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STASHKEVETCH joseph
DRAWINGS
Baldwin Gallery, Aspen, Etats-Unis, 2014.
Reference : 1544
Un volume in-4° Carré (28, 5 x28, 5 cm), Reliure rigide éditeur, dos noir lerttres argentées, 1er plat bordeaux avec une photo de Joseph STASHKEVETCH en noir, contrecollée. 95 pages de photos la plupart en noir, exposées cette année -là à la Galerie BALDWIN. En fin, on trouvera une chronologie (avec reproductions des photos) des expositions antérieures de Joseph STASHKEVETCH. Une oeuvre très rigoureuse où la photo est souvent, comme le titre l’indique, traîtée domme du dessin. Notre exemplaire fait partie de la première édition, limitée à 500. TRES BON ETAT. QUASI NEUF
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Librairie DHOUAILLY SAS
M et Mme Alain et Kyoko DHOUAILLY
33 01 43 47 01 20
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ATTENTION: Nous recevons nos clients éventuels seulement sur rendez-vous. Nous sommes également présents au Marché du Livre Parc Georges BRASSENS, 104 rue Brancion, 75015-PARIS. Sauf à l’occasion de grands évènements bibliophiliques. NOS SPÉCIALITÉS: Littérature ancienne et moderne, Cartonnages XIXème, Enfantina, Voyages et Extrême-Orient. Nous parlons JAPONAIS. Nous admettons toutes formes de PAIEMENT: chèque, CB, virement interbancaire, Paypal, American Express. L'option CB est fortement souhaitée car l'attente d'un chèque peut retarder de plusieurs jours la date d'expédition de la commande. Nos conditions sont conformes aux usages de la librairie ancienne et moderne (SLAM). Tous nos ouvrages sont complets et en bon état, sauf indications contraires. Nous adressons les livres par La Poste et le paiement des FRAIS DE PORT est à la charge du client : généralement, pour la France, les frais sont actuellement de 5 € minimum (dans le cas de livres de moins de 500g et de petit format). Au delà les prix seront à préciser en fonction du poids et de la taille, voire du mode d’expédition. Pour toute expédition à l'étranger, nous calculons les frais au cas par cas. Compte tenu de la valeur de certains livres, nous recommandons le tarif Colissimo avec garantie de "suivi". Tout règlement par Eurochèque ou par chèques en devise entrainera une majoration de 15 €.
5 book(s) with the same title
[Schippert & Co] - MARJULA, Anna ; [ BEEKHUIS, Hanna ] ; ( HANNAH, Barbara )
Reference : 57805
(1967)
The healing influence of Active Imagination in a Specific Case of Neurosis [ Unique and exceptional copy with autograph manuscripts and 12 original drawings: Anna Marjula mystery solved ! ]
A human document, with an Introduction by Barbara Hannah, 8vo paperback, Schippert & Co, Zurich, s.d. [ 1967 ], XII-128 pp. with 12 original colored drawings under an envelope pasted on guard, and autograph text in flemish on 14 leaves (letters, poems) in another one. Full Tite : The healing influence of Active Imagination in a Specific Case of Neurosis [ Unique and exceptional copy with autograph manuscripts and 12 original drawings: Anna Marjula mystery solved ! ]
Unique copy with 12 original colored symbolical drawings sometimes (3 of them with comments in english) and 14 leaves with manuscript text (3 letters and poems) in flemish. Most of this extra-material is not signed except three letters (two dated 13-5-73 and 28-10-74) signed "Tante Han" or “Hanna”, clearly original work by "Anna Marjula", pseudonym used to protect the identity of the author (The letter "E". On an envelop is written : "These drawings illustrate the fifth conversation with the Great Mother pages 26-27". Many early jungian analysts worked with Anna Marjula (Toni Wolff, Emma Jung or Barbara Hannah), but her real name remained unknown, until now (but we knew it was a pianist). Indeed, our research allowed us to identify the recipient, Ms. Parvati Chavoix-Jodjana ("Vati") but especially the author, who hides behind the pseudonym of Anna Marjula : the famous dutch