Minneapolis, Walker Art Center / Eidhoven, Stedelijk Van Abbemuseum / Amsterdam, Meulenhoff, Landshoff, 1987, in-4to, 154 p., richement ill. couleurs des oeuvres de Jan Dibbets, brochure originale.
Reference : 111824aaf
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, Universitaire Pers Leuven, 2014 softcover,272pp. Illustrated. Fine copy.english only. 230 x 170 mm, ISBN 9789058679918.
The first monograph covering Dibbets's iconic photographic oeuvre Dutchman Jan Dibbets ( b. 1941) is one of the principal artists to have introduced photography into the plastic arts, and this as early as the 1960s. At a time when photography has massively invaded contemporary art institutions?not without generating confusion and excess?it is not easy to evaluate the full radicality of Dibbets's approach. This radicalism has nothing to do with modernist overkill. Dibbets did not merely go further than others; rather, he simply went elsewhere. Beginning in 1967, he embarked on a long-range project which, as we advance into the 21st century, he seems not to have abandoned: the "pictorializing" of photography. Jan Dibbets is one of the few artists of his generation and reputation not to have seen his oeuvre accorded full monographic coverage. This exhaustive study seeks to fill this gap by covering almost fifty years of his photographic oeuvre.
, Silvana Editoriale, 2015 HB, 270 x 215 mm, 120 pages, 65 colour illustrations. ENG/ IT edition. 27 x 21.5cm. ISBN 9788836630196.
This monograph is dedicated to Jan Dibbets, Dutch photographer born in Weert in 1941 who lives and works in Amsterdam, and it presents a vast and exhaustive excursus among the artist's most important works, beginning from his debut in the late 1960s to today. Among the pioneers of Conceptual Art, and part of the emergence of Land Art as well as Arte Povera, from the late 1960s Dibbets has been one of the very first to single out a use for photography as a 'thinking' tool, carrying out a revolution the consequences of which have been further amplified in the present digital age." In dialogue with some of the most salient moments of Western art culture, from Dutch painting to Italian art, and the relating theories on form and perspective, Dibbets's inquisitive mind knows how to create an innovative, individual course that has contributed in turn to establishing new artistic languages. The book, curated by Marcella Beccaria and Rudi Fuchs, include rare works, almost never shown in public in so far as housed for decades in private collections, and it is completed by the artis's biography.
Paris, Musée d'Art Moderne de la Ville de Paris, 2016 ; in-folio, 260 pp., cartonnage d'éditeur. Nombreuses illustrations en noir et blanc.
Paris, Musée d'Art moderne de la Ville de Paris, 2016. 32 x 22 cm, 260 pp. Nombreuses photographies. Relié cartonnage d'éditeur légèrement poussiéreux sinon bon exemplaire.
Editions Cercle d'Art 1998 In-4 relié 32,8 cm sur 25,4. 228 pages. Bon état d’occasion. 146 illustrations dont 111 en couleurs
Jean Dibbets commença à juxtaposer des instantanés photographiques, par exemple, pour fixer des instants de perception aigue, afin de reconstituer un cycle temporel. Dans ses oeuvres la photographie est employée pour donner un ryhtme au temps, ou pour le figer. Très bon état d’occasion