Actes Sud (3/2014)
Reference : SLIVCN-9782330030193
LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782330030193
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, Brepols, 2019 Hardback, 330 pages, Size:156 x 234 mm, Languages: Italian, French, Latin. ISBN 9782503582375.
Summary L'ouvrage a pour but d'analyser la fortune du rhéteur Aelius Aristide (117 - vers 180 ap. J.-C.) à l'époque humaniste et de comprendre les raisons qui sont à la base de la réception de son oeuvre, depuis la redécouverte de la langue grecque en Occident jusqu'à la Reforme. Le devenir des discours aristidiens est examiné sous plusieurs points de vue, tout d'abord linguistiques, mais aussi historiques, sociaux et politiques, afin de brosser le tableau le plus complet possible de la diffusion d'Aristide dans l'Europe savante. Quatre traductions inédites sont présentées pour la prèmiere fois ici, dont trois réalisées par des humanistes italiens du XVe siècle (Cencio de' Rustici, Niccolò Perotti, Carlo Valgulio) et une par un humaniste allemand de la première moitié du XVIe siècle (Joachim Camerarius). Elles montrent l'incidence d'Aristide sur la culture occidentale ainsi que son importance pour la construction d'une identité moderne, fondée sur une connaissance renouvelée de la rhétorique grecque. TABLE OF CONTENTS Prefazione Premessa Abbreviazioni Elenco delle traduzioni latine di Elio Aristide conosciute in ordine cronologico (1417-1566) Introduzione Capitolo Primo. La prima traduzione latina di Elio Aristide: Il Bacchus di Cencio de' Rustici Capitolo Secondo. Il genere monodico tra antichità e Rinascimento: Niccolò Perotti e la Monodia per Smirne Capitolo Terzo. La 'concordia' di Elio Aristide nella crisi del 1494: la traduzione latina di Carlo Valgulio del discorso Ai Rodiesi, sulla concordia Capitolo Quatro. Joachim Camerarius e il valore dell'imitazione: La traduzione latina del Discorso d'ambasceria ad Achille Conclusioni Bibliografia Indici Riproduzione dei discorsi di Elio Aristide dalle edizioni di riferimento La fortuna umanistica de Elio Aristide. Résumé détaillé
, Silvana Editorale, 2025 Hardcover, 121 pages, 24.5 x 33 cm, Italian, English. *NEW. ISBN 9788836662937.
An adopted Roman, but born in Brazil in 1908 to Italian immigrant parents, Elio Luxardo (Sorocaba, 1908 ? Milan, 1969) is perhaps the greatest representative of that generation of photographers who found themselves immersed in Italy in the 1930s, while clearly differentiating themselves from their colleagues of the time. A master craftsman of the darkroom, he arrived in Rome in 1932 and grew professionally during the period when the Cinecittà film studios were being developed, cultivating his talent by portraying the actors and actresses of the time. But it was in his studio, far from the film sets, that he brought his inventive flair to the highest level, confining his work to a fascinating and intense mise en scène, from which he was able to extract a brilliant core of images dedicated exclusively to nude photography. The volume presents this intimate production of original photographs from the early 1930s, consisting of an unprecedented and engaging relationship between light and shadow. Fascinated by Greek and Roman sculpture, the male nude alternates admirably with the female nude, in a comparison that reveals the clash between two different identities: on the one hand, an involuntary process of observance of the dogmas of the time, and on the other, a tangible trace of his youthful spirit, nurtured in the lush and free atmosphere of Brazil. The man?s strength and vigour are immediately apparent in the representation of the male nude, which, however, intersects perfectly with the elusive eroticism of the female nude, a woman?s body far removed from the rhetoric of ?home, country, family? and the icon of the ?angel of the hearth?. This existential double game meant that his nude photographs, which did not fully comply with the canons of his time and those of the following decades, disappeared. His original, vigorous and seductive images have now finally re-emerged, finding light and visibility in a significant tribute to the artist. Contents Introductory texts Nicola Del Roscio Enrico Praloran Following the Thread of History Giuseppe Vanzella Theatre of the Nude Davide Pellicciari Elio and the ideal of beauty: noble simplicity and quiet grandeur Carlotta Spinelli The Myth of Manliness in Elio Luxardo?s Photographs Federica Muzzarelli Biography Exhibited works Bibliography
Reference : alb376baa51325c53b9
Elio DOrazio. Elogio e Critica del Volontariato. Fare Volontariato nel XXI secolo in Italia e in Europa In Italian /Elio DOratsio (Elio DOrazio). Elogio e Critica del Volontariato. Fare Volontariato nel XXI secolo in Italia e in Europa (Pokhvala i kritika volonterstva. Volonterstvo v 21 veke v Italii i Evrope) Series: Terzo Millennium. Book in Italian. Rome. Edup. 2001. You are welcome to reach out to us for a detailed description of the copies currently available. SKUalb376baa51325c53b9.
GALLIMARD. MAI 1947. In-12. Broché. Bon état, Tâchée, Dos satisfaisant, Intérieur frais. Paginé de 1345 à 1536. Traces de mouillures et de stylo sur la couverture.. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues
Revue fondée par Jean-Paul Sartre et Simone de Beauvoir. Sommaire : JEAN POUILLON. — Mythe contre mythe.ALBERT LAFFAY. — Le récit, le monde et le cinéma !ELIO VITTORINI. — Le Simplon fait un clin d’œil au Fréjus (Fin)JEAN-PAUL SARTRE. — Qu’est-ce que la littérature ? (IV).RICHARD WRIGHT. - Black Boy (V).TÉMOIGNAGESJACQUES GUICHARNAUD. - Vie de Prague.EXPOSÉSETIEMBLE. — Chronique littéraire : Le style de Proust.Y. HADACHE. — Renaissance des HébreuxE. CASSIN. — Perspectives sur un procès.Textes sans commentaires. Classification Dewey : 70.49-Presse illustrée, magazines, revues
Plon 2026 in8. 2026. broché.
Bon état sous papier de soie tranche fanée intérieur propre