Place des Victoires (18 novembre 2010)
Reference : lc_78298
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M. Alexandre Bachmann
Passage du Rond Point 4
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Switzerland
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Kjøbenhavn, Høst & Søn, 1876. 8vo. Nice contemporary half leather binding - originally green leather, but spine and corners evenly faded into brown, leaving only traces of the green colour to the leather parts of the boards. Three raised bands with ornametal gilding and gilt title to spine. An excellent, clean, fresh, and almost spotless copy. (8), 142, (4) pp.
Scarce first edition of the first Danish translation of Machiavelli's monumental ""The Prince"". ""The publication of ""The Prince"" by Machiavelli had immense and widespread effect throughout Europe and it soon reached the distant Scandinavia, where the work was probably circulating form the first decades of the sixteenth century... ""The Prince was not to be translated in Scandinavia until more than two centuries later, partly because in the meantime it could be read in Latin..., but also because at that time a work which established, among other things, the superiority of the Reason State to moral values was unacceptable, at least formally."" (de Pol, pp. 248-49). The first Scandinavian translation of the work is the now exceedingly scarce first Swedish translation by Klingenberg from 1757. ""Klingenberg's work, however, remained an isolated facxt for more than a century. Actually ""The Prince"", as a separate work, was translated [into Swedish] only in 1867... By that time the debate over Machiavelli had been settled, and the value of ""The Prince"" finally acknowledged... The explicit revaluation of ""The Prince"" in Scandinavia had already taken place during the Romantic Age, thanks to the Danish historian Caspar Peter Paludan-Müller (1805-1882), and particularly to his essay ""Undersögelse om Machiavelli som Skribent, især med Hensyn til Bogen om Fyrsten. Et Forsøg i den høiere historiske Kritik."" The first Danish translation of the whole work dates back to only 1876 (""Fyrsten. Oversat fra Italiensk ved J.C. Barth. Med en indledende Afhandling af Macaulay"" - also important because in the volume it is preceded by a renowned essay 1827 by the English historian Thomas Macauley, from whom, possibly, Paludan-Müller himself partly drew his inspiration."" (de Pol, p. 249). In the preface to this first Danish translation, the translator J. C. Barth thanks Casper Paludan-Müller (the author of the first and most significant work about Machiavelli Danish, 1824) for having put at his disposition the explanatory notes that follow the translation. Roberto de Pol: The First Translations of Machiavelli's Prince, 2010).
Stockholm, Grefing, 1757. Small 8vo. In the original blank wrappers. Dampstain to upper part of spine and upper part of back wrapper, affecting last blank leaf. Old owner's name to title-page. First blank leaf with comments in recent hand in pencil. From the library of Swedish crime author Henning Mankell. Text printed in two columns. Title-page with lovely engraved vignette, depicting a putti with a spyglass (symbolising the Enlightenment) and lovely woodcut vignettes. Untouched and unrestored in completely original condition. A magnificent copy. (16), 256 pp.
Exceedingly scarce first edition of the first Scandinavian translation of Machiavelli's ""Il Principe"", namely the first Swedish translation. Through its Scandinavian translation, the work came to have an immense impact on Scandinavian politics and philosophy and was considered a breakthrough work of political thought, albeit highly controversial and not at all acceptable at the time. Even though antedating some other European versions by more than two centuries, the first translation into a Nordic language came to signify substantial changes in the political climate of the Nordic countries and sparked a debate that was to last another century, until Machavelli was finally accepted in the North. """"The Prince"" was not to be translated in Scandinavia until more than two centuries later, partly because in the meantime it could be read in Latin - in the versions of Tegli, Conring and Langenhert - and later in French, but also because at that time a work which established, among other things, the superiority of the Reason of State to moral values was unacceptable, at least formally. The first translation of ""The Prince"" into a Nordic language is by Carl von Klingenberg, together with the translation of ""The Anti-Machiavel"" by Frederick II of Prussia (""Machiavels Prins, med Undersökningen deraf. Öfversatt ifrån Hufvudspråken"", Grefing 1757).Klingenberg's work, however, remained an isolated fact for more than a century. Actually ""The Prince"" as a separate work, was translated only in 1867 by Rudolf August Helfrid Afzelius…"" by that time the debate over Machiavelli had been settled, and the value of ""The Prince"" finally Acknowledged... The first Danish translation of the whole work dates back to only 1876...Therefore the first Scandinavian translation of ""The Prince"" was completed in Sweden around the middle of the eighteenth century, during the ""frihetstid"" (The ""Age of Liberty"", 1721-72), a period full of political, social and cultural turmoil: These are the years of the making of a political conscience and of the spread of new political theories, of the development of rhetoric, of the foundation of reviews and literary associations, as well as of scientific and cultural academies"" these years marked a new openness to foreign cultures and the diffusion of Enlightenment ideas. The ""Age of Liberty"" is also a period full of political and cultural conflicts and uncertainty."" (Roberto de Pol, pp. 248-250). ""The Prince"" constitutes the beginning of modern political philosophy and one of the most influential works in the history of modern thought. It founded the science of modern politics on the study of mankind, and even today no political thinker can disregard the importance of this masterpiece of political theory. For more information about the first Scandinavian translation and about the translator, see: Roberto de Pol: The First Translations of Machiavelli's ""Prince"", pp. (247-278). The work is of the utmost scarcity and we have been able to locate no more than three copies of it world-wide: 1: National Library of Sweden" 2: National Library of Denmark 3: Brown University (the Machiavelli Collection). This makes it one if the very scarcest Machiavelli-translations in the world.
