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Soutou, Georges-Henri
Europa!
Tallandier éditions (11/2022)
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LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9791021055322
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5 book(s) with the same title
Der Naumburger Meister - Bildhauer und Architekt im Europa der Kathedralen. 2 vols
Der Naumburger Meister - Bildhauer und Architekt im Europa der Kathedralen. 2 vols. 2011. 1567 pages in 2 volumes. Boards. 28.5 x 21.5cms. Text in German.
Text in German
Jean, Giacinta (ed.), Alberto Felici (ed.), Letiziz Tedeschi (ed.),
Reference : 125653
(2025)
ISBN : 9788833672670
Lâarte e la tecnica delle decorazioni a stucco in Europa. Dalla fine del XV alla meta del XVIII secolo. The Art and Industry of Stucco Decoration in Europe from the Late 16th to the Early 18th Century
Jean, Giacinta (ed.), Alberto Felici (ed.), Letiziz Tedeschi (ed.), : L'arte e la tecnica delle decorazioni a stucco in Europa. Dalla fine del XV alla meta del XVIII secolo. The Art and Industry of Stucco Decoration in Europe from the Late 16th to the Early 18th Century. 2025. 416 pages, illustrated. Paperback. 25 x 20cms. A study of the professional role of stucco makers and their technical skills. Looking at the use of stucco in late fifteenth to early sixteenth century Milan, Domenico Fontana, the diffusion of stucco decoration in sixteenth and seventeenth century Genoa, Salzburg as an early centre of Ticino stucco work, sixteenth and seventeenth century German stucco masters and interior stucco work in the Netherlands, Danish stucco decoration from the sixteenth to eighteenth centuries, seventeenth century Polish stucco work, sculpture and stucco at Santa Cecilia in San Carlo ai Catinari, stucco decoration in L'Aquila in the late seventeenth century, the use of drawing in Lombard and Lugano plaster workshops, archival sources on stucco workers in Basso Ceresio, and eighteenth century Portuguese plasterers. Text in English and Italian.
A study of the professional role of stucco makers and their technical skills. Looking at the use of stucco in late fifteenth to early sixteenth century Milan, Domenico Fontana, the diffusion of stucco decoration in sixteenth and seventeenth century Genoa, Salzburg as an early centre of Ticino stucco work, sixteenth and seventeenth century German stucco masters and interior stucco work in the Netherlands, Danish stucco decoration from the sixteenth to eighteenth centuries, seventeenth century Polish stucco work, sculpture and stucco at Santa Cecilia in San Carlo ai Catinari, stucco decoration in L'Aquila in the late seventeenth century, the use of drawing in Lombard and Lugano plaster workshops, archival sources on stucco workers in Basso Ceresio, and eighteenth century Portuguese plasterers. Text in English and Italian
Elisabet Ney: Herrin ihrer Kunst. Bildhauerin in Europa und Amerika
RommÃ, Barbara: Elisabet Ney: Herrin ihrer Kunst. Bildhauerin in Europa und Amerika. 2008. 301pp with 301 colour and monochrome illustrations. Boards. 30x21.5cms. Ney 1833-1907 was the first female artist to study sculpture at the Munich Academy, she is largely known for her portrait busts. Commissions by well-known figures such as Schopenhauer, Alexander von Humboldt, Justus von Liebig, Bismarck, Garibaldi, King George V and Ludwig II of Bavaria enabled her to have an independent life as an artist. Following her marriage to Edmund Montgomery she was based in the United States from 1871 with her studio in the remote natural setting of Hyde Park, Austin, Texas. Text in German.
Ney 1833-1907 was the first female artist to study sculpture at the Munich Academy, she is largely known for her portrait busts. Commissions by well-known figures such as Schopenhauer, Alexander von Humboldt, Justus von Liebig, Bismarck, Garibaldi, King George V and Ludwig II of Bavaria enabled her to have an independent life as an artist. Following her marriage to Edmund Montgomery she was based in the United States from 1871 with her studio in the remote natural setting of Hyde Park, Austin, Texas. Text in German
La Fabbrica del Rinascimento. FrÃdÃric Spitzer Mercante d'Arte e Collezionista nell'Europa e delle Nuove Nazioni
Cordera Paola: La Fabbrica del Rinascimento. FrÃdÃric Spitzer Mercante d'Arte e Collezionista nell'Europa e delle Nuove Nazioni. Bologna: 2015. Paperback. 21 x 29.7cms. A new 280 page inventory raisonnà of Spitzer's collection at the time of his death in 1890, placed within the context of his private and social life at Passy, Paris. Accompanied by scholarly work and photographs concerning his collection and art dealing. Illustrated chapter with floor plans and diagrams, revealing just how everything was arranged by the collector himself. Text in Italian.
A new 280 page inventory raisonnà of Spitzerâs collection at the time of his death in 1890, placed within the context of his private and social life at Passy, Paris. Accompanied by scholarly work and photographs concerning his collection and art dealing. Illustrated chapter with floor plans and diagrams, revealing just how everything was arranged by the collector himself. Text in Italian
Lo que Europa debe al Islam de España
Vernet, Juan: Lo que Europa debe al Islam de España. Barcelona: El Acantilado, 1999. 560 pages. Paperback. 21x13.5cms. Text in Spanish.
Text in Spanish
