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"Still Life"
Lammar 2011
Reference : lc_71781
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5 book(s) with the same title
Catalogue NICOLAS. Liste des grands vins 1955. Sous le signe des "Still Life" ( Vies silencieuses ). Peintures d'André MARCHAND.
Draeger Frères Montrouge 1954 Luxueuse publication in-8 carré ( 240 X 180 mm ), reliure spirale plastique sous couverture illustrée en couleurs. Peintures en couleurs hors-texte d'André MARCHAND, typographie, ornements et mise en pages d'Alfred LATOUR. Parfait état. Bien complet du tarif "volant".
JAMES ENSOR AND STILL LIFE IN BELGIUM (1830-1930) : Rose, Rose, Rose à Mes yeux
, Mercatorfonds, 2023 PB, 260 x 210 mm, ENG.,176 p, NEW, 160 illustraties. ISBN 9789462303638.
This book offers a unique journey through the history of still life in Belgium in the 19th and early 20th centuries, with Ensor as guide. Still life played an important role within the oeuvre of Belgian expressionist and symbolist painter James Ensor (1860-1949). The quality and significance of his intriguing, complex still lifes become clear when placed within the broader development of the genre in Belgium between 1830 and 1930. The still life, which in the early 19th century had degenerated into a decorative genre, devoid of content and artistic importance, was artistically revalued in various ways throughout the nineteenth century: by monumentalising it, by animating the image with dolls and masks, through exoticism, or by making it part of an interior. In this, Ensor's work is the most inventive. Moreover, his long career added to Ensor's artistic impact on many artists who from 1880 onwards lapped towards modernism. His late still lifes - often transformations of early works - are little known and intriguing. Besides an overlook of this important part of Ensor's oeuvre, the book offers an overview of the 19th-century Belgian academic tradition of decorative painting, with intriguing work by lesser-known painters such as Jean Robie, Hubert Bellis, Frans Mortelmans and Henri De Braekeleer, and forgotten female artists such as Berthe Art and Alice Ronner. In the early 20th century, artists such as Louis Thevenet continued to develop the genre of still life in a traditional manner, while innovators such as the late James Ensor, Léon Spilliaert, Marthe Donas, Walter Vaes and Gustave Van de Woestyne created highly personal interpretations. This tradition of the still life painting ends with artists such as Jean Brusselmans and René Magritte, who deconstructed the pictorial space of the 'theatre of things'. This book is published on the occasion of the first exhibition ever entirely devoted to James Ensor's still lifes at Mu.ZEE (Ostend).
Reference : alb859f57bc062ef451
Landscape, Portrait, Still Life In Russian /Peyza, portret, natyurmort
Landscape, Portrait, Still Life In Russian /Peyza, portret, natyurmort Landscape, Portrait, Still Life 1992. Contact us for details or to request photos of available books. Delivery of this book could take longer than normal due to additional handling time before shipping, and no rush delivery options are available. Please let us know if you have a specific date by which you need to receive your order.SKUalb859f57bc062ef451
Reference : albf16d4ba7bc737bd9
Still Life in Western European Painting. In Russian /Natyurmort v zapadno-evrop
Still Life in Western European Painting. In Russian /Natyurmort v zapadno-evropeyskoy zhivopisi. Still Life in Western European Painting. You are welcome to reach out to us for a detailed description of the copies currently available. Delivery of this book may take longer than usual including extended processing and pre-shipping time, no expedited shipping is available. Please advise us if you have a set date or a deadline to receive your order.SKUalbf16d4ba7bc737bd9
PROSPEROUS PAST. The sumptuous still life in the Netherlands, 1600-1700.
, The Hague, SDU Publishers, 1988., Originele geillustreerde uitgeversomslag in kleur, 24,5x29,5cm, 272pp, illustrated in color and b/w. ISBN 9012058678.
A prosperous past: The sumptuous still life in the Netherlands, 1600-1700 edited by William B. Jordan. Published in conjuction with the exhibition 'De Rijkdom Verbeeld' / 'A Prosperous Past'.
