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Reference : SVALIVCN-9780241431108
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BARTHOLIN, THOMAS (Edt.) - STENO, NICOLAUS [NIELS STEENSEN] et al.
Reference : 53613
(1673)
Copenhagen, Peter Haubold, 1673-80. 4to. A very nice recent full calf pastiche binding with four raised bands and gilt red title-label to spine. blindstamped borders to boards. Old owner's inscription (""Sven Borgh/Lund 1840"") to title-page. A very nice and clean copy with only a bit of brownspotting and some evenly browned leaves. A tear (with no loss) to one leaf and one leaf (vol. V, L3) with a neat marginal restoration, far from affacting text. The following two leaves with minor loss to blank upper margin (far from affecting text). The large double-page folded plate with Stensen's lymphatic glands (vol. II, p. 240) with a neat restoration to verso, no loss. Annotations and corrections in the same early, neat hand throughout. Woodcut vignettes and initials. All four title-pages (part III & IV have a joint title-page) printed in red and black. (16), 316" (20), 376 (16), 174, 216" (8), 342 pp. With ab. 60 woodcut illustrations in the text, many of them quite large, two of them full-page, and all 62 engraved plates (of which two are on a folded leaf), four of which are folded. A truly excellent, fully complete copy with all five volumes and all 62 plates.
The very rare first edition of all five volumes of Bartholin's groundbreaking medical journal, which constitutes the first scientific periodical in Scandinavia and one of the very first medical periodicals in the world. Thomas Bartholin (1616-1680) was one of the leading physicians of his time, now remembered, among many other things, as the discoverer of the lymphatic system. He ""was the most celebrated physician of his period in Denmark and perhaps in all of Europe"". (Kronick, p. 81). He is considered ""a typical representative of the ""Curiosi naturae"" of the 17th century with all their learning, diligence and insatiable spirit of curiosity... He belonged with all his heart to the learned period, and yet he made an anatomical-physiological discovery of high mark when he found, and demonstrated, a hitherto entirely unknown vascular system in animals, and later in man - the lymphatic."" (Meisen, p. 25). He was a hugely influential and extremely productive man. Apart from his seminal discovery of the lymphatic system, he wrote a number of highly influential treatises, published a series of very influential anatomical papers, published his vast correspondence with other scientists, which has the character of a scientific archive at a time when there were not yet periodicals of natural science, provided us with the most extensive information about medicine in Denmark and about the conditions of the physicians, called attention to the significance of pathological anatomy, etc., etc., and ""[y]et the greatest importance is to be attached to his ""Acta medica philosophica Hafniensia"", in 5 volumes, that was published from 1673 to 1680, when he died. It is a scientific periodical, wide in its scope, one of the first of its kind."" (Meisen, p. 28). ""The Copenhagen biologists, under the quickening influence of Thomas Bartholin, produced five volumes of transactions known as the Acta medica et philosophica Hafniensia, which is now very rare."" (Hagenströmer)The leading contributors to the periodical, besides Bartholin himself, was the great Niels Steensen (Steno), Holger Jacobsen (Jacobaeus), Caspar Bartholin, Ole Borch (Borrichius), Ole Worm, Simon Paulli, Johan Rohde, Caspar Kölichen, etc., but the contributions were not confined to Danes or Scandinavians. For instance, the English anatomist Edward Tyson (1650-1708) also published here, as did several other internationally famous physicians and scientists. Interestingly, the ""Acta Hafniensia"", as it is known, has a great focus on the odd and curious, the astounding and marvelous, the unnatural and abnormal. Thorndike claims that ""Monsters and freaks of nature receive perhaps the most attention."" (vol. VIII, p. 234). However, the journal was far from limited to this. ""Thomas Bartholin describes the male mandrill illustrated by three anatomical plates (Male genitalia) and a figure of the entire animal, which had died of disease in the Royal Menagerie. Holger Jacobsen describes the scorpion, the salamander, snakes, several birds, the heron and the parrot (based on dissections and figures by Steno). He also investigated the fascinating and unique anatomical puzzle of the tongue of the black woodpecker (with plate). He gives an exceptionally interesting account of the mole cricket, Gryllotalpa, which is important as being one of the first in which the elongated segmental heart of insects is described and figured. This memoir is a commendable piece of zootomical research, and it is all the more outstanding