‎Kuper, Peter‎
‎Ruins‎

‎Views in French of the ruins of Pompeii from a work published in London in 1819‎

‎Views in French of the ruins of Pompeii from a work published in London in 1819 by Sir William Gell and the architect J.-P. Gandhi called Pompeian. Paris, from the printing house of Firmaine Dido, the printer of the King, Rue Jacob, # 24. 1827. Vues des ruins de Pompei, dapres louvrage publie a londres in 1819 par Sir William Gell et J.-P. Gandy, architect, sous le titre de Pompeiana. Paris, de minimerie de firmin didot, imperimeur du roi, rue jacob, # 24. 1827./Na frantsuzskom yazyke Vidy ruin Pompei iz raboty, opublikovannoy v Londone v 1819 godu serom Uilyamom Gellom i arkhitektorom Dzh.-P. Gandi pod nazvaniem «Pompeyana». Parizh, iz tipografii Firmena Dido, pechatnika korolya, ulitsa Zhakob, #24. 1827. Vues des ruines de Pompei, dap.. Views in French of the ruins of Pompeii from a work published in London in 1819 by Sir William Gell and the architect J.-P. Gandhi called Pompeian. Paris, from the printing house of Firmaine Dido, the printer of the King, Rue Jacob, # 24. 1827. Vues des ruins de Pompei, dapres louvrage publie a londres in 1819 par Sir William Gell et J.-P. Gandy, architect, sous le titre de Pompeiana. Paris, de minimerie de firmin didot, imperimeur du roi, rue jacob, # 24. 1827. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUbd-792bd8e87d2b9202.‎

‎Walker E., lit. Crimean War Plot: Port of Sevastopol and Ruins of Fort St. Pau‎

‎Walker E., lit. Crimean War Plot: Port of Sevastopol and Ruins of Fort St. Paul / Docks at Sebasstopol with Ruins of Fort St. Paul In Russian /Walker E., lit. Syuzhet Krymskoy voyny: Port Sevastopolya i ruiny forta sv. Pavla / Docks at Sebastopol with ruins of fort St. Paul Drawing W. Simpson. London: Paul Dominic Colnaghi Co 1856. 364x562 mm. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb269157f8eec287cb.‎

‎Smolin V. F. Professor On the Ruins of Ancient Bulgaria. In Russian (ask us if‎

‎Smolin V. F. Professor On the Ruins of Ancient Bulgaria. In Russian (ask us if in doubt)/Smolin V. F. prof. Po razvalinam Drevnego Bulgara. Sputnik excursionist. Overview of the ruins of the Ancient City of Kazan 1st Hostipography Krasny Pechatnik 1926. 3 and 87 pp. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalbb46aa60e6630cb7c‎

‎Rudni Levoberezhnoy Ukrainy v XVII-XVIII vv. In Russian /The Ruins of Left Ba...‎

‎Short description: In Russian. Fedorenko, Pavel Konstantinovich. The Ruins of Left Bank Ukraine in the 17th-18th Centuries. Moscow: Publishing House of Acad. sciences of the USSR, 1960. Rudni Levoberezhnoy Ukrainy v XVII-XVIII vv. In Russian /The Ruins of Left Bank Ukraine in the 17th-18th Centuries. The image is provided for reference only. It may reflect condition of one of the available copies or only help in identifying the edition. Please feel free to contact us for a detailed description of the copies available. SKU6282000‎

‎Relazione della città d'Athene, colle provincie dell'Attica, Focia, Beozia, e Negroponte, ne'tempi, che furono queste passeggiate. - [EARLY ACCOUNT OF THE ANCIENT RUINS OF ATHENS]‎

‎Parma, Galeazzo Rosati, 1688. 4to. In contemporary (original?) cardboardbinding with title in contemporary hand to spine. Occassional brownspotting, primarily to first and last leaves, throughout in margins. Hinges a bit worn, otherwise a nice and completely unsophisticated copy. (4) ff. including half-title, 135 pp. + engraved frontiespiece and 6 plates of Athens, of which one is folded. [folding city plan of Athens, the Temple of Theseon, The Lantern of Demosthenes, The Temple of the Winds, The Temple of Minerva (ie the Parthenon), a bust of Ceres].‎

‎Rare first edition of Magni’s important account of Athens, constituting one of the earliest descriptions from the modern era to present accurate eyewitness illustrations of Athen’s legendary monuments. Magni was part of the Embassy of Marquis de Nointel to the Ottoman court and the present publication is the first published, however unoffical, account of any part of this voyage. Charles-Marie-François Olier, marquis de Nointel, was the French ambassador to the Ottoman court of Mehmed IV, from 1670 to 1679. By June 1673, he had achieved a reduction in customs charges, putting France on equal terms with England and Holland and giving new life to French commerce in the Levant. The project of placing Christians and Christian institutions under French patronage was less successful, resulting in numerous actions at law. In September 1673, Nointel made a tour to enregister these new prerogatives it took him to Chios, the Cyclades, Palestine, and Egypt, ending in Athens. It lasted seventeen months.Nointel brought a painter and draughtsman, who made over 500 drawings of towns, antiquities, ceremonies, and examples of local fetes and customs in Asia Minor, Greece and Palestine. Nointel’s personal account of the Parthenon and Carrey’s drawings, however, remained unpublished until the mid-nineteenth century, which makes Magni’s present work the earliest published account the embassy of marquis de Nointel. “After the fall of Constantinople in 1453 and the Turkish conquest of Greece a few years later, Athens, and the Acropolis in particular, became virtually inaccessible to foreigners. For inspiration and examples from the classical past, the architects of the Renaissance thus relied on Roman ruins, which, though regarded as mere imitations of the Greek originals, were readily visible throughout Europe […] The rich vocabulary of sixteenth- and seventeenth-century architecture was developed without reference to the actual architecture of Greece, over time, the glories of Rome were accepted by many as the real source of inspiration for contemporary architecture and extolled as such.” (Roy, The Ruins of the Most Beautiful Monuments of Greece). OCLC locates 6 copes: 3 in the US and 3 in Europe. ‎