‎OVIDIUS.- ALBRECHT,M. VON, & E. ZINN. (Eds.) ‎
‎Ovid. ‎

‎Ovid in Late Antiquity ‎

‎, Brepols - Harvey Miller, 2018 Paperback 506 p., 14 b/w tables, 156 x 234 mm, Languages: English, French, Italian. ISBN 9782503578088.‎

‎The 2000th anniversary of Ovid's death was celebrated in 2017, and Ovid in Late Antiquity aims to mark the occasion. This book embodies a specific approach to Ovid's oeuvre, which is not analysed in and of itself, but rather in its role as a wellspring of inspiration to which later authors would return time and again. Covering the work of a number of authors, who found their way back to Ovid via different methodological pathways, the research distilled in this book is geared towards exploring the ways in which the authors of late antquity interacted with the poet of the Metamorphoses and with his immense, multifaceted output. The choice of this approach arose out of an awareness that the presence and influence of Ovid in late antiquity constitute aspects of the Ovidian legacy that would benefit from more in-depth exploration. The essays in this collection are intended to help bridge this gap. Franca Ela Consolino is professor of Latin Language and Literature at the University of L?Aquila. Her research is focused on literary, historical, philological aspects of Latin literary production of Late Antiquity and early Middle Ages, with contributions on both profane and Christian authors, on literary genres, on cultural milieus. She is also the author of several essays dealing with the Christianization of Roman female aristocracy. Table of Contents F. E. Consolino, Introduction F. Dolveck, Que dit-on (ou ne dit-on pas) d?Ovide dans l?Antiquite tardive ? The Late Roman Empire (IV-V Century) S. Mattiacci, ?An vos Nasonis carmina non legitis??: Ovid in Ausonius? Epigrams F. E. Consolino, Flowers and Heroines: Some Remarks on Ovid?s Presence in the Cupido cruciatus C. Pavarani, Claudian and the Metamorphoses A. Luceri, Echoes of Ovid in Claudian?s Carmina Minora 9 and 28 J.-L. Charlet, Rivaliser avec Ovide (presque) sans Ovide : a propos de Claudien, Gigantomachie (Carm. min. 53), v. 91-113 Ph. Polcar, Ovidian traces in Jerome?s works. Re-evaluation and Beyond A. Oh, Ovid in the De Sodoma From the Late Roman Empire to the Barbarian Kingdoms J. Hernandez Lobato, Late Antique Metamorphoses: Ausonius? Mosella and Fulgentius? Mythologies as Ovidian Revisitations M. Roberts, The Influence of Ovid?s Metamorphoses in Late Antiquity: Phaethon and the Palace of the Sun L. Furbetta, Presence of, References to and Echoes of Ovid in the Works of Rutilius Namatianus, Sidonius Apollinaris and Avitus of Vienne S. Filosini, The Satisfactio: Strategies of Argumentation and Literary Models. The Role of Ovid A. Stoehr-Monjou, Ovide dans l??uvre profane de Dracontius : une influence paradoxale ? Du microcosme du vers au macrocosme des poemes B. Goldlust, La presence d?Ovide dans l?Appendix Maximiani (carmina Garrod-Schetter) : enjeux theoriques et pratiques d?intertextualite R. Mori, Caelo terraeque perosus inter utrumque perit: un?eco ovidiana nella descrizione della morte di Giuda in Aratore L. Ceccarelli, The Metrical Forms of the Elegiac Distich in Late Antiquity. Ovid in Venantius Fortunatus‎

‎After Ovid. Aspects of the Reception of Ovid in Literature and Iconography‎

‎, Brepols, 2022 Paperback, 374 pages, Size:156 x 234 mm, Illustrations:3 b/w, 29 col., 18 tables b/w., Language(s):English, Italian. ISBN 9782503592503.‎

‎Summary The 2000th anniversary of Ovid's death, in 2017-2018, led to an upsurge in conferences and publications dedicated to the author's work and afterlife. One of these is the present volume, resulting from the conference Dopo Ovidio. Aspetti della ricezione ovidiana fra letteratura e iconografia, which was held on 7-8 May 2019 at the Department of Human Sciences (DSU) of the University of L'Aquila, and which looked at various aspects of Ovid's fortune, from a diachronic and interdisciplinary perspective. The contributions cover a period of about fourteen centuries, from late antiquity until the end of the eighteenth century, and range from late Latin to medieval literature, from humanistic production to modern English and Italian literature, and from linguistics to the figurative arts. All these studies contribute to a collective appraisal of the multifarious impact of Ovid's works, and especially of the Metamorphoses, the latter's treatment of myth having been a starting point for integrations, developments, (re)interpretations and representations, in isolation or included in an iconographic program. TABLE OF CONTENTS Preface Ovidian Presences in Prudentius' Psychomachia (Stefania Filosini) Ovid in Reposianus and the Complexity of Reception (Maria-Pace Pieri) Allusions to and Quotations from Ovid in the Writing of Isidore of Seville (Donato de Gianni) Geoffrey's musa iocosa: the Vita Merlini as an 'Ovidian' Poem (Francesco Marzella) Il distico della commedia elegiaca latina. L'eredit di Ovidio (Lucio Ceccarelli) Moving through the Metamorphoses. The Linguistic Encoding of Motion in Ovid and his Translators (Luisa Corona) The Reception of the Ovidius moralizatus in Northern Italy in the Late Middle Ages (Giuseppa Z. Zanichelli) The Myth of Narcissus in Painting and Sculpture in the Sixteenth and Seventeenth Centuries: Some Reflections (Michele Maccherini) Ovid and the Aerial Metamorphoses Painted by Sebastiano del Piombo in the Loggia di Galatea (Costanza Barbieri) The Fortunes and Misfortunes of Vulgarized Editions of Ovid's Metamorphoses in Italy and Spain (Giuseppe Capriotti) Folengo and Ovid: the Tempest in the Canto di Giuberto (Fabiola Bartolucci) Mark Alexander Boyd and Ovid's Heroides. Lavinia's Epistle to Turnus (Franca Ela Consolino) Ovid in the Old World and the New: the Metamorphoses as Interpreted by George Sandys (Enrico Botta) ?Orrendo a un tempo ed innocente amore?: the Ovidian Myrrha in Italian Literature (Valeria Merola)‎