because the subject of it was an invertebrate (Cole). The most outstanding contributions in the entire periodical, however, are the 12 by Niels Steensen (Steno), which are all printed here for the first time. Steensen was the most gifted of Bartholin's disciples, and when he returned to Denmark in 1672, he immediately took up anatomical demonstrations and dissections, the fruits of which he published here, in the first three volumes of the ""Acta Hafniensia"". His contributions constitute important finds in the fields of The Brain, The Heart, The Muscles and General Embryology. ""Steno's dissections of the muscles of the eagle, Aquila (1673) is one of the most remarkable essays in zootomy published up to his time, and it is perhaps more detailed and reliable than almost any other."" (Cole). (Gosch 24).In the paper ""Embryo monsto affinis Parisiis dissectus"" (Gosch 15), we have the first known description of the ""tetralogy of Fallot"" (Garrison & Morton no 2726.1). ""Bartholin was the most celebrated physician of his period in Denmark and perhaps in all of Europe. He was professor of anatomy at the University of Copenhagen and later became Dean of its Medical Faculty. The publication seems also to have associated with the activities of a scientific society, although there seems to be little evidence for Neuberger's statement that the ""Acta"" were the proceedings of this society. The preface to the translation of the ""Acta"" which are included in the ""Collection Académique"" gives the following account of its origins: ""The Academy of Copenhagen was founded by Frederick III, who was aware how much glory it brought to him and to Denmark by encouraging the sciences and by attracting and holding scientists in his kingdom. One finds little to clarify the history of this academy, even in the five published volumes. The editing of the memoirs was principally under the care of Bartholin, the first Dane to publish medical observations. His aim was first to make a collection which embraced all parts of science"" but, deterred by the immensity of the task, he limited himself to the different parts of medicine and to those observations that were offered to him. His sponsor was Count Griffenfeld, the grand chancellor of Denmark, who obtained an edict enjoining all Danish physicians to render exact correspondence with the Dean of the Faculty of Copenhagen and to inform him of all singularities in medicine and natural history observed in different parts of the kingdom. Bartholin had great hopes for this collection and one can truly find in the five volumes which he published many discoveries which would have been lost or perhaps not have existed if this correspondence had not brought them to light and encouraged him."" The ""Acta"" consisted primarily in short original observations on medical and natural scientific subjects, although it also contained a few abstracts of books."" (Kronick p. 81). Waller: 712 (listing only 39 plates)Wellcome: II, p. 108 (listing 61 plates)Gosch: III, pp 58-59 & I, pp. 137-38Hagströmer Library has only vols. I-IVBartholin papers: Gosch: Bartholin 30-43Steensen-papers: Gosch: Steno 15-26" Garrison&Morton: 2726.1Cole, F.J.: A History of Comparative Anatomy, pp 369-93Thorndike: History of Magic and Experimental Science, vol. VIII, Chapter 30Kronick, David A.: A History of Scientific and Technical Periodical 1665-1790, p. 57 & pp. 80-82Meisen: Prominent Danish Scientists through the Ages, pp. 25-28
(Köln (Cologne), Ulrich Zell / Zel, ca. 1469). Large 8vo. Block measuring 21,5 x 14 cm. Printed in Gothic type, 27 lines to a page, 4-, 3-, 2, and 1-line initial spaces. Initials, paragraph marks, underlines, and capital strokes supplied in red throughout. Antoninus' ""Defecerunt..."" begins on f. (4r), ending with a colophon on f. (139r)"" Chrysostomos' ""Sermo..."" begins on f. (139v). Bound in a beautiful 19th century full polished calf with five raised bands to spine, gilt title-labels, inner gilt dentelles, and all edges of boards gilt. The hinges are worn and weak and cracked at the top. Marbled end-papers. Inside of front board with the book plate of Gilbert R. Redgrave. 144 ff. (including final blank). Internally a bit of soiling and browning and with numerous contemporary handwritten marginal notes throughout, some shaved when bound. The first leaf is with a slightly later 15th century handwritten inscription stating the provenance of the copy: ""Mo[aste]rii Neostadiensis Ord[inis] S. Pauli Eremit[ae]"" (i.e. Order of Saint Paul the First Hermit, Monastery in Neustadt), being the Pauliner-monastery in Wiener Neustadt outside of Vienna. There are two further inscriptions, both in contemporary hand, presuambly the same as that of the marginal notes throughout. They are on f. (65r) and f. (143v) and state that the book belongs to the Augustinian order of the St. Ulrich-Kloster (""mo[na]sterii S. Udalrici"") in Wiener Neustadt.
