‎FURUYA USAMARU‎
‎GARDEN‎

‎Fragrance from a chinese garden. Second edition.‎

‎ Peking, At the Lotus Court 1944, 310x235mm, 62pages, editor's binding. Despite some freckles on the upper cover, book in good condition. ‎

‎ 20 colorplates, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎Garden Transmissions. Word, Image, Experience, Future‎

‎, Brepols, 2023 Hardback, 260 pages, Size:216 x 280 mm, Illustrations:40 b/w, 150 col., 3 tables b/w., 7 maps b/w, Language: English. ISBN 9782503605852.‎

‎Summary GARDEN TRANSMISSIONS: WORD, IMAGE, EXPERIENCE, FUTURE examines the ways in which the exchange of garden forms, designs, technologies, and styles created a global garden culture at the intersection of nature and cultural expression from the early modern age to the present. Europe, at the center of this global exchange, drew inspiration from Islamic and Chinese garden traditions and benefitted from the traffic of botanical novelties from the Americas. In turn, European models were successfully exported to other parts of the world and adapted to other landscapes, environments, and climates. The appropriation of new design ideas, methods, and trends resulted in new garden types and invigorated earlier approaches to horticulture. These garden transmissions?effected through the exchange of writing and images as well as direct contact between cultures?provided the tools for fruitful cross-pollination of knowledge and skills as a mode of mediation between humans and nature. TABLE OF CONTENTS Preface Didier Wirth Introduction: Cristina Castel-Branco Key note speaker Marc Treib, University of California, Berkeley, Transmissions: Word, Image, Experience TRANSMISSIONS FROM GARDEN TO GARDEN The Western Culture Ana Ku?an, University of Ljubljana, In the Looking Glass: compositional principles of major styles at a margins of the Habsburg Monarchy Nathalie de Harlez, Haute École Charlemagne, The influence of the Grand Tour and travels on the programs of the first English gardens in the Low Countries Emmanuel Ducamp, Association Paris-Saint-Peterbourg, From Western Europe to Imperial Russia: a fair and fruitful transmission in garden design Ada Segre, Technion - Israel Institute of Technology, Vehicles of Transmission for Garden Model Plans: an Overview (fifteenth-seventeenth centuries) From East to Europe David Jacques, University of London, Did the Chinese give Europe the English garden? Cristina Castel-Branco, University of Lisbon, Garden Transmissions from India to Portugal. Adopting and Adapting Anatole Tchikine, Dumbarton Oaks, Migrating forms: Italian fountains in Spain and Portugal From Europe to the West Therese O'Malley, National Gallery of Art, A Vast and Howling Wilderness? (Deuteronomy 32:10): Wilderness gardens and early American environmentalism Marco Martella, Jardins, The Italian garden revival at the beginning of twentieth century through the eyes of American and English writers Monica Luengo, ICOMOS-IFLA, Nature in the city. Hispanic Alamedas: El Paseo del Prado in Madrid TRANSMISSIONS FROM GARDEN TO LANDSCAPE Education Transmissions Teresa Andresen and Ana Catarina Antunes, University of Porto, Transmissions through landscape architecture education from Germany to Portugal Iris Lauterbach, Zentralinstitut für Kunstgeschichte, Transmission of Knowledge in the Early Modern Period: On the Traces of travelling German Court Gardeners Luigi Latini, IUAV, The International Carlo Scarpa Garden Prize, 1990-2020: thirty years of research of an Italian centre for landscape studies Design Transmissions Fernando Caruncho, Caruncho Garden & Architecture, Garden and Truth Thorbjörn Andersson, Sweco Architects, From Linnaeus to Greta João Nunes, PROAP, Cultural Transmissions in Landscape Architecture Future Transmissions Dirk Sijmons, H+N+S Landscape architects, The Anthropocene: gardening the critical zone‎

‎REBEL GARDEN‎

‎, Stichting Kunstboek, 2024 Softcover, 160 pag., NL. / ENG. edit. 285 x 240 x 16 mm, NIEUW / NEW, illustr. in kleur / color- z/w / b/w. ISBN 9789058567239.‎

