Lammar 2011
Reference : lc_71781
Couverture souple, comme neuf.
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M. Alexandre Bachmann
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, Mercatorfonds, 2023 PB, 260 x 210 mm, ENG.,176 p, NEW, 160 illustraties. ISBN 9789462303638.
This book offers a unique journey through the history of still life in Belgium in the 19th and early 20th centuries, with Ensor as guide. Still life played an important role within the oeuvre of Belgian expressionist and symbolist painter James Ensor (1860-1949). The quality and significance of his intriguing, complex still lifes become clear when placed within the broader development of the genre in Belgium between 1830 and 1930. The still life, which in the early 19th century had degenerated into a decorative genre, devoid of content and artistic importance, was artistically revalued in various ways throughout the nineteenth century: by monumentalising it, by animating the image with dolls and masks, through exoticism, or by making it part of an interior. In this, Ensor's work is the most inventive. Moreover, his long career added to Ensor's artistic impact on many artists who from 1880 onwards lapped towards modernism. His late still lifes - often transformations of early works - are little known and intriguing. Besides an overlook of this important part of Ensor's oeuvre, the book offers an overview of the 19th-century Belgian academic tradition of decorative painting, with intriguing work by lesser-known painters such as Jean Robie, Hubert Bellis, Frans Mortelmans and Henri De Braekeleer, and forgotten female artists such as Berthe Art and Alice Ronner. In the early 20th century, artists such as Louis Thevenet continued to develop the genre of still life in a traditional manner, while innovators such as the late James Ensor, L on Spilliaert, Marthe Donas, Walter Vaes and Gustave Van de Woestyne created highly personal interpretations. This tradition of the still life painting ends with artists such as Jean Brusselmans and Ren Magritte, who deconstructed the pictorial space of the 'theatre of things'. This book is published on the occasion of the first exhibition ever entirely devoted to James Ensor's still lifes at Mu.ZEE (Ostend).
Köln 1994 Taschen GmbH Soft cover Fine
Still Life: Still Life Painting in the Early Modern Period (Big Art) 176 blz met talrijke illustraties / foto's in kleur en z/w 300 x 240 mm, soft cover, in goede staat
, The Hague, SDU Publishers, 1988., Originele geillustreerde uitgeversomslag in kleur, 24,5x29,5cm, 272pp, illustrated in color and b/w. ISBN 9012058678.
A prosperous past: The sumptuous still life in the Netherlands, 1600-1700 edited by William B. Jordan. Published in conjuction with the exhibition 'De Rijkdom Verbeeld' / 'A Prosperous Past'.
"Brodsky I. The Ballad of a Small Tug. Still Life. Singing Fish. In Russian /Brodskiy I. Ballada o malenkom buksire. Natyurmort. Poyushchie rybki. First publications in the magazine Bonfire and Merry Pictures. 1962, 1967, 1970, two issues of the magazine Bonfire (1962, # 11 and 1970, # 1) with the publication of poems by Joseph Brodsky: the very first appearance of the poet in print with the poem The Ballad of a Small Tug (1962) and the first publication of the poem Still Life (without the authors name) (1970); Merry Pictures (1970, # 4) with the first publication of the poem The Singing Fish. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalbec949b512f8e74fd."
Alain de Gourcuff Editeur, Paris, 2000. In-8, broché sous couverture souple, 32 pp. Willem Kalf : Still Life with Armour, by Françoise Chaserant - Kalf's French Period and the Strange Masterpiece of a Young Painter, by Jacques Foucart - The Restoration of Still Life with Armour, by Isabelle Cabillic and Laurence Callegari. - ...
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