Exceedingly scarce early incunable-printing, possibly the first printing of both texts, being Antoninus’ “Confessionale” (the one known under the incipit “Defecerunt scrutantes scrutineo” (f. 4r) – one of the most influential confession books ever written, on the powers of the confessor, the seven deadly sins, the manner of interrogating persons of varying status, and absolution and the imposition of penance -, together with (Pseudo-) Chrysostomos’ “Sermo de Peonitentia” The venerated Catholic saint, Dominican friar, and Archbishop of Florence Antoninus Florentinus (1389-1459) had a great reputation for theological learning and had assisted as a papal theologian at the Council of Florence. Hist most important works – both written before and printed before his Summa Theologica -, are arguably his guides for confessors, which for centuries were highly regarded by the clergy as an aid and constituted a major development in the field of moral theology. Antoninus published three separate works that are all entitled “Confessionale”. They are distinguished by their incipit, the present being “Defecerunt…”, the most fundamental and influential of the three. The two others have “Curam illius habe”, also known as the “Specchio di coscienza”, which is an instruction manual for the sacrament of confession, written in Italian for a Neapolitan gentleman, directed at advising lay men and women, and “Curam illius habe,” also known as the “Medicina dell’anima”, which is an instruction manual directed to priests. Unlike the other two manuals, the “Defecerunt…” was published in Latin. It was “completed before July of 1440. This latter work is Antonin’s most popular by far, to judge by the number of manuscript copies, printed editions, and vernacular translations (Italian, Spanish, Croatian).” (Jason A. Brown: St Antonin of Florence..., 2019, pp. 44-45). Printed together with the “Defecerunt” Confessionale is the important “Sermo de poenitentia”, long ascribed to Chrysostomos, in which he deals with penance, also possibly printed here for the first time. The printing history of the work is quite complicated. There is no date and no printing place in the earliest printings of this foundational Catholic work, and numerous versions of it were printed. Furthermore, much of the “Defecerunt” seems to have been incorporated into his later, also highly influential “Summa” (see 3.17 – de statu confessorum). “The Confessionale “Defecerunt” exists in two known recensions, a briefer and a longer. These are distinguished by their incipits. The briefer recension incipit: Defecerunt scrutantes scrutinio ... Scrutantes aliorum peccata sunt confessores. Scrutinium autem est inquisitio facta in confessione. The longer recension incipit: Defecerunt scrutantes scrutinio ... Scrutinium quidem est confessio, in quo et penitens scrutatur conscientiam suam et confessor cum eo. It would be a tenable hypothesis, a priori, that the longer recension is original, that its material was copied into the Summa at the relevant places, and that the briefer recension was produced by abbreviating the longer one. Having examined early printed editions of the “Defecerunt” and considered their text against the autograph manuscripts, I consider it more likely that the longer recension is the later one, and represents an expanded version produced by adding in material from the Summa at corresponding places in the original Confessionale.” (Jason A. Brown: St Antonin of Florence..., 2019, p. 112). The present version – arguably the earliest – is the briefer, which was then later elaborated upon. As all bibliographers agree, it is clear from the characters that this copy was printed by Zell in Køln (Cologne), and no later than 1469 (some say no later than 1468, some just state “ca. 1470”)). Zell printed more than one version around the same time, but this seems to be the first of them – corresponding exactly to Hain 1162. In all, between 50 and 60 incunable editions of the work appeared in Latin, along with editions in Italian and Spanish, testifying to the enormous impact the work came to have on Catholic penitence. According to Gesamtkatalog der Wiegendrucke, 44 copies, including single fragments, are known to exist in public holdings, and at least one copy is known to exist on private hands. Hain-Copinger: 1162" GW: 2082 Brunet: I:333 Graesse I: 154. Provenance: During the reign of the pietist Habsburger Friedrich III (1440-1493), the small town of Wiener Neustadt near Vienna witnessed a blossoming of new clerical orders. They were more than doubled. To the already established monasteries were added, among several others, both an Augustiner-Kloster (which took over St. Ulrich), in 1459, and the Paulinerkloster (the one for St. Paul the First Hermit), in 1480. As is evident from the inscriptions in the present copy, it has belonged to both these orders, the first of which will presumably have acquired it at its appearance, where it was thoroughly read and annotated. With a decree of December 20th 1459, Pope Pius II allowed for a Augustinian Canon-monastery in Wiener Neustadt and thus fulfilled a longstanding wish of Kaiser Friedrich