‎Wat is de impact van de mens op de natuur, en wat zijn de gevolgen hiervan op onze omgeving? De ambitieuze tentoonstelling Rebel Garden (van 13 april t.e.m 1 september 2024) breekt uit de traditionele museummuren en palmt maar liefst drie museumlocaties in. Oude en actuele kunst nemen de tumultueuze relatie tussen mens en natuur onder de loep en leggen de vinger op de pijnlijke wonde die klimaatcrisis heet. Het centrale thema 'tuin' - symbool voor verzorging, creatie en verzet - verbindt de drie locaties van Rebel Garden: het Groeningemuseum, het Gruuthusemuseum en het Museum Sint-Janshospitaal. Tuinen zijn lokale barometers van de staat van de planeet: ze zijn een deel van ons woonideaal en tegelijk een plek van verzet waar de gevolgen van ecologische veranderingen steeds zichtbaarder worden. Een ideaal vertrekpunt om onze complexe verhouding met de natuur af te toetsen. Rebel Garden snijdt uiterst actuele thema's aan zoals de gevolgen van de klimaatopwarming, de zesde massa-extinctie en klimaatactivisme, de symbiose van de mens met de natuur en de relatie tussen de kunstenaar en de tuin. Met werk van o.m. Allora & Calzadilla, Vaughn Bell, Joseph Beuys, Guillaume Bijl, Ross Bleckner, Gillian Brett, Dorota Buczkowska, Damien Cadio, Chih Chiu, David Claerbout, Christine Clinckx, Caroline Coolen, Peter De Cupere, Anuna De Wever, Daniël Dewaele, Lise Duclaux, Nick Ervinck, Tanya Goel, Joanna Hadjithomas & Khalil Joreige, Eckart Hahn, Paul Harfleet, Riitta Ikonen & Karoline Hjorth... En bijdragen van: Michel Dewilde, Valérie Trouet, prof. Dr. George McKay, Anuna De Wever en Philippe Daelemans.*********** What is the impact of humans on nature, and what are the consequences of this for our environment? The ambitious exhibition Rebel Garden (from April 13 to September 1, 2024) breaks out of the traditional museum walls and takes over no fewer than three museum locations. Ancient and current art examine the tumultuous relationship between humans and nature and put their finger on the painful wound called the climate crisis. The central theme 'garden' - symbol for care, creation and resistance - connects the three locations of Rebel Garden: the Groeninge Museum, the Gruuthuse Museum and the Museum Sint-Janshospitaal. Gardens are local barometers of the state of the planet: they are part of our residential ideal and at the same time a place of resistance where the consequences of ecological changes are becoming increasingly visible. An ideal starting point to test our complex relationship with nature. Rebel Garden addresses extremely current themes such as the consequences of global warming, the sixth mass extinction and climate activism, the symbiosis of man with nature and the relationship between the artist and the garden. With work by Allora & Calzadilla, Vaughn Bell, Joseph Beuys, Guillaume Bijl, Ross Bleckner, Gillian Brett, Dorota Buczkowska, Damien Cadio, Chih Chiu, David Claerbout, Christine Clinckx, Caroline Coolen, Peter De Cupere, Anuna De Wever, Daniël Dewaele, Lise Duclaux, Nick Ervinck, Tanya Goel, Joanna Hadjithomas & Khalil Joreige, Eckart Hahn, Paul Harfleet, Riitta Ikonen & Karoline Hjorth... And contributions from: Michel Dewilde, Valérie Trouet, prof. Dr. George McKay, Anuna De Wever and Philippe Daelemans.‎

‎Garden at Eichstätt 3 vols.‎

‎, Taschen, 2024 Hardcover, 3 vols. in slipcase, 24.3 x 30.4 cm, 6.54 kg, 1096 pages, Edition: English, French, German. ISBN 9783836594332.‎

‎The 367 exquisite hand-colored plates of the Hortus Eystettensis, published in 1613 with elaborate descriptions to record the palatial gardens in Eichstätt, Bavaria, were a landmark in botanical illustration. This facsimile edition, featuring authoritative texts and a present-day classification, preserves a treasured florilegium for posterity.- A complete facsimile edition of the three-volume Hortus Eystettensis When Prince-Bishop Johann Konrad von Gemmingen (1593/95?1612) undertook a radical renovation of the Willibaldsburg Castle, overlooking the Altmühl River in Eichstätt, Bavaria, he also created a surrounding palatial pleasure garden of magnificence and grandeur. To preserve the garden for future generations ? and provide an ?evergreen? record of its contents, compiling plants from all four seasons and presenting them in that order ? he commissioned the garden?s director, Nuremberg apothecary Basilius Besler (1561?1629), and a team of engravers to immortalize its treasures in print. The resulting Hortus Eystettensis, published in Nuremberg in 1613 and containing 367 hand-colored plates and detailed descriptions, was a work of meticulous execution and spectacular diversity, and remarkably expensive for its time. As the garden contained a variety of plants imported from exotic locales, the three volumes exhibited a remarkable range, covering a total of 90 families and 340 genera. Due to the decorative, stylized execution of these illustrations, which began to see plants in aesthetic, rather than merely practical or medicinal terms, the book is seen as a milestone in the art of botanical illustration. While published before a time of standardized classification systems, it was nonetheless later described by Carl Linnaeus as an ?incomparable work?. Besler?s catalog long outlived the gardens, which were destroyed in 1634 by invading Swedish troops during the Thirty Years? War. However, a lengthy redevelopment project at the historic site has culminated in the opening of the modern Bastion Garden in 1998, containing many of the plants shown in the Hortus Eystettensis. Offering high-quality reproductions of these arresting illustrations, based on the copy of the Hortus Eystettensis at the University Library of Eichstätt-Ingolstadt, this facsimile edition is accompanied by detailed plate descriptions of each plant?s botanical, pharmaceutical, and symbolic significance and an appendix of further essays which place the garden and the book in their historical contexts. This edition presents a valuable piece of botanical literature which, on the rare occasions where a copy appears on the market, can fetch prices of over $1,000,000 at auction. In line with Besler?s original intentions, this facsimile unfurls the garden to a wider audience and captures it for posterity. ‎

‎Novosad N. Garden and garden. Garden: Soils. Fertilizers. Seedlings. Vaccines. ‎

‎Novosad N. Garden and garden. Garden: Soils. Fertilizers. Seedlings. Vaccines. Varieties, hybrids. Rare crops. Garden and garden in the apartment. Home farm. Compiled by N. Novosad. In Russian /Novosad N. Sad i ogorod.Sad: Pochvy. Udobreniya. Saentsy. Privivki. Sorta, gibridy. Redkie kultury. Sad i ogorod v kvartire. Domashnyaya ferma. Sostavitel N.Novosad. Yekaterinburg: U-FACTORY. 2000. You are welcome to reach out to us for a detailed description of the copies currently available. Delivery of this book may take longer than usual including extended processing and pre-shipping time, no expedited shipping is available. Please advise us if you have a set date or a deadline to receive your order.SKUalb63d95f7f80a6ab79‎