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BLANC (Charles)
La sculpture.
Paris, Henri Laurens (coll. "Bibliothèque d'Histoire et d'Art"). sans date. In-8°, 275p. Reliure pleine percaline d'éditeur, décor doré sur les plats [Engel].
Reference : 42095
Ouvrage orné de 108 gravures par Libonis. Quelques pâles rousseurs, sinon exemplaire en parfaite condition.
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Le Cabinet d'Amateur
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Conformes aux usage de la librairie ancienne. Prix nets en francs suisses. Paiement par virement bancaire ou via PAYPAL. Frais d'envoi à la charge du destinataire. Tous nos livres sont garantis en bon état, sauf mention contraire. Toute réclamation devra se faire dans les 10 jours qui suivent la réception de la marchandise.
5 book(s) with the same title
[MUSEE DES MONUMENTS FRANCAIS.] Musee de sculpture comparee du Trocadero.
Reference : 21330
Musee de sculpture comparee du Trocadero. Les chefs-d'oeuvre d'art decoratif (sculpture et architecture) du XII au XIX siecle.
Paris, Ch. Massin - Librairie generale de l'architecture et des arts decoratifs, (vers 1900),In-folio reliure demi basane dos lisse, 4 pages et 120 planches en phototypie.
bon etat Remise de 20% pour toutes commandes égales ou supérieures à 200 €
Le Musée imaginaire de la sculpture mondiale. ( tome 1 de la série )
1952 P., Gallimard,coll. "Galerie de la Pléiade" , 1952, 1 vol. in-4, cart. éd. d'après une maquette de Paul Bonet. (L.) edition originale cartonnage de l'éditeur ornés sur les plats et les dos de compositions en couleurs dessinées par Paul Bonet.Edition originale,. Comprend : I : Le Musée imaginaire de la sculpture mondiale. . J.E. Huret, Les Cartonnages NRF. Bibliographie, n 332. exemplaire non numéroté.,bon état,-5 EME VOLUME DE LA COLLECTION LA GALERIE DE LA PLEIADE.- ouvrage de référence en matière de sculpture; il fut suivi de deux autres ouvrages; le travail le plus complet sur la sculpture.
Tirage numéroté sous cartonnage de Paul Bonet limité à 11.250 ex, Remise de 20% pour toutes commandes égales ou supérieures à 200 €
La sculpture et la gravure en France au XIXe siècle. -
1890 Paris, Librairie illustrée,(1890) Les chefs-d'oeuvre de l'art au XIXe siècle.[Vol. 5] (Ouvrage de Grand Luxe). grand in4 ,168 pages- reliure demi chagrin rouge,dos à caissons dorés,20 eaux fortes originales ht sur chine collé,dont MERYON passerelle du Pont au Change (après l'incendie de 1621, 1860),JACQUES C.,LALANNE,BRACQUEMOND,LEGROS,Gaillard,etc
rousseurs aux deniers feullets,bon etat,frais,rare complet. Remise de 20% pour toutes commandes égales ou supérieures à 200 €
FLORAISON DE LA SCULPTURE ROMANE I ( tome 1 ) Les grandes découvertes
1973 Zodiaque, La Pierre qui vire, 1973. Tome 1. Collection "Introduction à La Nuit des temps" N°7. 1° édition. 416p. f.pt.in-4 (177mm x 224mm) 972g. Très nombreuses photos en noir et blanc et couleurs, dessins, plans, cartes. Intérieur comme neuf. Reliure rigide toile, dos lisse avec titrage gaufré et jaquette illustrée en couleurs,
L'ouvrage dresse un panorama très complet de la sculpture romane en Bourgogne. "Deux volumes [étaient] nécessaires pour réaliser un tel dessein ; deux volumes, mais surtout le talent d'un homme qui n'est pas seulement un "spécialiste" en art et en histoire, mais qui a plus encore cette connivence secrète et essentielle avec l'art roman et l'époque romane qui lui permet de dépasser les froides données de l'analyse et de tenter l'indispensable et toujours périlleuse synthèse, ici plus nécessaire que jamais" Remise de 20% pour toutes commandes égales ou supérieures à 200 €
Emerging Naturalism: Contexts and Narratives in European Sculpture 1140-1220
, Brepols - Harvey Miller, 2020 Hardcover, 436 pages, 156 b/w ill. + 18 colour ill., 220 x 280 mm, Languages: English. ISBN 9782503574486.