III. In June 1459, a decisive prerequisite for the founding of this monastery had taken place – the Secular Canons had renounced their parish church St. Ulrich in the Western suburb of Wiener Neustadt, which was now at the disposal for the Augustinian Canons. Friedrich III had very specific requests for the Augustinian Canons of Wiener Neustadt, and in accordance with these, Pope Pius II prescribed a dress for them that differed from the usual colour. Instead of a white habit, they were to wear a brown habit with a gold-coloured cross on the right side" the almucium (fur shoulder cloak), worn over the habit, was to be white on feast days and in church (instead of the usual black), while on ordinary days and outside of church, a brown almucium was to be worn. Like the provost of the secular canons, the provost of the Augustinian Canons also had the right to pontificals. The founding of the Augustinian Canons' foundation is recorded in a relief on Friedrich III’s tomb in the St. Stephan Cathedral in Vienna. On both sides of St. Ulrich, enthroned in the center, kneels an infulated priest, presumably the provost and dean. This group is surrounded by thirteen (also kneeling) canons. The inscription reads: ""CANONICI REGULARES S. ULRICI NOVE CIVITATIS.""
(Edinburgh, 1839-41). Elephant-folio. In the two original half-calf-folders with green leather-spines and pattern-stamped cloth boards" gilt title and author to front boards. Remains of the original green cloth-ties. Some wear to spines, especially at capitals. 12 magnificent hand-coloured plates with one leaf of text for each, the first, 8th and 11th text-leaves with an engraved illustration measuring 22x13,5 cm. (depicting ""Stake Nets of the Solway Firth"", ""Poke Nets of the Solway Firth"", and ""Young States of S. Truttafrom Mr. Shaw's Ponds"" - the last beautifully hand-coloured)" all leaves laid in loose, as originally published, and all plates with the original tissue-guards. Plates and text-leaves measuring ab. 64,5 x 49 cm
The exceedingly scarce first printing of this monumental work on British salmon, one of the finest books on fishes ever produced. The work is generally considered the Audubon of salmons" the quality of the plates is considered unsurpassed and the scientific research that lies behind it makes it of the utmost importance to the study of salmons.""Jardine was a keen sportsman, expert with rod and gun, and followed his hounds. He was not averse to making deer which strayed from his neighbour's estate onto Jerdine Hall land pay for their trespass. He was also an amateur artist, working in watercolours, and exhibited, as an honorary member, at the Scottish Royal Academy, as well as other art exhibitions in Dumfries. When writing his books, he learned to etch, to draw on wood blocks for wood engraving, to lithograph and to use a variant of lithography called papyrography. One of the finest books of fishes ever printed was Jardine's ""The British Salmonidae"", for which he did the drawings and etchings himself.Jardine was the foremost ichthyologist in Scotland, perhaps even in the United Kingdom, in the nineteenth century. He was a fine fisherman and fished the Annan, which flowed through his grounds in Dumfriesshire, and the best stretches of the Tweed when he lived for three years at St Boswells, Roxburghshire. One of his aims was to establish his life cycles of the salmon and the sea trout, for which he tagged fish in a specially constructed pool at Jardine Hall, and visited the fisheries at Perth where experiments were carried out. His reputation as a fly fisherman was well known, and he enjoyed many days of sport with other eminent naturalists such as P.J. Selby, John Gould, Richard Parnall, as well as friends and neighbours. His interest in fishing and fisheries led to his appointment as one of the royal commissioners to the Salmon Fisheries Survey of England and Wales in 1860."" (Jackson and Davis, ""Sir William Jardine. A Life in Natural History"", p. X). Jardine was also famous for his huge museum collections, among these a very extensive collection of skins. In the late 1820'ies the collections began to encompass vertebrates other than birds, and it is from this time that his scientific interests in fish began to develop. Although Jardine's interest had always extended beyond the British Isles and he also received many specimens of fish from abroad, his main interest remained British fish, and especially those of the salmon family, which greatly fascinated him. ""Some of these were little known, and even in the early nineteenth century were considered rare."" (Jackson & Davis, p. 57). From around the beginning of the 1830'ies Jardine was on the lookout for more specimens and further advice, and he began corresponding with the famous Cornish naturalist and ichthyologist, Jonathan Couch. He also began corresponding with other respected scientists and correspondents and with much support from all of these, Jardine devoted more and more of his time and effort to investigating fish, especially the salmon family. In 1834 he began a tour of Sutherland that came to have a significant impact on