Nombreuses illustrations en couleurs et en noir et blanc. Paris, Éditions D'Art Mazenod – Édito, 1984. Grand in-4 (32x26cm) toile éditeur ornée d'une vignette en couleur sous jaquette illustrée en couleurs, avec l'emboîtage. 606pp.
Reference : WOC-1419
L'Art et Les Grandes Civilisations – Collection créée par Lucien Mazenod. Bon état.
Librairie Hermès
Madame Claude Evelyne Desmeule-Toe
17, avenue Pasteur
74100 Annemasse
France
+33 450 92 04 43
Conforme aux usages de la librairie ancienne et moderne. Les prix indiqués sont en euros, et les frais de port sont en sus et à la charge du destinataire. Envoi après réception du payement, par carte bancaire (Master card, Maestro, Visa, Visa Electron) par virement.
Indiana University Press 1980 288 pages 16 69x23 19x2 82cm. 1980. Cartonné jaquette. 288 pages.
Bon état rousseurs sur tranche intérieur propre avec sa jaquette (en bon état)
Flammarion in8. Sans date. Broché. 9 volume(s).
circa 1945 couvertures défraîchie salissures frottements rousseurs sur les tranches livre "style empire" taché par une mouillure sur la 2e moitié
R. Ducher 1972 63+63+63+63 pages collection La grammaire des styles. in-8. 1972. Demi-Chagrin marron Dos titré en lettres dorées. 63+63+63+63 pages. Avec de nombreuses planches et figures en noir
Bon état avec le dos un peu insolé et une légère tache d'encre à la tranche
, Brepols, 2023 Hardback, 480 pages, Size:220 x 280 mm, Illustrations:15 b/w, 142 col., Language(s):English, Italian, French. ISBN 9782503584638.
Summary This book presents new research by eminent and emerging scholars in honor of Lilian Armstrong, whose extraordinary research has elucidated a vast corpus of imagery previously hidden inside manuscripts and books produced in late medieval and Renaissance Venice and the Veneto. Armstrong was one of the pioneers focusing upon the unique nature of each copy of early printed editions, an approach which has transformed the field of book history. Her studies of antiquarian imagery in books and manuscripts revealed the inventiveness and originality of these works, and that many important classical motifs initially emerged in such marginal spaces before they were canonized in sculpture and oil painting. The contributions by art historians, manuscript scholars, and book historians collected here on the book arts across Europe are testimonies to the fact that Lilian Armstrong's research has been highly influential across disciplines and geographical areas of study. TABLE OF CONTENTS INTRODUCTION The Art of the Renaissance Book: Honoring Lilian Armstrong Helena Katalin Sz pe and Ilaria Andreoli PART I: EARLY PRINTED BOOKS AND THEIR DECORATION I, libelle: Rodericus Zamorensis Launches his Book Martin Davies The Graphic Style of the First Books Printed in Venice Renzo Baldasso Italian Book Design as Paradigm and Challenge for German Artists, Intellectuals, and Printers (among others Ulrich Schreier, Hartmann Schedel, and G nther Zainer) Christine Beier Nicolas Jenson and Jacobus Rubeus in Cologne and Zutphen Lotte Hellinga Une nigmatique illustration dans un incunable v nitien Fran ois Avril Il Calepino 1533: una doppia emissione, un frontespizio "metalibrario," e una nuova edizione delle Tre Parche Edoardo Barbieri PART II: MANUSCRIPT PAINTING IN ITALY An Illustrated "Esopo" of the Veneto in the British Library Matilde Malaspina Una nuova tessera per l'attivit di Cristoforo Majorana e la biblioteca di Andrea Matteo III Acquaviva Teresa d'Urso Per Alessandro Leoni, Antonio Maria da Villafora, e il Maestro delle Sette Virt Giordana Mariani Canova Due codici miniati da Antonio Maria da Villafora: un commentario al primo libro delle Sentenze di Egidio Romano della Biblioteca Angelica e un messale del Mus e Jacquemart-Andr Federica Toniolo and Gennaro Toscano Benedetto Bordon, the Barozzi Breviary Master, and the Venetian Procurators of Saint Mark Helena Katalin Sz pe Il miniatore Giorgio Colonna e la raffigurazione dell'Arsenale veneziano Susy Marcon PART III: COLLECTING AND THE HISTORY OF SCHOLARSHIP ON EARLY BOOKS Venetian Miniatures in Munich Incunabula: New Additions Ulrike Bauer-Eberhardt An Ex-Celotti Antiphonal Cutting Inscribed "BF" in the North Carolina Museum of Art Lyle Humphrey Re-uniting Cuttings by Antonio Maria da Villafora Collected by James Dennistoun in Padua in 1839 with their Parent Manuscript Jonathan J.G. Alexander Les Missels imprim s Venise (1896): storia di un incunabolo moderno Ilaria Andreoli