N.Y., Abrams, (1977).
Reference : 80005
655 p.; ills. & pls. Cl. 32 cm
Antiquariaat Fragmenta Selecta
+31 20 418 55 65
Terms of Sale All items offered are subject to prior sale. Your order will be final after you have received our confirmation, with a specification of the availability of the items and the shipping costs. All books are complete and in good antiquarian condition, unless otherwise described. Prices are in EURO. Postage and insurance are not included. Postage will be calculated at cost (no extra charges). Returns Books may be returned within 14 days of receipt, if returned in the same condition as sent, and packed, shipped and insured as received (please always notify us). We will refund the shipping costs of a return shipment only if our descriptions were not correct. How to pay Pre-payment is necessary for new customers. Our order confirmation will provide detailed information and a specification of the shipping costs. Customers who are known to us and libraries will be invoiced as usual. We accept Visa and Mastercard. You can submit your card information through our SECURE PAYMENT FORM. PayPal: we will send you a personal link to the PayPal website. Banktransfers: payment can be made into our bank account in The Netherlands.
Englewood Cliffs, Prentice-Hall, 1966.
XX,252 p., ills. Pb. 23 cm (Introductions; sources in translation)
, Brepols, Turnhout, 2007., 279 p., + ill., 190 x 250 mm, 1999, Hardback.Pictura Nova fine condition ! ISBN 9782503505770.
After defining Bril as a draughtsman, this study clarifies aspects of his working methods and determines the types and functions of his drawings. It places Bril in the context of contemporary landscape draughtmanship and analyzes Bril's specific contribution to the evolution of the genre in Rome, from the mannerist views of Girolamo Muziano to the pastoral landscapes and seascapes of Claude Lorrain. Bril's position as a guiding force to two generations of Netherlandish artists who visited Rome and the influence Bril exerted on the development of landscape is also investigated. The final section of the study is a catalogue raisonne of Bril's drawings. While any catalogue raisonne is by nature evolving, the attempt to establish a secure canon is very important in finally placing Bril and his contemporaries in the correct perspective. ISBN 978-2-503-50577-0,
Reference : bd-ccdf62af624f30fc
The Art of Etruscan and Ancient Rome by Y.D. Kolpinsky, N.N. Britova/Iskusstvo etruskov i Drevnego Rima Yu.D. Kolpinskiy, N.N. Britova The Art of Etruscan and Ancient Rome by Y.D. Kolpinsky, N.N. Britova. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUbd-ccdf62af624f30fc.
Short description: In Russian. Kobylina, Maria Mikhailovna. The Art of Ancient Rome. Moscow Leningrad: Art, 1939 (Moscow). The image is provided for reference only. It may reflect condition of one of the available copies or only help in identifying the edition. Please feel free to contact us for a detailed description of the copies available. SKU5191632
Short description: In Russian. Sokolov, Gleb Ivanovich. The Art of Ancient Rome. Moscow: Art, 1971. The image is provided for reference only. It may reflect condition of one of the available copies or only help in identifying the edition. Please feel free to contact us for a detailed description of the copies available. SKU7454419