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MAI Ekkehard (ed.)
Gillis Mostaert 1528-1598 een tijdgenoot van Bruegel
Wolfratshausen, Minerva 2005 152pp.rijkelijk geïll.in kleur en zw/w, gecart.band met geïllustreerde stofwikkel, 25cm., mooie staat, ISBN 3-932353-93-5, [richly illustrated, text in dutch, fine condition], S55746
Reference : S55746
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Antiquariaat Pieter Judo (De Lezenaar)
Mr. Pieter Judo
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3500 Hasselt
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+32476917667
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2 book(s) with the same title
[Gillis Mostaert] - Mai, Ekkehard; et al
Reference : 083872
(2005)
ISBN : 3932353935
Gillis Mostaert (1528-1598). Een tijdgenoot van Bruegel
Mai, Ekkehard; et al: Gillis Mostaert (1528-1598). Een tijdgenoot van Bruegel. Exhibition: Antwerp, Museum Mayer van den Bergh, 2005. 152pp with 37 colour plates and 40 monochrome illustrations. Cloth, 24.5x17.5cms. Includes a listing of 100 paintings in oil, a register of locations and a select bibliography. Text in Flemish.
Includes a listing of 100 paintings in oil, a register of locations and a select bibliography. Text in Flemish
Gillis Mostaert (1528-1598). een tijdgenoot van Bruegel-Dynastie
, Minerva, 2005 Hardcover with dusjacket,152pp met prachtige illustraties. ISBN 3932353935.
monograph Gillis Mostaert was born in Hulst. According to the early artist biographer Karel van Mander Gillis Mostaert was the son of a common painter, the twin brother of the painter Frans Mostaert and the grandson of the painter Jan Mostaert.[3] While his brother Frans became a pupil of the landscape painter Herri met de Bles, Gillis studied landscape painting with Jan Mandijn.[1][4] Van Mander recounts that both brothers joined the Antwerp Guild of Saint Luke in 1555.[3] However, since Frans received a registered pupil in 1553 it is more likely that Frans had become a master in the Guild earlier.[5] He married Margareta Baes in 1563 and the couple had six children.[2] He was well-respected by his fellow painters. The painters Pieter Balten and Crispin van den Broeck were godfathers to his children born in 1571 and 1588. Inventories of art collections from his time show that his work received patronage of well-off private clients since they contained many expensive cabinet paintings of Mostaert
