‎Vaks Ya, I.‎
‎Painted‎

‎Karnak-Nord XI. The Painted Pottery of the New Kingdom.‎

‎<div id="txt-lg-2" class="resume_lg"><p>The volume publishes the painted pottery from the excavations at Karnak North by Jean and Helen Jacquet, and Philippe Brissaud. The material attests three categories: monochrome- and bichrome-painted, and blue-painted pottery, with the majority of the latter type. The forms occurring in each category are presented separately and the motifs employed upon each category are identified and presented in an extensive list. While the pottery derives from disturbed contexts, and the majority was dumped at the site and may have been moved several times, it is an important selection of material. This is especially the case with the blue-painted pottery. The collection enables a comparison of the categories to be made and their interconnections identified. The corpora of bichrome-painted pottery and blue-painted pottery are compared with those from elsewhere in Egypt and their evolution from the mid-18th to mid-20th Dynasties is analysed. The function of each category is reviewed and, in relation to the blue-painted pottery, the marks found upon certain forms are analysed to shed light upon this topic and its place/s of manufacture. Most of the blue-painted pottery is of the period covered by the reigns of Amenhotep III to Tutankhamun; its origin in the temples erected by Akhenaten at Karnak East is considered.</p></div><div id="txt-lg-1" class="resume_lg"><p>Ce volume est la publication de la céramique peinte provenant des fouilles de Karnak-Nord par Jean et Helen Jacquet, et Philippe Brissaud. Le matériel se divise en trois catégories : la céramique monochrome, la céramique bichrome et la céramique peinte en bleu, ce dernier type étant majoritaire. Les formes attestées dans chacune des catégories font l’objet d’une présentation individuelle, et les motifs employés dans le décor de chaque catégorie sont identifiés et présentés dans une liste exhaustive. Bien que la céramique provienne de contextes perturbés, que la majorité soit issue de dépotoirs et ait pu être déplacée à plusieurs reprises, il s’agit d’une importante sélection de mobilier. C’est particulièrement le cas pour ce qui concerne la céramique peinte en bleu. La collection permet en outre de comparer les catégories entre elles et de mettre en évidence leurs interconnexions. Les deux corpus de céramique peinte bichrome et de céramique peinte en bleu sont comparés à des corpus provenant d’autres régions d’Égypte, et une analyse de leur évolution entre le milieu de la XVIIIe et le milieu de la XXe dynastie est proposée. La fonction de chaque catégorie est examinée et, en ce qui concerne la céramique peinte en bleu, les marques mises en évidence sur certaines formes sont analysées, de manière à améliorer notre connaissance de cette pratique et de son ou ses lieux de fabrication. La plupart des céramiques peintes en bleu datent de la période comprise entre les règnes d’Amenhotep III et de Toutânkhamon et l’hypothèse de leur origine dans les temples érigés par Akhénaton à Karnak-Est est examinée.</p></div><div id="txt-lg-4" class="resume_lg"><p>ينشر هذا الكتاب أعمال الخزف الملون من حفائر موقع الكرنك الشمالي، التي أجراها ﭼﺎن وهيلين ﭼﺎكيه، وفيليب بريسو. وقد قسمت المواد إلى ثلاث فئات: الخزف أحادي اللون، الخزف ثنائي اللون، والخزف الملون بالأزرق – وهو الفئة الغالبة عددا. كما خصص عرض وصفي تحليلي مستقل لكل نوع من الأشكال المثبتة ضمن هذه الفئات، وجرى توثيق الزخارف المستخدمة في تزيين كل فئة ضمن قائمة حصرية شاملة. ورغم أن هذا الخزف استخرج من سياقات أثرية مضطربة، وأن غالبه يأتى من مكبات النفايات وربما نقل عدة مرات، فإنه يعد مجموعة مختارة وهامة من القطع الأثرية، وخصوصا للخزف الملون بالأزرق. بالإضافة إلى ذلك فإن هذه المجموعة تتيح إمكانية إجراء مقارنة بين الفئات الثلاث، وإبراز العلاقات والتداخلات فيما بينها. كما يقارن كل من الركامين ثنائي اللون وذو اللون الأزرق بمجموعات مماثلة في مناطق أخرى في مصر، وترصد دراسة تحليلية التغيرات والتطورات التي طرأت على هذا الخزف ما بين منتصف الأسرة الثامنة عشرة ومنتصف الأسرة العشرين. وقد جرت مراجعة الوظيفة المفترضة لكل فئة، وبخاصة ما يتعلق بالخزف الأزرق؛ إذ خضعت العلامات المميزة المكتشفة على بعض القطع لتحليل دقيق يهدف إلى تعزيز فهمنا لهذه الممارسة ومواقع إنتاجها. يعود تاريخ معظم الخزف الملون بالأزرق إلى الفترة الممتدة بين حكم أمنحتب الثالث وتوت عنخ آمون، وتتم دراسة فرضية أن أصله يعود إلى المعابد التي شيدها أخناتون في موقع الكرنك الشرقي.</p></div> Le Caire, 2026 IFAO 344 p., cartonnage éditeur 24,3 x 32,5‎

‎Neuf‎

‎Challenge for Painted Architecture in Early Modern Times Architecture on Canvas and Fresco Painting‎

‎, Brepols - Harvey Miller, 2024 Pages: iv + 483 pages, Size:180 x 265 mm, Illustrations:20 b/w, 238 col. Language(s):English, French, Italian. *new. ISBN 9782503608525.‎