pianist and composer Hanna Beekhuis (1889-1980) ! A newspaper clipping is joined on a postcard, (that we join), titled : "Gouden medaille voor Hanna Beekhuis" and here's the translation : "Gold medal for Hanna Beekhuis: Arnhem, 3 Oct. - The Dutch composer of chamber music works and songs, Hanna Beekhuis from Ellecom, who currently resides in Zurich, has won a gold medal and an honorary diploma with "Reflet du Japon", a composition for viola and viola at an international competition held in Buenos Aires". It is known she won this medal in 1961.Hanna Beekhuis resided in Zurich, and was previously in relationship with Carl Jung (28 letters or copy of letters between Jung and Hanna Beekhuis, from 1942 until 1960, would be kept in the ETH-Bibliothek). Barbara Hannah explains in her preface that “Professor Jung had, however, once spoken to Anna of including it in a volume of case histories, and, as he died before he had collected the other cases, she was naturally disappointed”. We identify well the identical writing of "Aunt Hanna" with that present on the handwritten drawings, and with the only autograph word reproduced in the work - "Eve".Our incredible copy comes from Parvati Chavoix-Jodjana, daughter of a famous javanese dancer in France, Raden Mas Jodjana (1893-1972) and his wife Raden Ayou. Hanna Beekhuis accompanied the dancer in the 1920s. Another interesting relation with Jungian Psychanalysis is that the Jodjana were friends with Kurt Binswanger and his wife Erica since 1935.Here's some translated extract on a signed letter : “You said me that your Father has become your Guru. What is a guru ? [… ] Your father told me that he was a free thinker. I am that too but Christianity [ … ] is still in blood”. In another one : "The Jodjanas" have meant a lot to me in the course of my life, especially your father, [ … ] your mother too”.
Versteigerungskatalog Nr. CXXXVII. Jagd. Bezüglich: I. Originalhandzeichnungen des 16.–19. Jahrhunderts. II. Persische Miniaturen des 16.–18. Jahrhunderts. III. Englische Original-Aquarelle und meist farbige englische Kupferstiche des 18. und 19 Jahrhunderts. IV. Deutsche, holländische und französische Kupferstiche des 16.–18. Jahrhunderts. A Large Collection of English Coloured Sporting Prints by and after H. Alken, Wolstenholme, Morland, Pollard, Rowlandson etc. Original Drawings and Watercolours by H. & S. Alken, S. Howitt, R. Hills etc. Mezzotints Printed in Colours by and after Morland, I. R. Smith, I. & W. Ward etc. Persian Miniatures. Old Master Drawings and Engravings. All relating to Hunting and Shooting. Versteigerung Freitag und Sonnabend, den 11. und 12. November 1921, vormittags 10 Uhr und nachmittags 3 Uhr
1 vol. in-4 reliure demi-maroquin brun, dos à 5 nerfs, couverture conservée, Durch C. G. Boerner, Leipzig, 1921, 87 pp., 5 planches en couleurs et 67 planches hors texte en noir, avec 588 numéros : Versteigerungskatalog Nr. CXXXVII. Jagd. Bezüglich: I. Originalhandzeichnungen des 16.–19. Jahrhunderts. II. Persische Miniaturen des 16.–18. Jahrhunderts. III. Englische Original-Aquarelle und meist farbige englische Kupferstiche des 18. und 19 Jahrhunderts. IV. Deutsche, holländische und französische Kupferstiche des 16.–18. Jahrhunderts. A Large Collection of English Coloured Sporting Prints by and after H. Alken, Wolstenholme, Morland, Pollard, Rowlandson etc. Original Drawings and Watercolours by H. & S. Alken, S. Howitt, R. Hills etc. Mezzotints Printed in Colours by and after Morland, I. R. Smith, I. & W. Ward etc. Persian Miniatures. Old Master Drawings and Engravings. All relating to Hunting and Shooting. Versteigerung Freitag und Sonnabend, den 11. und 12. November 1921, vormittags 10 Uhr und nachmittags 3 Uhr
Very good copy (with the auction's results, ex-libris Hans Dedi)
THE COSTUME OF THE NETHERLANDS, displayed in thirty coloured engravings after drawings from nature by Miss Semple; with descriptions in English and French.