his studies of the salmon family. He brought Selby with him, and due to their many notes, drawings, and observations, Jardine now had the confidence to present a lecture, in which he revised the scientific status of the Salmonidae discovered on their excursion, to the British Association, which he held in Edinburgh during the late summer of 1834. It is this lecture that established his reputation as an ichthyologist, and it is evident from many sources of the period that he was now much admired within this field. ""[w]hen he attended the British Association meeting in Newcastle in August 1838, not only did he chair the Botany and Zoology section, but he also gave a lecture on the Salmonidae of Scotland. By this time he was bringing to fruition a much more ambitious project, with the preparation of the plates for the ""Illustrations of British Salmonidae, with Descriptions"", which was published in two parts in 1839 and 1841."" (Jackson & Davis, p. 60).Jardine had originally planned to work on the project with Selby and had already suggested him this in 1834. Selby supported him throughout the project, but eventually Jardine undertook the work alone. The illustrations of the work were to comprise the salmons of both England and Ireland, and in a letter to T.C. Eyton he indicates many of his thoughts concerning the production as well as his continued interest in fishes around the world"" he describes his wish to illustrate the specimens life-size, although that would restrict sales, his and Lizar's frustrations of finding a skilled enough colourist, as well as his view on drawing the fish directly at the edge of the water in order to capture the iridescence and colours of the fish straight away, so that they would not have had time to fade, which they do rapidly after death. Among other things he writes ""The sale will of course be limited & one to my list is important. If it will clear its way I shall be satisfied so far as the plates are concerned... but Illustrations of the size which I have chosen are always attended with more expense in the publication than those of a less [?] size. All the drawings have been made at the waters edge, and I am sanguine that the work will be creditable to all both artist and engraver... The 1st number will be out in a very short time it is all prepared except the colouring which we have been annoyed about in the north. We have however now selected Mr. Gould' colourer [Gabriel Bayfield] in London, & from what he has put out in these departments we have considerable reliance."" (See Jackson & Davis, p. 61).Thus, the plates were etched by Jardine himself and coloured by Bayfield. The first number of plates were sent to Bayfiled for colouring in July 1838, and the first part of ""Illustrations"" was advertised as published in August 1839, whereas the second was ready in September 1841. ""It is not known how many copies were eventually sold, but Jardine (who had exclusive rights to the publication) hinted in 1844 that ""There are only 70 copies coloured"" - and indication that few coloured copies were to hand after supplying copies to the subscribers. Lizars had been responsible for producing and distributing the books, but when his establishment in Edinburgh closed, Jardine transferred the stock of uncoloured plates to Jardine Hall. Even in the 1860s there was a demand for copies of the Salmonidae, and also for individual plates, and the faithful Bayfield was asked once more to act as colourist for these. Some indication of the price of the complete work is given by Jardine in a letter to John Gould, asking him to deliver a copy to Pickering in Picadilly and asking him ""to take payment for £5 16"". Initially prices of £2 12s 6d (coloured) and £1 11s 6d (plain) per part had been suggested, which had risen to £3 3s 0d by August 1839. The first estimates also suggested that an initial run of some 50 copies was sensible until the demand could be gauged, and noted that the cost of colouring each impression was 1s 6d."" (Jackson & Davis, p. 62).The work is now considered one of the finest books on fish ever produced, both due to its great artistic value and its ""meticulous and painstaiking scientific research"" (p. 62)" besides its scientific value and scientific importance, it is of the greatest scarcity with no more than 70 copies (at the most) produced, and many fewer that have survived. Nissen 2092 not in Wood
Königsberg, Friedrich Nicolovius, 1793. 8vo. In the original bluish cardboardbinding, with handwritten title to spine. Binding very neatly restored at spine and extremities. Previous owner's inscriptions to front free end-paper and title-page as well as pasted-down front end-paper. One leaf with a tiny closed tear to blank outer margin and some leaves with a single hole to the blank outer margin. Light pencil-underlinings and -markings to a few leaves. Internally clean and fresh. Printed on very heavy paper (about three times the thickness of the normal paper) and with wide margins. XX, (2), 296, (2, -errata) pp. Housed in a beautiful marbled half calf box in pastiche-style, with splendidly gilt spine and gilt morrocco title-label.
