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BLANKERT Albert, MONTIAS John Michael & AILLAUD Gilles (eds.)
Vermeer
Amsterdam, Meulenhoff 1992 232pp.met ills.binnen en buiten tekst in kleur en z/w, linnen band met stofwikkel, 35cm., 2e deels herziene druk, mooie staat, S63592
Reference : S63592
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Antiquariaat Pieter Judo (De Lezenaar)
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5 book(s) with the same title
Closer to Vermeer
, , 2025 hardcover, 432 pages, 26,5 x 21,5 cm, Quadrichromie, Illustrated, text English, ISBN . ISBN 9789464941999.
The successor to the international bestseller Vermeer, featuring groundbreaking research on the Dutch master Closer to Vermeer explores the world of Johannes Vermeer, a painter whose work continues to fascinate more than 350 years after his death. Taking the landmark 2023 Rijksmuseum exhibition as a point of departure, this volume brings together new art-historical and technical research by leading international experts. How did Vermeer translate his creative ideas into paint? Did the seventeenth-century Dutch master truly rely on optical devices? What do the carefully rendered objects in his interiors reveal about the artist himself? And how has the perception of his small but extraordinary oeuvre evolved over time? Using the latest imaging techniques, researchers scrutinize Vermeer?s masterpieces, yielding compelling new insights into his artistic process, material choices, and technical virtuosity. These investigations contribute to a deeper understanding of Vermeer?s painting technique throughout his career. Other specialists revisit seventeenth-century sources, uncover new archival documents, and explore Vermeer?s patrons and the material world he portrayed. The objects depicted in his interiors ? maps, pearls, porcelain, kitchenware ? are examined not merely as visual motifs, but as clues to his worldview and working methods. At once scholarly and accessible, Closer to Vermeer offers a fresh, intimate perspective on one of the most enigmatic and beloved painters ? a vital resource and enduring reference for specialists and art lovers alike. With contributions by Christina L. An, Dina Anchin, Piet Bakker, Rachel Billinge, Quentin Buvelot, Frederico Car , Silvia A. Centeno, Gareth R. Davies, John K. Delaney, Alexandra van Dongen, Kathryn A. Dooley, Esther van Duijn, Francesca Gabrieli, E. Melanie Gifford, Lisha D. Glinsman, Catherine Higgit, Helen Howard, Paolo D'Imporzano, Jonathan Janson, Koen Janssens, Anna Krekeler, Paul van Laar, Rozemarijn J.W. Landsman, Alexandra Libby, Annelies van Loon, Dorothy Mahon, Daphne Martens, Marta Melchiorre Di Crescenzo, Sabrina Meloni, Steven De Meyer, Aimee Ng, Judith Noorman, Elke Oberthaler, David Peggie, Carol Pottasch, Justine Rinnooy Kan, Pieter Roelofs, Marika Spring, Maartje Stols-Witlox, David G. Stork, Ariane van Suchtelen, Paul Taylor, Katharina Uhlir, Abbie Vandivere, Frederik Vanmeert, Evelyne Verheggen, Ige Verslype, Marjorie E. Wieseman
Vermeer and the Delft School
Liedtke, Walter: Vermeer and the Delft School. Exhibition: New York, Metropolitan Museum, 2001. 626pp with 87 colour plates, 138 colour and 301 monochrome illustrations. Hardback. 31x24.8cms. Portrait, interior, landscape, townscape and history paintings by De Hooch, Fabritius, van Aelst, Pynacker and de Witte are exhibited alongside lesser known artists, such as van Couwenbergh, Houckgeest, van Miereveld and Vosmaer in this superbly illustrated volume. The aim of the exhibition is to ascertain to what extent Vermeer was indebted to the artistic traditions of his native city, Delft, and to the character of its society. It also brings into question the significance and influence of Vermeer in the development of the Delft School, and concludes whether or not the Delft 'school' existed in any meaningful sense. The paintings are complemented by examples of contemporary decorative arts, drawings and prints, all of which have been drawn from major international museums. Detailed bibliography, index.