1817 London: Ackermann, 1817. In-folio: 27 x 36 cm, 2 ff., 30 pp., 30 pl. grav. Edition originale de ce recueil de costumes des Pays-Bas. Page de titre gravée par Bartlett. Ouvrage illustré de 30 aquatintes hors-texte en couleurs, imprimées par Ackermann d'après les dessins de Miss Semple et entièrement rehaussées à la main. Chaque planche est accompagnée de sa description en anglais et en français. Elégante reliure de l'époque en maroquin rouge à longs grains. Dos à 5 nerfs plats richement ornés, titre, dentelles et caissons dorés. Plats décorés d'arabesques dorées encadrées de dentelles à froid et de roulettes dorées. Roulettes intérieurs à motif de feuilles de vigne, gardes recouvertes de soie bleue. Tranches dorées. Ex-libris: Lord Farnham. Traces de frottement aux coiffes, aux gouttières, et aux coins. Gravures propres et fraîches. Ouvrage en très bel état luxueusement relié et bien complet de toutes les gravures.
[English. London : Ackermann, 1817. Folio : 27 x 36 cm, 2 ff., 30 pp., 30 engr. col. pl. First edition. Title page engraved by Bartlett. Illustrated with 30 hand-colored inserts aquatints, printed by Ackermann after Miss Semples drawings. Each plate has an English and a French description. Very elegant contemporary long grain red morocco binding. Flat bands on spine, with gilt title and panels. Large gilt arabesques on covers, framed with fillet rolls. Doublures rolled with gilt vine leaves. Blue silk endpapers. Gilt edges. Ex-libris: Lord Farnham. Hinges, headcaps and corners lightly rubbed. Engravings and paper clean. Very nice copy, luxuriously bound, complete with all color plates.].
Drawings of Peter Paul Rubens, A Critical Catalogue vols; 1-6, - 6 VOLUMES SET catalogue raisonné of all drawings. * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume One (1590?1608) 2 vols. * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Two (1609?1620) 2 vols. * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Three, 1621?1640) 2 vols Part One: Text and Part Two: Plates
, Brepols - Harvey Miller, 2021-2023-2025 6 vols., 536 pages + 732 + 555 pages, 216 x 280 mm , 260 + 291 colour ill., English, Hardcovers, **NEW. ISBN 9782503595702.