Extremely rare presentation-copy inscribed by the recipient, a close friend of Kant, Johann Gottfried Hasse, to whom Kant gave the present copy. The copy is one of no more than perhaps five copies printed on special paper of the first edition of Kant's ""Religion Within the Boundaries of Mere Reason"", the seminal work in which he develops his religion of reason and most fully accounts for his philosophy of religion.This magnificent copy is completely unique. Not only is one of only four or five presentation-copies printed on special paper - perhaps less - that Kant himself requested from the printer, to be given to a handful of recipients"" we also know to whom it was given, namely his close friend and professor of religion Johann Gottfreind Hasse. And Hasse has not only put his ownership signature in the book, he has also noted that it was given to him by Kant in the year of publication (""Donum auctoris 1793"").We have not been able to find information anywhere about the presentation-copies of ""Religion innerhalb der Grenzen der blossen Vernunft"" specifically. There is nothing in the Kant-correspondence about that at all, and no letters to/from the publisher about them have been preserved. But we know that Kant commissioned four or five copies of ""Critik der Urtheilskraft"" on special paper and four copies of ""Critik der reinen Vernunft"". The present copy is clearly on special paper as well (about three times the size of copies on normal paper), so even though it is not mentioned anywhere, it is fair to assume that Kant also ordered about a handful copies of ""Religion..."" to be printed on special paper as well. However, this number might be smaller. As opposed to the other two books that we know he commissioned these copies of, the publication of ""Religion..."" was caught up in a controversy over censorship, and Kant was given a reprimand in the name of the Prussian emperor, Friedrich Wilhelm II. Kant was forced to pledge not to publish on matters of religion. Furthermore, copies of the ""Religion..."" on special paper seem not to have appeared anywhere, as opposed to the very few copies of the two other works that have surfaced"" so all in all, there is absolutely no reason to think that he should have commissioned more than four or five copies of this book either. The inscription to the front free end-paper is in Hasse's hand and reads ""(Donum auctoris 1793.)/ J.G. Hasse"". The name of Hasse has been crossed out by the later owner, who has written his name underneath ""N. Grosch...(?)/ stud. Theol./ Som[mer]. Semest[er]. [18]05"" and on the title-page.The Königsberg professor J.G. Hasse (1759-1806) was a close friend of Kant and a frequent guest at his dinner table. He was a then famous German evangelist theologian and orientalist. After having graduated from the University of Jena in 1784, he became assistant professor at the faculty of philosophy there. Due to his very respected publications within science of religion, he became professor of oriental languages and later professor of theology, which is the position he possessed, when Kant gave him the present copy of his own main work on religion. A few years later, in 1801, he took over Kant's position at the academic Senate, after Kant retired from academic life. And in the last years of Kant's life, Hasse grew even closer to him. He was a frequent guest in his home and a close friend. Hasse was furthermore one of the first to publish a biography of Kant. This biography became particularly famous, because it was written by someone in the inner circle of friends. There is no doubt that Kant had tremendous respect for the renowned professor of religion, to whom he gave one of the only four or five copies printed on special paper of his own definitive work on religion. This is presumably the best presentation- or association-copy of a Kant-book that one can hope to come across. Warda: 141.
Reference : albb2b848e51f01abec
One thousand and one nights. In 8 volumes. (Book of a thousand and one nights. In eight volumes.) Complete set. In Russian /Tysyacha i odna noch. V 8 tomakh. (Kniga tysyachi i odnoy nochi. V vosmi tomakh.) Polnyy komplekt. Color frontylists of the work of the artist B. A. Dekhterev. Translated from Arabic by M. A. Saleh. M. GIHL. 1958-1959. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalbb2b848e51f01abec.