‎MEUNIER BERNARD‎
‎ERASED‎

‎Stirannye vyugami polya/Fields erased by seals In Russian‎

‎In Russian. Kazantsev, Alexander Innokentyevich. Fields erased by vyugami. Moscow: Mologordiya, 1978 All images are for identification of editions only. Several books of the same edition may be available. Please feel free to request photos of available books. SKU7632881‎

‎Arkhipova E.F. Erased Diarrhea in Children. In Russian /Arkhipova E.F. Stertaya‎

‎Arkhipova E.F. Erased Diarrhea in Children. In Russian /Arkhipova E.F. Stertaya dizartriya u detey. Series: Higher School. Moscow, AST, Astrel, Keeper. 2006. 320 p. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalbde1f5e4f9d17275e.‎

‎Vladimir Golovin. The erased thresholds are being lured into Sololaki. In Russi‎

‎Vladimir Golovin. The erased thresholds are being lured into Sololaki. In Russian /Golovin Vladimir. Zavlekayut v Sololaki stertye porogi. In Russian. Literary Pages of the Old District of Tbilisi International Cultural and Educational Union: Russian Club 2014. 216 p. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb8b1e5cecce3993e0‎

‎Cronin Archibald. Erased from life. Northern Light. In Russian /Kronin Archibal'‎

‎Short description: Cronin Archibald. Erased from life. Northern Light. In Russian /Kronin Archibal'd. Vycherknutyy iz zhizni. Severnyy svet.In Russian.Series: Foreign Literature. Big Books. Moscow: Foreign Woman, ABC-Atticus, 2020. 544 p. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb76a522b3c5bc673e‎

‎Fabrice Souvereyns Erased and Not Erased‎

‎, Posture Editions Nr 50, 2023 PB, 300 x 210 mm, 256 pages, EN-NL edition, Illustrated. ISBN 9789491262555.‎

‎Armed with pencil, eraser and breaker knife, FabArmed with pencil, eraser and breaker knife, Fabrice Souvereyns ( 1995 Tongeren) creates a detailed world from intense observations and perceptions. Souvereyns's young oeuvre draws inspiration from the physical world, from fauna and flora and from what is visible to humankind in the skies. In addition, more 'invisible' themes also play a substantial role in the work. The influence of, for example, science cannot be denied, while art history also serves as inspiration for the artist's eccentric plant world. Vegetal scenes in art reflect how humans relate to subjects such as nature, religion, philosophy or science at the time. Souvereyns makes use of this frame of reference but also leaves room for his personal formal language. As a result, a certain universality and restraint always hangs around his drawings: although they are based on centuries-old natural landscapes, we cannot exactly find them in reality. The line between reality and the (sub)consciousness blurs. While working, he is guided by spontaneity yet the drawings are not simply the result of automatism. Each movement, whether adding or omitting, leaves a unique trace, and is a deliberate choice by the artist. Posture Editions N 50 brings together these diverse landscapes, making the book function as the young artist's first survey work. rice Souvereyns ( 1995 Tongeren) creates a detailed world from intense observations and perceptions. Souvereyns's young oeuvre draws inspiration from the physical world, from fauna and flora and from what is visible to humankind in the skies. In addition, more 'invisible' themes also play a substantial role in the work. The influence of, for example, science cannot be denied, while art history also serves as inspiration for the artist's eccentric plant world. Vegetal scenes in art reflect how humans relate to subjects such as nature, religion, philosophy or science at the time. Souvereyns makes use of this frame of reference but also leaves room for his personal formal language. As a result, a certain universality and restraint always hangs around his drawings: although they are based on centuries-old natural landscapes, we cannot exactly find them in reality. The line between reality and the (sub)consciousness blurs. While working, he is guided by spontaneity yet the drawings are not simply the result of automatism. Each movement, whether adding or omitting, leaves a unique trace, and is a deliberate choice by the artist. Posture Editions N 50 brings together these diverse landscapes, making the book function as the young artist's first survey work. ‎