This is the 6 -volume catalogue raisonné of all drawings considered by the authors to be by Rubens. It covers the years 1590- 1608, Volumes II and III dealing, respectively, with the periods 1609-20 and 1621- 40 and * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume One (1590?1608) * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Two (1609?1620) * The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Three, 1621?1640 It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement provides the user with a quick visual impression of the variety of techniques, media, subject and functions of Rubens?s drawings at an one time. Volume I consists of the drawings of the artist?s childhood, apprenticeship and first years as a master in Antwerp to his formative years in Italy, spent mostly in Mantua and Rome, with an excursion to Spain. These are the years primarily devoted to learning and absorbing the art of the past, from sixteenth-century German and Netherlandish prints to the works of the ancient and Italian Renaissance masters. A large number of these drawings consists of copies after the works of other artists, largely executed as part of the artistic training at the time. For the first time, Rubens's copies and their models are not discussed and illustrated as a separate entity but are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. In addition, Volume I contains an essay on the history of the scholarship of Rubens?s drawings, a subject that has not been treated before. All drawings by Rubens and the works by other artists he copied as well as a selection of other comparative images are reproduced in color. This is Volume II in the three-volume catalogue raisonné of the drawings by Rubens covering the years 1609?20. The project is a collaboration between Anne-Marie Logan, to whom belong all the Rubens attributions, and Kristin Lohse Belkin. It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement offers the user a quick visual impression of the variety of techniques, media, subject matter and functions of Rubens?s drawings at any one time. Accordingly, Volume II consists of the drawings from the time of Rubens?s return from Italy and the establishment of his workshop in Antwerp to the completion of his contribution to the furnishing and decoration of the city?s new Jesuit church, today?s St. Charles Borromeo. The decade is characterized by a broad range of genres and iconography: large altarpieces stand next to cabinet-size pictures, book illustrations next to designs for tapestry, sculpture and architectural reliefs; religious, mythological and historical subjects alternate with allegories, portraits, exotic hunts and scenes from country life. Copies after other artists? works that constitute such a large part of Rubens's early years discussed in Volume I have given way to original inventions in pen and ink and, above all, by life studies in chalk of the human body, naked or dressed. The whole spectrum of Rubens's extraordinary creativity, nowhere presented as directly and immediately as in his drawings, is there to be contemplated in all its astonishing diversity. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. All drawings by Rubens as well as a selection of comparative images are reproduced in color.
[STREATFIELD FAMILY.- Streatfeild (Rev. Thomas, antiquarian and churchman, 1777-1778) & Captain Robert Streatfeild (1786-1852) and others [?]].
Reference : 4669
(1810)
[3 carnets de dessins et croquis / 3 notebooks of drawings and sketches].
s.L , s.d. [c.1810-1815]. 1810 2 carnets in-12° oblong (121 x 190 mm et 119 x 165 mm) et 1 carnet in-8° (180 x 115 mm) de : I. 49 dessins à laquarelle et croquis au crayon gris ; 1 note manuscrite détachée décrivant les conditions météorologiques sur une semaine ; filigranes J. Whatman 1810 ; II. 32 dessins et croquis au crayon gris ; inscriptions et calculs au début et à la fin du carnet au crayon gris ; III. 16 dessins et croquis au crayon gris ; 4 photos en couleur ; notes et calculs au début et à la fin du carnet ; étiquette de libraire: Made & Sold by E. William, Stationer to the Duke & Duchess of York N°11 Strand ; filigranes: W. Turner & Son, Budgen & (...) 18(..) et J. Green 1813. Soit un total de 97 dessins et croquis et 4 photos. (Quelques feuillets détachés et tarces d'arrachement, salissures et défauts d'usage). I. Demi-maroquin rouge à grain long à coins et porte-crayon dépoque, dos lisse orné de filets dorés, plats recouverts de papier vert, vestiges dun fermoir ; II. Plein maroquin rouge à grain long avec porte-crayon, dos lisse muet ; III. Demi-chagrin noir dépoque, dos muet, plats recouverts de papier marbré, dos lisse muet. (Frottements et défauts dusage).
