Ecole des arts et métiers graphique d’Amsterdam, 1968, in-8vo, ill. par 13 gravures sur bois d’Hans Vleugels, brochure originale.
Reference : 127127aaf
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COIGNARD, Jérôme ; DAVID-WEILL, Hélène (avant propos) ; SARTRE, Josiane (préface)
Reference : 20399
(2002)
ISBN : 290142273X
Union Centrale des Arts Décoratifs, Le Passage - Bibliothèque des Arts Décoratifs 2002 In-12, broché couv. illustrée, photographies et illustrations en noir et en couleurs, 135 pp. Très bon état.
Lorsque vers 1885, le grand amateur d’art et collectionneur Jules Maciet (1846-1911) franchit le seuil de la bibliothèque des Arts décoratifs, il comprend que les livres seuls ne peuvent satisfaire la demande des artistes et artisans : “Il faudrait des images, beaucoup d’images”, dit-il. De cette intuition naît une aventure inouïe. Maciet va se consacrer à la constitution d’une gigantesque banque d’images. Bon état d’occasion
Paris, NRF, 1947 - 1954, in-12, broché sous couverture rempliée, 56 & 58p. Bon état.
, Brepols - Harvey Miller, 2005 Hardcover. X 546 p., 141 b/w ill. 19 colour ill., 160 x 240 mm, Languages: English, Latin, Fine copy. Including an index. ISBN 9782503514376.
The interactions between non-verbal and verbal forms of communication, more in particular the relations between visual symbols other than writing and the recording of speech in writing, are important for the evaluation of both images and texts.<br>In recent years the relations between images and texts have benefitted from an increase in scholarly attention. In medieval studies, art historians, historians, codicologists, philologists and others have applied their methods to the study of illuminated manuscripts and other works of art. These studies have shifted from a concern about the contents of the messages contained in the artefacts (e.g. in iconography) to an interest in the ways in which they were communicated to their intended audiences. The perception of texts and images, their reception by contemporaries and by later generations have become topics in their own right. The analysis of individual manuscripts and works of art remains the basis for any consideration of their transmission and uses. Yet the time has come for an evaluation of the results of recent work on medieval communication. The interactions between non-verbal and verbal forms of communication, more in particular the relations between visual symbols other than writing and the recording of speech in writing, are important for the evaluation of both images and texts.<br>According to some, medieval images may be ?read?. According to others, the perception of images is fundamentally different from that of texts. Do images have a morphology (colours, lines, planes), a syntax and semantics of their own? In other words: do both texts and images have a ?grammar?? Is it useful to speak of ?visual literacy?? Can texts be considered as images? How are texts and images perceived? Do they communicate different kinds of messages? Can an image?s message be put into words? In which social contexts does medieval man prefer the visual to the textual? What about the interplay of texts and images (e.g. in rituals and ceremonies)? Do we observe an evolution in the perception of images due to the development of a literate mentality? These are some of the questions discussed in the contributions to this volume.
1971 1 vol in-8 broché - 160 pages - 26ème année - N° 4 - 4ème trimestre 1971
Bon état de conservation