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JAFFÉ David ( editor) - Charles Hope - Jennifer Fletcher - Jill Dunkerton - Miguel Falomir ( contributors) - :
Titian.
2. London, National Gallery (and Yale U.P.), 2003, in-4°, 192 pp, colour ills., sewn, orig. stiff wrapper. Published to accompany an exhibition in the National Gallery in London.
Reference : 38281
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Antiquariaat Wim de Goeij
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5 book(s) with the same title
Titian: Materiality, Likeness, Istoria,
Turnhout, Brepols, 2007 Paperback, VIII 161 p., 150 b/w ill. 27 colour ill., 210 x 297 mm. ISBN 9782503518398.
Materiality / Facture Jodi Cranston, Theorizing Materiality: Titian's Flaying of Marsyas; Daniela Bohde, Corporeality and Materiality: Light, Colour and the Body in Titian's San Salvatore Annunciation and Naples Danae; Miguel Falomir, Titian's Tityus; Paul Joannides, Titian's Repetitions Likeness Joanna Woods-Marsden, The Mistress as 'Virtuous': Titian's Portrait of Laura Dianti; Jaynie Anderson, Titian's Franciscan Friar in Melbourne: A Portrait of the Confessor to Aretino and Titian? Istoria Luba Freedman, The Vainly Imploring Goddess in Titian's Venus and Adonis; Patricia Meilman, Historical Tradition and Political Strategy: Titian's Battle Painting. New book.
[Tiziano Vecellio called Titian] - Joannides, Paul
Reference : 073883
(2001)
ISBN : 0300087217
Titian to 1518. The Assumption of Genius
Joannides, Paul: Titian to 1518. The Assumption of Genius. London: 2001. 342pp with 60 colour plates, 90 colour and 142 monochrome illustrations. Hardback. 29x25cms. Focused study of Titian's early period, assessing questions of attribution, chronology and iconography. Titian's relationship to the Bellinis, the confusions between his work and that of Sebastiano del Piombo and Giorgione are the subject of more in-depth studies.
Focused study of Titian's early period, assessing questions of attribution, chronology and iconography. Titian's relationship to the Bellinis, the confusions between his work and that of Sebastiano del Piombo and Giorgione are the subject of more in-depth studies. Text in English
From Titian to Rubens : Masterpieces from Antwerp and other Flemish Collections
, Snoek Publishers / Exhibitions International, 2020 Hardcover, 240 pages, ENG, 265 x 215 mm, New condition, illustrations in sharp colours and b/w. ISBN 9789461615640.
From 5th September until 1st March 2020 the Fondazione Musei Civici di Venezia, in conjunction with the City of Antwerp, VisitFlanders and the Flemish Community, presents From Titian to Rubens. Masterpieces from Antwerp and other Flemish Collections, an exhibition curated by Ben Van Beneden, director of Rubenshuis in Antwerp. The magnificent Doge?s apartments will be transformed into veritable ?constkamers?, rooms filled with exquisite art demonstrating the riches of Flemish collections. Featuring masterpieces by artists including Titian, Peter Paul Rubens, Anthony van Dyck and Michiel Sweerts, the exhibition offers a dazzling array of works, and the finest group of Italian and Flemish art to come to Italy. Three icons of Venetian painting return to their hometown of Venice: Titian?s Jacopo Pesaro presenting Saint Peter to Pope Alexander VI, the altarpiece of the former San Geminiano church, covered by the press worldwide as David Bowie?s Tintoretto?, and Titian?s Portrait of a Lady and her Daughter (thought to be a depiction of Titian?s mistress Milia and their daughter Emilia). These masterpieces from Flemish collections, both public and private, are rarely lent and some have never, until now, been shown in public. From Titian to Rubens is a once-in-a-lifetime opportunity. A special section of the exhibition will be devoted to Flemish star composer Adriaan Willaert who settled permanently in ?la Serenissima? to become Maestro di Cappella of the Basilica di San Marco in 1527. It was Willaert who founded the celebrated Venetian School of music that was to instruct, among others, Giovanni Gabrieli and Claudio Monteverdi.
[Tiziano Vecellio called Titian] - Wivel, Matthias, and Paul Hills
Reference : 120206
(2020)
ISBN : 9781857096552
Titian: Love, Desire, Death
Wivel, Matthias, and Paul Hills: Titian: Love, Desire, Death. Exhibition: Boston, Isabella Stewart Gardner Museum; Edinburgh, National Galleries of Scotland and London, National Gallery, 2020. 232 pages,165 colour and black & white illustrations. Hardback. 28 x 23cms. A detailed study of the cycle Titian produced for Philip II of Spain, depicting scenes from Ovid's 'Metamorphoses'. Reuniting the complete series - Danae, Venus and Adonis, Perseus and Andromeda, Diana and Actaeon, Diana and Callisto, the Rape of Europa and the Death of Actaeon.
A detailed study of the cycle Titian produced for Philip II of Spain, depicting scenes from Ovid's 'Metamorphoses'. Reuniting the complete series - Danae, Venus and Adonis, Perseus and Andromeda, Diana and Actaeon, Diana and Callisto, the Rape of Europa and the Death of Actaeon. Text in English
Titian's hidden double portrait unveiled after 500 years
, Hannibal Books , 2023 Hardcover HB, 284 x 225 mm, 160 pages, ENG edition Illustrated. ISBN 9789463887007.
Even in his own time, the status of Venetian painter Titian (1488- 1576) was legendary. He worked on the border between Renaissance and Baroque and was revered on par with the greats of the world. His pictorial style, extraordinary use of colour and virtuoso technique were and still are an inexhaustible source of inspiration for generations of artists. Rubens and Van Dyck, among others, greatly admired Titian's work and studied it extensively. Portrait of a lady and her daughter is perhaps one of Titian's most fascinating works. He began the miraculous painting in the mid-16th century, but died before he could finish it. This depiction of the relationship between a mother and her child is unparalleled. Despite the monumentality of the painting, the look with which the daughter looks at her mother is perhaps one of the most tender in all of art history. The identity of those portrayed is uncertain, but some art historians claim Titian painted a portrait of his mistress, Milia, and their illegitimate daughter, Emilia. The painting experienced a prodigious history from its inception. Its wanderings began in Venice, after which the work passed by the Russian tsars and then, via Paris, ended up in London, where it miraculously survived the bombings of World War II. Today, it has been fully restored after a 20-year restoration. Translated with DeepL.com (free version)