Portrait, interior, landscape, townscape and history paintings by De Hooch, Fabritius, van Aelst, Pynacker and de Witte are exhibited alongside lesser known artists, such as van Couwenbergh, Houckgeest, van Miereveld and Vosmaer in this superbly illustrated volume. The aim of the exhibition is to ascertain to what extent Vermeer was indebted to the artistic traditions of his native city, Delft, and to the character of its society. It also brings into question the significance and influence of Vermeer in the development of the Delft School, and concludes whether or not the Delft 'school' existed in any meaningful sense. The paintings are complemented by examples of contemporary decorative arts, drawings and prints, all of which have been drawn from major international museums. Detailed bibliography, index. Text in English
Closer to Vermeer
Closer to Vermeer. 2025. 320 pages, 200 illustrations. Hardback. 26.5 x 21.5cms. Looking at the research conducted during and after the Rijksmuseum's blockbuster 2023 Vermeer exhibition, this study discusses new insights into Vermeer's creative process, materials and painting techniques, exploring the meaning of his works and his evolving fame. It also addresses questions about the maps in his interiors, the role of the camera obscura, his choice of materials and newly discovered documents related to his patrons.
Looking at the research conducted during and after the Rijksmuseumâs blockbuster 2023 Vermeer exhibition, this study discusses new insights into Vermeerâs creative process, materials and painting techniques, exploring the meaning of his works and his evolving fame. It also addresses questions about the maps in his interiors, the role of the camera obscura, his choice of materials and newly discovered documents related to his patrons.
Vermeer.
<meta charset="utf-8"><p><strong>Publication officielle accompagnant la plus grande exposition Vermeer jamais réalisée</strong></p><p>Depuis des siècles, Johannes Vermeer fascine les amateurs d’art de génération en génération. Ses toiles de renommée mondiale, comme<span></span><em>La Laitière</em><span></span>et<span></span><em>La Jeune Femme à la perle</em>, ont fait de lui un peintre de légende. Quant aux scènes d’intérieur, d’une réserve tout intimiste, elles figurent au rang des œuvres les plus magistrales grâce à leur illusionnisme étonnant et à la maîtrise unique d’une lumière vive et colorée.</p><p>En vue de l’exposition<span></span><em>Vermeer</em><span></span>au Rijksmuseum, une équipe internationale d’experts du maître de Delft, dirigée par Pieter Roelofs et Gregor J.M. Weber, a mené des recherches approfondies sur la vie et l’art de ce grand peintre du xvii<sup>e</sup><span></span>siècle. Elles ont ouvert des perspectives inédites sur sa position sociale, son ménage, sa foi religieuse, sa technique et l’influence de son milieu sur son œuvre. Autant de connaissances nouvelles, qui nous permettent de nous approcher plus que jamais de l’artiste magistral que fut Vermeer.</p><p>Cet ouvrage, conçu par Irma Boom, plonge le lecteur dans l’univers pictural immensément riche du maître de Delft. Y sont évoquées les 37 œuvres qui lui sont attribuées, et les nombreux détails de ces tableaux nous font voir l’art de Vermeer avec un étonnement toujours renouvelé.</p><p>Édité par Pieter Roelofs et Gregor J.M. Weber.</p><p>Avec des contributions de Bart Cornelis, Bente Frissen, Sabine Pénot, Pieter Roelofs, Friederike Schütt, Christian Tico Seifert, Ariane van Suchtelen, Gregor J.M. Weber et Marjorie E. Wieseman.</p><p>Publication officielle accompagnant l’impressionnante exposition<span></span><em>Vermeer</em><span></span>au Rijksmuseum Amsterdam du 10 février au 4 juin 2023.</p> Belgique, 2023 Hannibal éditions & Rijks Museum 320 p., très nombreuses illustrations couleur, cartonnage éditeur. 21,5 x 26,5
Neuf
Vermeer et Thoré-Bürger
Editions du Mont-Blanc, Genève, 1946. In-8, cartonnage éditeur sous jaquette illustrée en noir, titre doré au dos et sur le premier plat, 205 pp. Première Partie : La résurrection de Vermeer : I. Vermeer de Delft et Thoré-Bürger. - II. La vie de Thoré-Bürger. - III. La découverte de Vermeer. - IV. Vermeer vu par Thoré-Bürger. - V. La technique de Vermeer. - Le ...
Avec 32 planches en noir et blanc en hors-texte. --- Plus d'informations sur le site archivesdunord.com
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