paginée. Annexes : cartes, Bibliographie, index.
Reference : 23829
SOMMAIRE : Préface par Bernard VALADE. - La naissance d'une ville des origines à la fin du haut Moyen-Age par Michel FLEURY. - L'expansion de la cité du Moyen-Age à la Renaissance par Guy-Michel LEPROUX. - La ville moderne de 1594 à la Révolution par François MONNIER et Bernard VALADE.- La Capitale du XIXè siècle du Directoire à 1914 par Jean TULARD, Bernard VALADE et Georges VIGNE. - Le nouveau Paris de la Grande Guerre à nos jours par Alfred FIERRO et Paul-Louis RINUY. 350 ILLUSTRATIONS EN COULEURS et 130 en NOIR ET BLANC. SOMPTEUSE INCONOGRAPHIE. EDITION ORIGINALE DE LUXE tirée à 350 exemplaires, n° 91. ETAT NEUF - (Ouvrage épuisé chez l'éditeur). Photos sur demande.
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5 book(s) with the same title
Paris, Capitale de la Perle / Paris, City of Pearls
Pouy, Leonard: Paris, Capitale de la Perle / Paris, City of Pearls. Exhibition: Paris, L'Ãcole des Arts Joailliers, 2024. 224 pages, illustrated in colour throughout. Hardback. 28 x 22cms. Accompanies the exhibition at the Ecole des Arts Joailliers, examining how pearls were used by Parisian jewellers and artists in the 1920s. 6 chapters look at pearls and their origins in the East, how the French conquered the pearl market, dealer Leonard Rosenthal, the pearl as a symbol of modernity, pearl mania in Paris, and the decline of the pearl trade in the second part of the 20th century. Text in French & English.
Accompanies the exhibition at the Ecole des Arts Joailliers, examining how pearls were used by Parisian jewellers and artists in the 1920s. 6 chapters look at pearls and their origins in the East, how the French conquered the pearl market, dealer Leonard Rosenthal, the pearl as a symbol of modernity, pearl mania in Paris, and the decline of the pearl trade in the second part of the 20th century. Text in French & English
Le PoinÃon de Paris. RÃpertoire des MaÃtres-OrfÚvres de la Juridiction de Paris depuis le Moyen-Age jusqu'à la Fin du XVIIIe SiÚcle. 5 volumes
Nocq, Henri: Le PoinÃon de Paris. RÃpertoire des MaÃtres-OrfÚvres de la Juridiction de Paris depuis le Moyen-Age jusqu'à la Fin du XVIIIe SiÚcle. 5 volumes. Paris: Leonce Laget, 1968. I. A-C. xvi, 326pp. II. D-K. vii, 371pp. III. L-R. vii, 442pp. IV. S-Z. viii, 293pp. V. SupplÃment. 96pp. In all, 250 monochrome illustrations, 876 line-drawings of hallmarks plus 54 monochrome plates. Cloth. 28x21.5cms. Standard work on goldsmiths of Paris from 1292 to the end of the 18th century. Includes 5511 goldsmiths. Text in French. Arntzen P492.
Standard work on goldsmiths of Paris from 1292 to the end of the 18th century. Includes 5511 goldsmiths. Text in French
Guillaume Jean Constantin (1755-1816): A Drawings Dealer in Paris
Jacoby, Joachim: Guillaume Jean Constantin (1755-1816): A Drawings Dealer in Paris. 2019. 188 pages, 75 colour illustrarions. Paperback. 25 x 19cms. Tracing the career of the influential Paris art dealer Guillaume Jean Constantin (1755-1816), an expert in estate evaluation, auctioneer and print publisher who also served as paintings curator to Empress JosÃphine. His transactions are reconstructed on the evidence of his dealer's mark applied to drawings - here identified for the first time - and unpublished material drawn from archives in Paris. His dealership in drawings is analysed with a focus on his business network within France and his contacts in England, Italy, Germany and Russia. His relationship with Johann Friedrich StÀdel, a Frankfurt collector and founder of the eponymous institute, is described in detail. Working in proximity to the contemporary art world, Constantin promoted living artists, among them his close friend Pierre-Paul Prud'hon.
Tracing the career of the influential Paris art dealer Guillaume Jean Constantin (1755-1816), an expert in estate evaluation, auctioneer and print publisher who also served as paintings curator to Empress JosÃphine. His transactions are reconstructed on the evidence of his dealerâs mark applied to drawings â here identified for the first time â and unpublished material drawn from archives in Paris. His dealership in drawings is analysed with a focus on his business network within France and his contacts in England, Italy, Germany and Russia. His relationship with Johann Friedrich StÀdel, a Frankfurt collector and founder of the eponymous institute, is described in detail. Working in proximity to the contemporary art world, Constantin promoted living artists, among them his close friend Pierre-Paul Prudâhon.
Paris Bordon
Mazzarolli, Antonio: Paris Bordon. Exhibition: Treviso, Palazzo dei Trecento, 1984. 157pp with 28 colour and 7 monochrome plates, 5 colour and 35 monochrome illustrations. Hardback. 25x23cms. Life and work of Paris Bordone, pupil of Titian. With documents and bibliography. Text in Italian.
Life and work of Paris Bordone, pupil of Titian. With documents and bibliography. Text in Italian
Ronfort, Jean NÃrÃe and Jean-Dominique Augarde
Reference : 075159
(2001)
ISBN : 2913436016
A l'ombre de Pauline. La rÃsidence de l'ambassadeur de Grande-Bretagne á Paris
Ronfort, Jean NÃrÃe and Jean-Dominique Augarde: A l'ombre de Pauline. La rÃsidence de l'ambassadeur de Grande-Bretagne á Paris. Paris: 2001. 110pp with 63 colour and 24 monochrome illustrations. Cloth. 30x24.5cms. The splendid collection of French Empire furniture and interiors put together by Pauline Bonaparte (nÃe Borghese) which is still housed at the British Embassy in Paris. Text in French.
The splendid collection of French Empire furniture and interiors put together by Pauline Bonaparte (nÃe Borghese) which is still housed at the British Embassy in Paris. Text in French
