‎Leonhard Emmerling‎
‎Pollock‎

‎Supplement Number One. Jackson Pollock. A Catalogue Raisonnà of Paintings, Drawings, and Other Works.‎

‎O'Connor, Francis Valentine ed: Supplement Number One. Jackson Pollock. A Catalogue Raisonnà of Paintings, Drawings, and Other Works. Pollock-Krasner Foundation, 1995. Cloth.‎

‎Pollock‎

‎Alloway, Lawrence: Pollock. Exhibition: Rome, Marlborough Galleria d'Arte, 1962. 28 pages, with 15 plates. Paperback. 23 x 21cms. Text in Italian.‎

‎Text in Italian‎

‎Jackson Pollock.‎

‎ New York, Harry N. Abrams, (1989). Un fort vol. au format in-4 à l'italienne (267 x 307 mm) de 283 pp. Reliure d'édition de pleine percaline satinée olive, sous jaquette illustrée.‎

‎ Textes en anglais. L'ouvrage s'agrémente d'une abondante iconographie. "Is Jackson Pollock the greatest living painter in the United States?" Life magazine startled its readers by asking in 1949. Seven years later, "Jack the Dripper," as Time magazine called him, was dead. Forty years later, Life's question no longer seems surprising, and Time's sarcastic phrase has lost its bite. But we may still wonder why the mass-circulation magazines singled Pollock out from his fellow Abstract Expressionists. How did he become a cult figure for the Beat Generation? And what caused his reputation to continue to soar? This compelling and original book locates the man and the artist in the continuum of his times, recreating the social and cultural milieu of New York in the 1940s and 1950s. Pollock's early years are chronicled, from his birth in the Wild West town of Cody, Wyoming, in 1912, through his prophetically troubled school years, marked by repeated expulsions, to his arrival in New York and periods of rewarding study with Thomas Hart Benton, David Alfaro Siqueiros, and Stanley William Hayter. Withdrawn, abrasive, often drunk, Pollock nevertheless attracted many other mentors: John Graham, the Russian-born artist whose theories were pivotal to the Abstract Expressionists; the French Surrealist émigrés who arrived during World War II; two highly supportive Jungian analysts; and, perhaps most important of all, Lee Krasner, a fellow artist (and later his wife), whose knowledge of art-world thinking and whose conviction of Pollock's genius were essential to his development. Key critics who recognized Pollock's achievement, such as Clement Greenberg and Harold Rosenberg, perceptive photographers, such as Hans Namuth and Arnold Newman, whose pictures of Pollock appeared in major publications, and other figures who made up Pollock's world are depicted here vividly and acutely.'' Coiffe supérieure de la jaquette légèrement plissée. Du reste, très belle condition. ‎

‎Mon Pollock de père.‎

‎<meta charset="utf-8"><div class="chapo surlignable" data-mce-fragment="1"><p data-mce-fragment="1">Grand peintre américain, mais aussi professeur de calligraphie et de typographie, Charles Pollock, frère aîné de Jackson Pollock, n’aura laissé que peu de traces de l’existence de son œuvre avant de mourir à Paris. Sa fille, Francesca, et son épouse Sylvia, mettront alors vingt années à rassembler, archiver, faire connaître son travail et sa vie voilés par le silence et la discrétion. Pour quoi et pour qui s’être effacé? Quels sens donner aux toiles de Charles Pollock et à son silence? Aiguillonnée par ces questionnements, Francesca Pollock entreprend de (re)nouer un dialogue avec le père qu’elle a perdu à l’âge de 21 ans. La parole, qui fut si rare entre eux, est alors délivrée au moyen d’une écriture à plusieurs voix, celle de l’auteure, celle de Charles Pollock qui affleure des correspondances, de ses écrits et entretiens, mais aussi celle des œuvres du peintre et de ses contemplateurs qui «parlent» bien plus que tout autre chose.</p></div><div class="fichetech rub_1" data-mce-fragment="1"></div> Paris, 2022 L'Atelier contemporain 176 p., illustré, broché. 16 x 20‎

‎Neuf‎

‎Catalogue d'exposition Jackson Pollock - New York Mars 1969‎

‎New York Marlborough Gerson Gallery 1969 In4 ( 30 X 21 cm ) - broché avec rhodoïd imprimé ( menus défauts au rhodoïd sans gravité ) - 60 pages - 49 reproductions d'oeuvres de Pollock dont 21 contre-collées a pleine page . Texte en Anglais .‎

‎Bon Bon ‎