‎If specialists of painting look at figures - their movements and expressions -, architectural scholars examine drawings and buildings. Yet the convergence of these two disciplines remains largely marginalized. The aims of the publication is to remedy this situation, covering a wide range from painted fa ades and interiors of buildings to representations of architecture on paintings and frescoes. The theme contributes to the breaking down of boundaries between imagination and realization in the field of architecture and favors a more profound understanding of the permeability of the two spheres. Many different approaches are addressed in this publication, including examples from the sixteenth century in Italy and The Netherlands and the early eighteenth-century in France and Britain. The contributions in this publication are arranged according to four main themes. The first one focuses on The Temple of Solomon and the Old Testament, a favorite subject of the genre Architecturae Pictae. The second theme brings together several contributions which reflect on the significance that can be ascribed to architecture in paintings, some of which investigate the theoretical concepts that inform both architecture and painting. In the third theme, a number of case studies in Italy, the Low Countries, France and Britain, the contributions are much different from one other both in terms of content and methodology. As a final theme, a special topic is addressed, focusing on the important patrons of these buildings and liked to see themselves immortalized in painted architecture. TABLE OF CONTENTS Introduction Part I: The Temple of Solomon and the Old Testament Pedro A. Galera Andreu and Felipe Serrano Estrella, From the Temple of Solomon to Celestial Jerusalem: Symbolic Architecture in Spanish Baroque Painting Francesco Guidi, Notes on Pellegrino Tibaldi, El Escorial, and the Temple of Jerusalem Luis Rueda Galan, The Paradox of Villalpando?s Temple of Solomon in Northern European Painting Eckhard Leuschner, Architecture in Pictures with Old Testament Subject Matter in Seicento Rome and Naples Part II: On Meaning in Painted Architecture and Architectural Theory Sabine Frommel, L?architecture peinte dans des sc nes bibliques et des r cits antiques au XVIIe si cle. Mutations des langages et des valeurs s mantiques Mathieu Lett, Charles Le Brun et la repr sentation peinte de l?architecture. Utilit , convenance et ambitions savantes Francisco Ollero, Painted Architectures, Paintings in Architecture. The Perspectives of Francisco Guti rrez Cabello (1616-c.1670) Part III: Architectural Representations in Paintings during the Sixteenth and Seventeenth Centuries in Europe: Case Studies Giuseppe Bonaccorso, Architettura picta e architettura di carta. Enigmatiche convergenze nel progetto di Carlo Fontana per una chiesa nel Colosseo Sonia Cavicchioli, L?architettura come soggetto nell?invenzione pittorica del Domenichino Lauro Magnani, Architetture dipinte e rinnovamento urbano a Genova nel secondo Cinquecento Annarosa Cerutti Fusco, Finte architetture nell'opera pittorica di Pietro da Cortona a Roma nel Pontificato di Urbano VIII Barberini. Temi e interpretazioni Piet Lombaerde, Painted Architecture in the Age of Rubens: The Case of the Southern Low Countries in the Late Sixteenth and Seventeenth Centuries Bernard M. Vermet, On the Relations between Bertholomeus van Bassen and Dirck van Delen and the Role of Their Personal Contacts Rapha l Tassin, L?architecture dans l??uvre de Claude Gell e le Lorrain. R alit recompos e ou recherche d?id al? Lydia Hamlett, Painted Architecture in the British Baroque Part IV: Architectural Representations in Paintings for the Courts of Popes, Cardinals, and Kings Neela Struck, Picturing Projects: The Painterly Staging of Roman Buildings under Pope Paul V Arnold Witte, Mediating Architectural Prestige: Cardinals? Portraits, 1570-1650 Daniela del Pesco, L?architettura dipinta durante il regno di Luigi XIV Bibliography Index‎

‎THE PAINTED FURNITURE SOURCEBOOK. Motifs from medieval times to the present day.‎

‎Londen, Collins & Brown Limited, 1998 hardback, original color illustrated cover, 21x27,5 cm, 160 pp., illustrated in b/w and color. Good condition. ISBN 1855854686.‎

‎Annie Sloan brings her artist's eye to the immense popular subject of painted furniture. In this unique sourcebook she has gathered together an inspirational world and arranged them in themed chapters - fruits and flowers, figures and animals, classical, abstract and geometric and finishes. Close-ups and cut-outs allow the reader to duplicate images and a motif libraby provides a selection of original images to decorate your furniture. A glossary and a section on paint finishes complete this perfect inspiration for fans of painted furniture everywhere. ‎

‎Russian folk carved and painted wood in the collection of the Smolensk Museum C‎

‎Russian folk carved and painted wood in the collection of the Smolensk Museum Carved and painted wood work by Russian craftsmen at tne Smolensk Museum of Art History and Architecture. In Russian /Russkoe narodnoe reznoe i raspisnoe derevo v sobranii Smolenskogo muzeya Carved and painted wood work by Russian craftsmen at tne Smolensk Museum of Art History and Architecture. Author-compiler L.S. Zhuravleva. M. Publishing House of Soviet Russia. 1985.. Contact us for details or to request photos of available books. Delivery of this book could take longer than normal due to additional handling time before shipping, and no rush delivery options are available. Please let us know if you have a specific date by which you need to receive your order.SKUalb6c807cc95760dc38‎

‎Sidorova N.A., Tugusheva O.V., Zabelina V.S. Antique painted ceramics from the c‎

‎Short description: Sidorova N.A., Tugusheva O.V., Zabelina V.S. Antique painted ceramics from the collection of the Pushkina.Antique painted pottery in the Pushkin state museum of fine arts, Moscow. In Russian /Sidorova N.A.,Tugusheva O.V.,Zabelina V.S. Antichnaya raspisnaya keramika iz sobraniya Gosudarstvennogo muzeya izobrazitel'nykh iskusstv imeni A.S.Pushkina.Antique painted pottery in the Pushkin state museum of fine arts,Moscow.In Russian.Photographing for this edition was specially done by photographer D.V. Belous. M. Art 1985. 228 p. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb791de74e299a8006‎