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OVIDIUS.- ALBRECHT,M. VON, & E. ZINN. (Eds.)
Ovid.
Darmstadt, Wissenschaftliche Buchgesellschaft, 1968
Reference : 152824
XIX,587 p. Cloth 20 cm (WdF 92)
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Antiquariaat Fragmenta Selecta
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Terms of Sale All items offered are subject to prior sale. Your order will be final after you have received our confirmation, with a specification of the availability of the items and the shipping costs. All books are complete and in good antiquarian condition, unless otherwise described. Prices are in EURO. Postage and insurance are not included. Postage will be calculated at cost (no extra charges). Returns Books may be returned within 14 days of receipt, if returned in the same condition as sent, and packed, shipped and insured as received (please always notify us). We will refund the shipping costs of a return shipment only if our descriptions were not correct. How to pay Pre-payment is necessary for new customers. Our order confirmation will provide detailed information and a specification of the shipping costs. Customers who are known to us and libraries will be invoiced as usual. We accept Visa and Mastercard. You can submit your card information through our SECURE PAYMENT FORM. PayPal: we will send you a personal link to the PayPal website. Banktransfers: payment can be made into our bank account in The Netherlands.
5 book(s) with the same title
Scholten, Frits, and Francesca Cappelletti
Reference : 126101
(2026)
ISBN : 9789493416543
Metamorphoses: Ovid and the Arts
Scholten, Frits, and Francesca Cappelletti: Metamorphoses: Ovid and the Arts. Exhibition: Amsterdam, Rijksmuseum, 2026. 352 pages, illustrated in colour. Hardback. Reconsidering Ovid's 'Metamorphoses' as a catalyst for artistic creation from antiquity to the present day. Six essays look at Ovid's storytelling, analyse its representations of women and the natural world; Bernini's responses to Ovid; discourses on creation from antiquity to the Rennaissance; and the presence of erotic and funerary elements. Followed by a catalogue of 103 paintings, sculpture, prints, tapestry, and objets d'art created in response to Ovid's retelling of myth, each illustrated and discussed in detail.
Reconsidering Ovid's 'Metamorphoses' as a catalyst for artistic creation from antiquity to the present day. Six essays look at Ovid's storytelling, analyse its representations of women and the natural world; Bernini's responses to Ovid; discourses on creation from antiquity to the Rennaissance; and the presence of erotic and funerary elements. Followed by a catalogue of 103 paintings, sculpture, prints, tapestry, and objets d'art created in response to Ovid's retelling of myth, each illustrated and discussed in detail. Text in English
Reference : alb8336c5e3e6b3e8c8
Jean De Bosschere) Ovid. The love books of Ovid. In English (ask us if in doubt)./Jean De Bosschere)Ovid. The love books
Jean De Bosschere) Ovid. The love books of Ovid. In English (ask us if in doubt)./Jean De Bosschere)Ovid. The love books of Ovid. Illustrated by Jean De Bosschere. Translated by J. Lewis May. New York Privately printed for rapity press. 1930.216c. SKUalb8336c5e3e6b3e8c8.
Reference : alb121e5e6f7ab75a5f
Ovid. The Art of Love. In Russian (ask us if in doubt)/Ovidiy (Ovid). Iskusstvo
Ovid. The Art of Love. In Russian (ask us if in doubt)/Ovidiy (Ovid). Iskusstvo lyubvi. Translated in German: Ovid. Die Kunst der Liebe: ins Deutscheubertragen von Alexander von Gleichen Russwurm. Berlin. Leipzig Julius Bard Verlag. Druck von W. Drugulin in Leipzig. 1907. 122 c. SKUalb121e5e6f7ab75a5f.
P. Ovid. Nasonis XV.(Maarten de Vos or Crispijn de Passe). Metamorphoseoon Ovidianarum typi aliquot artificiosissime delineati.Metamorphoseon librorum figurae elegantissime a Cr[i]spiano Passaeo laminis æneis incisae. Quibus subiuncta sunt epigrammata latine ac germanice conscripta . autore Guilhelmo Salsmanno.TRES RARE SUITE DE CRISPIN DE PASSE Ovide. Metamorphoseon Ovidianarum typi aliquot artificiosissime delineati...Métamorphoses d'Ovide,une gravure datée dans la planche 1604,une autre 1602.
1604 (Cologne 1604),106 gravures montées sur feuilles XVIIIe s.,numerotées au crayon 1 a 105 et une sans numero ,avec texte,coupées court,sans marge,texte en latin a double colonne.Cette série de fines tailles-douces incomplete ? a été dessinée et gravée par le buriniste hollandais Crispin de Passe (1564-1637)(Maarten de Vos or Crispijn de Passe).. Publié pour la première fois à Cologne en 1604, 1602 pour la planche 54, (=1604),date indiquée a la planche 76,quelques-unes avec monogramme ou initiales,bon etat.
Volume IN8 oblong.Reliure demi chagrin rouge à coins,posterieure (XIXe s .) dos à 5 nerfs,titré CRISPIN VAN DE PASSE.Premier tirage, très rare, de cette suite de Crispin de Passe le vieux,sans titre, une des suites les plus rares et les plus précieuses illustrant les Métamorphoses d'Ovide.Franken dans son ouvrage sur Crispin de Passe (n° 1338 p. 253-255) n'indique que 103 planches pour ce premier tirage.Dimension de chaque :130 x 85 mm environ.Publié pour la première fois à Cologne en 1604,Planches gravées sur cuivre par Crispin de Passe dont la plupart ne sont pas signées, quelques-unes avec monogramme ou initiales. Bon état général, bon tirage bien noir.Crispin de Passe l'Ancien, également Crispijn van de Passe, né à Arnemuiden en 1564 et mort à Utrecht en mars 1637, est un dessinateur, graveur, imprimeur et éditeur néerlandais.Les planches 34 et 35 sont montées sur un papier different (XIXe s.) et ont des petits manques en coins;la planche 51 est sans texte et un manque.The Latin verses as well as on 38 other prints are engraved in a calligraphic hand, characteristic of Matthias Quad. These prints have usually also the name of the designer (Maarten de Vos or Crispijn de Passe). In October 1604, though, Quad had to leave Cologne, and the remainder of the series was probably engraved after his departure.Latin text on verso. Remise de 20% pour toutes commandes supérieures à 200 €
Phone number : 33 04 94 63 34 56
Ovid's Epistles, with his Amours.: Translated into English Verse, By the Most Eminent Hands. Adorn'd with Cutts.
London, J. Tonson, 1725. 8vo. In contemporary Cambridge-style mirror-binding with five raised bands. Old paper-label to top of spine. Spine with wear and corner's bumped. Internally with a few vague dampstain. (24), 352 pp. + 1 engraved plate (wanting frontispiece and 12 plates). Two title pages, both dated 1724, but with continuous pagination.
