Paris N.R.F Gallimard. Collection ''Le Point du jour'' 1951 in 8 (19x14) 1 volume broché, 365 pages [1]. Achevé d'imprimer à la date du 20 octobre 1951. Collection "Le Point du jour". Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Reference : 42874
Très bon Broché
Librairie Rouchaléou
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France
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Conformes aux usagex de la librairie ancienne et moderne
Les ateliers du spectacle plaquette in12. Sans date. Broché. Etat Correct
Ed jaric 1955 in8. 1955. Broché. 252 pages. nombreuses photographies en noir et blanc Etat Correct exemplaire usagé interieur propre
Cinescenie du puy du fou / credit mutuel. 1996. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Environ 32 pages illustrées de photos couleurs + 1 brochure couleurs du puy du fou, de 6 pages avec plan du parc, datant de 1996 + un ticket du spectacle datant de 1996.. . . . Classification Dewey : 790.2-Arts du spectacle (Généralités)
Classification Dewey : 790.2-Arts du spectacle (Généralités)
MINISTERE DE L'EDUCATION ET DE LA CULTURE. 1992. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 67 pages.. . . . Classification Dewey : 790.2-Arts du spectacle (Généralités)
"Etude realisée dans le cadre du colloque ""Le role du departement dans la diffusion du spectacle vivant "" au senat les 12 et 13 novembre 1992. Classification Dewey : 790.2-Arts du spectacle (Généralités)"
, Brepols - Harvey Miller, 2025 Paperback, Pages: 358 pages, Size:156 x 234 mm, Illustrations:21 col., 15 tables b/w., Language(s):English, French, Latin, *New. ISBN 9782503613703.
In the remotest corners of the Roman Empire, large crowds were as beguiled by spectacles as their Roman counterparts. Provincial spectacles however, did not share the technical wonders of flying machines, elephant dressage and synchronised swimming seen at imperial extravaganzas. Is it this lack of the sensational that accounts for the relative paucity of scholarly attention paid to regional spectacles and in particular, their sponsors? When spectacles are viewed purely as entertainment, the messy realities of institutionalized social, economic and political power that regulated them are obscured. A clearer understanding of the spectacle can therefore be achieved by contextualizing it in the big picture of regional and provincial life against the backdrop of Roman power and control. The spectacle itself was highly political in its aims and intent. Access to sponsorship of a spectacle similarly relied on hierarchies of political power and privilege, and consequently required strategic negotiation of candidacy, promises, expenditure and recognition. Rivalry, competition and emulation was endemic. This epigraphic analysis, focusing on the western Roman Empire (Italy, Gaul and North Africa) during the Imperial period, identifies the milieux of provincial sponsors, their strategies and quest for public honours. TABLE OF CONTENTS Acknowledgements Introduction Chapter 1. The Context of the Provincial Spectacle Chapter 2. Becoming a Sponsor: Negotiating the Socio-political Hierarchy Chapter 3. De sua pecunia: The Sponsor Makes his Mark Chapter 4. Hierarchies of Recognition Chapter 5. Beyond Honorific Statuary: Self-celebration of Elites in the Private Sphere Chapter 6. Options for the Non-elite Conclusion. De sua pecunia: Spectacles, Sponsors and Civic Prominence Appendices Ancient Sources Bibliography