Broché, 22X14 cm, 2002, 540 pages, Seuil. Très bon état.
Reference : 15786
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, Hannibal Books, 2024 Hardcover, 29 24 cm -208 pagina's Tweetalige editie Nederlands-Engels, Quadrichromie afbeeldingen . ISBN 9789464941029.
Kleurrijk overzichtswerk van beeldend kunstenaar Hans Vandekerckhove ?Silence is a message. De titel van dit boek is niet toevallig gekozen. In de schilderijen van Hans Vandekerckhove heerst stilte: een oorverdovende maar weldadige stilte, even weldadig als hun intense kleuren en golvende, bijna flu de vormen.? ? Eric Rinckhout In zijn oeuvre omarmt kunstenaar Hans Vandekerckhove ( 1957) op een persoonlijke en meeslepende manier de complexiteit van het leven. Zijn werk is een harmonieuze fusie van persoonlijke indrukken, kunsthistorische verwijzingen en een diepgaande, intieme connectie met de natuur, architectuur en de mensen om hem heen. In zijn unieke benadering combineert Vandekerckhove de eeuwenoude frescoschilderkunst uit de vroege renaissance met de verfijnde glacistechniek van de Vlaamse primitieven. Het resultaat is een po tische beeldtaal die balanceert op de grens tussen tastbare verwondering en een wereld vol kwetsbaarheid. Met tekstbijdragen van Eric Rinckhout, Christophe Vekeman, Peter Verhelst en Els Wuyts -------------------Colorful survey of the work of visual artist Hans Vandekerckhove ?Silence is a message. The title of this book is anything but accidental. Silence rules in Hans Vandekerckhove?s paintings: a deafening but salutary stillness, as salutary as their intense colours and undulating, almost fluid shapes.? ? Eric Rinckhout In his work, Hans Vandekerckhove (b. 1957) embraces the complexity of life in a unique and compelling way. His art is a harmonious synthesis of personal impressions, art historical references and a deep, intimate connection with nature, architecture and his environment. Vandekerckhove?s distinctive approach combines early Renaissance fresco techniques with the refined glazing of the Flemish Primitives. The result is a poetic visual language that hovers between tangible wonder and a world full of vulnerability.
, Hannibal Books, 2022 Hardcover 300 x 243 mm, 320 pages, ENG/ FR. edition, Fine!. ISBN 9789464366358.
David Claerbout is bekend om zijn video-installaties die hij wereldwijd tentoonstelt. Sinds zijn eerste videowerken midden jaren negentig won zijn werk snel aan complexiteit. De virtuele fotografie deed zijn werk en denken evolueren naar een verregaande synthetische beeldpraktijk die hem op het voorplan van de nieuwe mediakunst heeft geplaatst. Van daaruit ontwikkelde Claerbout een kritiek over de impact van de desintegratie van het vertrouwde fotografische beeld op het niveau van de waarneming en de (zintuiglijke) cognitie en de verregaande sociale en politieke gevolgen. Deze rijk ge llustreerde publicatie presenteert een selectie van werken van de afgelopen tien jaar. In een interview met Jonathan Pouthier, filmcurator voor het Centre Pompidou in Parijs, spreekt David Claerbout voor het eerst in de diepte over deze werken in relatie tot actuele discussies over fotografie, film en het virtuele. De publicatie valt samen met de Bi nnale van Veneti 2022 en solotentoonstellingen in onder meer M nchen, Berlijn, Boedapest en New York. //// Long-awaited monumental monograph on the work of David Claerbout In a conversation with Jonathan Pouthier, curator of the cinema programme of the Mus e National d?Art Moderne, Centre Pompidou (Paris, France), video artist David Claerbout reflects for the first time in depth on his work of the past decade in relation to current discussions about photography, film and the virtual. The Silence of the Lens offers a unique insight into the creative process behind such recent video works as The Close, Aircraft (F.A.L.), Wildfire (meditation on fire), The Confetti Piece and The Pure Necessity. The publication coincides with the Venice Biennale 2022 and solo exhibitions in various cities including Munich, Berlin, Budapest and New York. //// David Claerbout is known for his video installations, which he exhibits worldwide. From the time of his first video works in the mid-1990s, his work rapidly gained in complexity. Virtual photography pushed his work and thinking towards a far-reaching synthetic visual practice that placed him at the forefront of the new media art. From that position, Claerbout developed a critique of the impact of the disintegration of the familiar photographic image at the level of perception and (sensory) cognition and its profound social and political consequences. This richly illustrated publication presents a selection of works from the past ten years. In an interview with Jonathan Pouthier, film curator at the Pompidou Centre in Paris, David Claerbout speaks in depth for the first time about these works in relation to current discussions about photography, film and the virtual. The publication coincides with the Venice Biennale 2022 and solo exhibitions in various cities including Munich, Berlin, Budapest and New York.
, Bruxelles, Editions Labor et Archives, 1990., Broche, couverture d' editeur illustre en couleur, 15x21,5cm, 129pp.
Collection Archives du Futur. Essai sur la poesie de Georges Rodenbach.
Turnhout, Brepols, 2004 Hardback, XIV+224 p., 5 b/w ill., 160 x 240 mm. ISBN 9782503514888.
This book aims to collect and present the results of research done within the context of the project 'The voice of silence / La voz del silencio: An interdisciplinary research project about literate women and women authors in the West-European late Middle Ages (11th to 15th centuries) from a gender perspective'. The project was a bilateral research project, with participants of the University of Santiago de Chile on the one hand and Universiteit Gent on the other. Medieval scholars, literary historians, cultural historians and literary theorists joined forces. The angle from which the material was being studied, however, was always the same: gender being the central issue. The project focused on women as participants in late medieval society and culture. Indeed, all the researchers involved acquired their expertise in the field of 'medieval society and culture' and/or the field of women's literacy. Several members of this Flemish-Chilean project have contributed an essay to the proposed book, but supplemented by guest contributions. The guests are internationally renowned scholars reflecting an expertise in gender studies or in an aspect not covered by the team members of the project. Thus, the book contains essays by Anglo-American medieval scholars and researchers specialised in Dutch medieval mysticism. Their contributions complete the research results of the project, especially within the art of criticism. The story told in this book is focused on literate women and gender. In the course of the twelfth and thirteenth centuries, the voices of women authors, many of them religious and mystics, resounded again in a literate society dominated by clerics. Two of the most famous representatives of this 'female voice' are highlighted in Part I. These women were the forerunners of a new reading culture among (semi-)religious and even lay women in which the use of the vernacular was a decisive factor (Part II). Yet, from the thirteenth century onwards, and with increasing intensity towards the end of the Middle Ages, men once more tried to get a grip on (religious) women's reading and writing. Aspects of these attemps are illustrated in part III. Languages : English.
, de maule editeur, 1987 relie+ couverture, 89pages illustre, bon etat. Abondantes reproductions couleurs a pleine page. ISBN 2876230119.
numerote : exemplaire nr 41/ 99