Trois carnets de dessins et croquis provenant de la famille historique anglaise Streatfeild originaire de Chiddingstone (Kent). Les membres de la famille Streatfeild étaient d'importants propriétaires dans le Sussex, le Surrey et le Kent, et ont contribué à façonner ces comtés au cours des 17e et 18e siècles. Le siège de la famille était le château de Chiddingstone (à l'origine High Street House) et leur histoire remonte au XVIème siècle avec son plus ancien descendant connu: Robert Streatfeild de Chiddingstone (1514 - 1599). De part la ressemblance frappante entre leurs armoiries, la famille Streatfeild est très probablement une branche cadette de la noble maison de Stratford. Le premier carnet contient 49 dessins à laquarelle et croquis au crayon gris représentant des études de paysages, de bâtiments et de navires et de moulins à vent. Les dessins à laquarelle sont particulièrement bien exécutés tandis que les dessins au crayon gris se distinguent par leur finesse. Le carnet est agrémenté dune note manuscrite détachée avec 8 lignes de dates et de coordonnées géographiques avec les conditions météorologiques décrites pour chaque jour. Le second album comporte 32 dessins et croquis variés au crayon gris de paysages, maisons de campagne, ruines et détails architecturaux d'églises. Le dernier carnet débute avec 4 photos en couleur de dessins très probablement exécutés par un membre de la famille Streatfeild. En outre, il comporte 16 dessins et croquis et dessins au crayon gris ou à lencre représentant majoritairement des plans de maisons sous différents angles. Un certain nombre de dessins du capitaine Robert Streatfeild (1786-1852) ont été proposés chez Christie's en 2016 dans la vente Old Master Drawings and British Drawings and Watercolours (lots 144-150), et si ces dessins étaient à plus grande échelle, on note des similitudes d'exécution notables avec certaines aquarelles et croquis des présents albums. Le British Museum détient également un carnet de croquis du révérend Thomas Streatfeild (1777-1848 ; antiquaire et homme d'église renommé) présentant dimportantes ressemblances à nos carnets de dessins (voir BM n° 1969,0208.4-10). 2 oblong 12mo notebooks (121 x 190 mm and 119 x 165 mm) and 1 8vo notebook (180 x 115 mm) of: I. 49 watercolor drawings and gray pencil sketches; 1 detached handwritten note describing weather conditions over a week; watermarks "J. Whatman 1810"; II. 32 gray pencil drawings and sketches; inscriptions and calculations at the beginning and end of the notebook in gray pencil; III. 16 drawings and sketches in gray pencil; 4 color photographs; notes and calculations at beginning and end of notebook; bookseller's label: "Made & Sold by E. William, Stationer to the Duke & Duchess of York N°11 Strand"; watermarks: "W. Turner & Son", "Budgen & (...) 18(..)" and "J. Green 1813". A total of 97 drawings and sketches and 4 photographs. (Some detached leaves and tears, soiling and defects of use). I. Half red long-grained morocco with corners and pencil holder, smooth spine decorated with gilt fillets, boards covered with green paper, remains of a clasp; II. Full red long-grained morocco with pencil holder, smooth mute spine; III. Vintage black half-chagrin, muted spine, marbled paper covered boards, muted smooth spine. (Rubbing and defects of use). Three sketchbooks from the historic English Streatfeild family of Chiddingstone, Kent. Members of the Streatfeild family were prominent landowners in Sussex, Surrey and Kent, and helped shape these counties during the 17th and 18th centuries. The family seat was Chiddingstone Castle (originally High Street House) and their history dates back to the 16th century with its earliest known descendant Robert Streatfeild of Chiddingstone (1514 - 1599). Because of the striking resemblance between their coats of arms, the Streatfeild family is most likely a younger branch of the noble house of Stratford. The first notebook contains 49 watercolor and gray pencil sketches depicting studies of landscapes, buildings, ships and windmills. The watercolor drawings are particularly well executed while the gray pencil drawings are distinguished by their finesse. The notebook is embellished with a detached handwritten note with 8 lines of dates and geographical coordinates with weather conditions described for each day. The second album contains 32 various drawings and sketches in grey pencil of landscapes, country houses, ruins and architectural details of churches. The final booklet begins with 4 color photographs of drawings most likely executed by a member of the Streatfeild family. In addition, there are 16 sketches and drawings in gray pencil or ink, mostly of house plans from various angles. A number of drawings by Captain Robert Streatfeild (1786-1852) were offered at Christie's in 2016 in the sale "Old Master Drawings and British Drawings and Watercolours" (lots 144-150), and while these drawings were on a larger scale, there are notable similarities in execution with some of the watercolors and sketches in the present albums. The British Museum also holds a sketchbook of the Reverend Thomas Streatfeild (1777-1848; noted antiquarian and churchman) with significant similarities to our drawing books (see BM No. 1969,0208.4-10).