A la Haye, chez Isaac van der Klott, 1729-47. Large folio. (54 x 35 cm.). 3 uniform contemporary full mottled calf. Spine with 9 compartments, divided by 8 raised bands. Compartments richly gilt. Titlelabels with gilt lettering. Light wear to top of spine on volume I. Small stamp on title-pages. LXI,132 II,336(6),357,(1) pp. 3 engraved titlevignettes, 10 half-page engraved headpieces and 101 fine engraved plates (10 maps, 12 battle-scenes 77 plans and views, 2 portrait-plates (one as frontispiece in Vol. III) mostly double-page (also triple-page or more). 6 tables, some folding. Internally fine and clean, printed on good paper. Wide-margined.
First edition. Simultaneouly published in French and Dutch. This fine and monumental work describes and depicts the wars of Prince Eugene de Savoye, the Duke of Marlborough and the Prince of Nassau, in Italy, Hungary, Germany, The Netherlands and against the Turcs. The engraved maps are engraved by Hubert Iallot, Covens & Mortier, Guillaume de L'Isle etc. The very detailled panoramas of war scenes, include the fine and famous series made by Jan Huchtenburg (Huchtenburg, Pinxit et excudit). Prince Eugene's almost invariable success on the battle-field raised the reputation of the Austrian army to a point which it never reached either before or since his day. War was with him a passion. Always on march, in camps, or on the field of battle during more than fifty years, and under the reigns of three emperors, he had scarcely passed 2 years together without fighting.Graesse II:445. Brunet II:881. Cohen-Ricci 337. There is no standard collation of this work (varies between 90 and 102 plates).
A la Haye, chez Isaac van der Klott, 1729-47. Large folio. (54 x 35 cm.). 3 uniform contemporary full mottled calf. Compartments richly gilt. Tome- and titlelabels with gilt lettering. Some wear to top of spine and some cracking to leather along joints on volume I-II. Corners a bit bumped. Small stamp on title-pages. LXI,132 II,336(6),357,(1) pp. 3 engraved titlevignettes, 10 half-page engraved headpieces and 95 fine engraved plates (7 maps, 13 battle-scenes 73 plans and views, 2 portrait-plates (one as frontispiece in Vol. III)) mostly double-page (also triple-page or more). 8 tables, some folding. Internally fine and clean, printed on good paper. Wide-margined.
First edition. Simultaneouly published in French and Dutch. This fine and monumental work describes and depicts the wars of Prince Eugene de Savoye, the Duke of Marlborough and the Prince of Nassau, in Italy, Hungary, Germany, The Netherlands and against the Turcs. The engraved maps are engraved by Hubert Iallot, Covens & Mortier, Guillaume de L'Isle etc. The very detailled panoramas of war scenes, include the fine and famous series made by Jan Huchtenburg (Huchtenburg, Pinxit et excudit). Prince Eugene's almost invariable success on the battle-field raised the reputation of the Austrian army to a point which it never reached either before or since his day. War was with him a passion. Always on march, in camps, or on the field of battle during more than fifty years, and under the reigns of three emperors, he had scarcely passed 2 years together without fighting.Graesse II:445. Brunet II:881. Cohen-Ricci 337. There is no standard collation of this work (varies between 90 and 102 plates).
London, Macmillan and Co., 1886. Bound in 2 orig. pictorial full cloth, gilt. Stamp on title-pages. XXVIII,676"XII,803 pp., 15 plates and numerous textillustrations in woodcut. 1 large folded map in colour. Internally clean and fine.