‎Jean De Bosschere) Ovid. The love books of Ovid. In English (ask us if in doubt)./Jean De Bosschere)Ovid. The love books‎

‎Jean De Bosschere) Ovid. The love books of Ovid. In English (ask us if in doubt)./Jean De Bosschere)Ovid. The love books of Ovid. Illustrated by Jean De Bosschere. Translated by J. Lewis May. New York Privately printed for rapity press. 1930.216c. SKUalb8336c5e3e6b3e8c8.‎

‎Ovid. The Art of Love. In Russian (ask us if in doubt)/Ovidiy (Ovid). Iskusstvo‎

‎Ovid. The Art of Love. In Russian (ask us if in doubt)/Ovidiy (Ovid). Iskusstvo lyubvi. Translated in German: Ovid. Die Kunst der Liebe: ins Deutscheubertragen von Alexander von Gleichen Russwurm. Berlin. Leipzig Julius Bard Verlag. Druck von W. Drugulin in Leipzig. 1907. 122 c. SKUalb121e5e6f7ab75a5f.‎

‎P. Ovid. Nasonis XV.(Maarten de Vos or Crispijn de Passe). Metamorphoseoon Ovidianarum typi aliquot artificiosissime delineati.Metamorphoseon librorum figurae elegantissime a Cr[i]spiano Passaeo laminis æneis incisae. Quibus subiuncta sunt epigrammata latine ac germanice conscripta . autore Guilhelmo Salsmanno.TRES RARE SUITE DE CRISPIN DE PASSE Ovide. Metamorphoseon Ovidianarum typi aliquot artificiosissime delineati...Métamorphoses d'Ovide,une gravure datée dans la planche 1604,une autre 1602.‎

‎ 1604 (Cologne 1604),106 gravures montées sur feuilles XVIIIe s.,numerotées au crayon 1 a 105 et une sans numero ,avec texte,coupées court,sans marge,texte en latin a double colonne.Cette série de fines tailles-douces incomplete ? a été dessinée et gravée par le buriniste hollandais Crispin de Passe (1564-1637)(Maarten de Vos or Crispijn de Passe).. Publié pour la première fois à Cologne en 1604, 1602 pour la planche 54, (=1604),date indiquée a la planche 76,quelques-unes avec monogramme ou initiales,bon etat.‎

‎Volume IN8 oblong.Reliure demi chagrin rouge à coins,posterieure (XIXe s .) dos à 5 nerfs,titré CRISPIN VAN DE PASSE.Premier tirage, très rare, de cette suite de Crispin de Passe le vieux,sans titre, une des suites les plus rares et les plus précieuses illustrant les Métamorphoses d'Ovide.Franken dans son ouvrage sur Crispin de Passe (n° 1338 p. 253-255) n'indique que 103 planches pour ce premier tirage.Dimension de chaque :130 x 85 mm environ.Publié pour la première fois à Cologne en 1604,Planches gravées sur cuivre par Crispin de Passe dont la plupart ne sont pas signées, quelques-unes avec monogramme ou initiales. Bon état général, bon tirage bien noir.Crispin de Passe l'Ancien, également Crispijn van de Passe, né à Arnemuiden en 1564 et mort à Utrecht en mars 1637, est un dessinateur, graveur, imprimeur et éditeur néerlandais.Les planches 34 et 35 sont montées sur un papier different (XIXe s.) et ont des petits manques en coins;la planche 51 est sans texte et un manque.The Latin verses as well as on 38 other prints are engraved in a calligraphic hand, characteristic of Matthias Quad. These prints have usually also the name of the designer (Maarten de Vos or Crispijn de Passe). In October 1604, though, Quad had to leave Cologne, and the remainder of the series was probably engraved after his departure.Latin text on verso. Remise de 20% pour toutes commandes supérieures à 200 €‎