For many decades, specialists in Romanesque and Early Gothic art and architecture have questioned the usefulness of traditional stylistic terminology. It is regarded as having limited relevance insofar as it fails to reflect the complexity and plurality of the period under discussion. Nor does it embrace functional, formal or iconographic specificities. Despite these deficiencies, we still have no better way of referring to the art of the period than Romanesque, Late Romanesque or Early Gothic which we make yet more cumbersome by adding a geographical or political term. Of the various media which were affected by artistic innovation in Europe during the second half of the 12th century, particular attention has been paid to stained glass, manuscript illumination, metalwork and enamel. Monumental sculpture was equally subject to profound change during the period, in addition to developing in directions that were largely independent of other media. As a result, late Romanesque sculpture extends across the period from 1140 to 1220, from Saxony to Galicia, though it is still impossible to encapsulate in a single statement what this complex network represented. However, the attainment of a compelling naturalism does seem to have been a shared aspiration among Latin European sculptors. Emerging Naturalism: Contexts and Narratives in European Sculpture 1140?1220 offers a panoramic analysis of this artistic landscape, focused on a central issue in medieval European artistic production. To narrow this field of study, the book concentrates on the innovations and solutions adopted in the great church workshops of western Europe. Gerardo Boto Varela teaches art history at the Universitat de Girona (Spain), is leader of the international research group Templa, and scientific editor of the journal Codex Aquilarensis. Revista de Arte Medieval. His research concentrates on spatial, pictorial, and liturgical aspects of Spanish ecclesiastical architecture from the tenth to thirteenth centuries, as well as on dynastic tombs and memorial culture in Medieval Iberia. Marta Serrano Coll teaches art history at the Universitat Rovira i Virgili in Tarragona (Spain) and specializes in Medieval architecture and sculpture, particularly in Catalonia. Her research interests include the display of power through artworks and royal patronage in the Iberian Peninsula during the Middle Ages. In addition, she has published in the field of Romanesque sculpture and hagiographical studies. John McNeill teaches at Oxford University?s Department of Continuing Education, and is Honorary Secretary of the British Archaeological Association, for whom he has edited and contributed to volumes on Anjou, King?s Lynn and the Fens, the medieval cloister, and English medieval chantries. He was instrumental in establishing a biennial International Romanesque Conference Series and has a particular interest in the design of medieval monastic precincts. Table of Contents Emerging Naturalism and a New Medieval Morphology ? Herbert L. Kessler I.Shaping Late Romanesque Sculpture. Balance and Perspective The Attainment of a Compelling Naturalism in Sculpture c. 1200 ? Gerardo Boto Varela What is So-Called Late Romanesque Sculpture? ? Xavier Barral i Altet II. Late Romanesque / Early Gothic Sculpture in European Cathedrals (1140?1220) The Role of Burgundy in the Development of the First Column-Statues ? Marcello Angheben Late Romanesque Sculpture and the Cathedrals of South-Western France ? Quitterie Cazes An Enigma Put Aside. The Origin and Interpretation of a Decontextualized Capital from Saint Trophime at Arles ? Juan Antonio Olañeta Around and After 1200. Old and New Concepts of Monumental Sculpture in the German Territories of the Holy Roman Empire ? Claudia Rückert Sculpture and Liturgy: Monuments and Art Histories of Southern Italy (c. 1150?1250 and Beyond) ? Elisabetta Scirocco Old Testament Sacrifice and Thirteenth-Century Tithe: Cain and Abel in the Architectural Sculpture of the Holy Roman Empire ? Stephanie Luther Late Romanesque Sculpture in England. How Far Can the Evidence Take Us? ? John McNeill The Gothic Last Judgment Portal c. 1210. Visual Strategies and Communicative Function ? Bruno Boerner Aesthetics and the Imitation of Antiquity in Early Gothic Sculpture ? Laurence Terrier Aliferis III. Sculptural Visualisations in the Cathedrals of the Iberian Kingdoms (1160?1220) The Reception of Burgundian Models in the Second Half of the Twelfth Century and the Naturalist Redefinition of Romanesque Sculpture in Castile ? Marta Poza Yagüe Master Mateo and the Cathedral of Santiago at the End of the Twelfth Century ? Ramón Yzquierdo Peiró Late Romanesque Sculpture in the Kingdoms of Leon and Castile: Continuity or Change? ? José Luis Hernando Garrido & Antonio Ledesma Romanesque Sculpture in Portuguese Cathedrals: Models, Continuity and Adaptation ? Carla Varela Fernandes & Paulo Almeida Fernandes The Meaning of the Romanesque Sculpture in the Cámara Santa at the Cathedral of Oviedo ? César García de Castro Valdés Images and Stories: The Transformation of Space in the Cathedrals of the Ebro Valley ? Esther Lozano López The Vault Corbels in the Cloister of Tarragona Cathedral: Shaping a New Pictorial Corporeality that Goes Beyond the Late Romanesque ? Gerardo Boto Varela & Marta Serrano Coll
