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Messud, Claire; Dumas, Marlene
Marlene Dumas
Zwirner David Books (5/2019)
Reference : SLIVCN-9781941701997
LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9781941701997
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5 book(s) with the same title
Marlene Dumas / ZENO X GALLERY - 25 YEARS OF COLLABORATION.
BE - , Kannibaal- HANNIBAL, 2020 Hardcover, 248 bladzijden, 28,5 x 22 cm, Tweetalige editie Engels-Nederlands. ISBN 9789463887465.
Overzicht van vijfentwintig jaar werk van Marlene Dumas. Marlene Dumas ( 1953, Kaapstad) wordt beschouwd als een van de invloedrijkste schilders van de twintigste eeuw. Al meer dan dertig jaar raakt ze met haar schilderijen en tekeningen existenti le onderwerpen aan die vaak refereren aan kunsthistorische motieven en actuele politieke thema's. Ze laat zich daarbij inspireren door beelden die ze in tijdschriften en kranten vindt of door persoonlijke foto's die ze van haar naasten maakt. Via haar werken probeert ze de sociale, politieke, psychologische en emotionele aspecten van een beeld te onderzoeken en te onthullen. Deze catalogus biedt een overzicht van alle werken die in Zeno X Gallery werden getoond gedurende haar Marlene Dumas Zeno X Gallery 25 years of collaboration vijfentwintigjarige samenwerking met de Antwerpse galerie. Dumas presenteerde er sinds 1993 vijf solotentoonstellingen, getiteld Give the people what they want, Time and Again, For Whom the Bell Tolls, Twice en Double Takes. Het boek bevat begeleidende teksten van de kunstenaar bij haar tentoonstellingen, evenals krantenartikels en archieffoto's. Marlene Dumas had solotentoonstellingen in Fondation Beyeler in Basel, Tate Modern in Londen, Stedelijk Museum in Amsterdam, Haus der Kunst in M nchen, The Menil Collection in Houston, MoMA in New York, MOCA in Los Angeles, MOT in Tokio, the Art Institute in Chicago, Centre Pompidou in Parijs, MMK in Frankf rt, et cetera. Marlene Dumas ( 1953, Kaapstad) wordt beschouwd als een van de invloedrijkste schilders van de twintigste eeuw. Al meer dan dertig jaar raakt ze met haar schilderijen en tekeningen existenti le onderwerpen aan die vaak refereren aan kunsthistorische motieven en actuele politieke thema?s. Ze laat zich daarbij inspireren door beelden die ze in tijdschriften en kranten vindt of door persoonlijke foto?s die ze van haar naasten maakt. Via haar werken probeert ze de sociale, politieke, psychologische en emotionele aspecten van een beeld te onderzoeken en te onthullen. Deze catalogus biedt een overzicht van alle werken die in Zeno X Gallery werden getoond gedurende haar vijfentwintigjarige samenwerking met de Antwerpse galerie. Dumas presenteerde er sinds 1993 vijf solotentoonstellingen, getiteld Give the people what they want, Time and Again, For Whom the Bell Tolls, Twice en Double Takes. Het boek bevat begeleidende teksten van de kunstenaar bij haar tentoonstellingen, evenals krantenartikels en archieffoto?s. Marlene Dumas had solotentoonstellingen in Fondation Beyeler in Basel, Tate Modern in Londen, Stedelijk Museum in Amsterdam, Haus der Kunst in M nchen, The Menil Collection in Houston, MoMA in New York, MOCA in Los Angeles, MOT in Tokio, the Art Institute in Chicago, Centre Pompidou in Parijs, MMK in Frankf rt, et cetera. De tentoonstelling Double Takes zal plaatsvinden van 1 april tot 2 mei 2020 in Zeno X Gallery, Antwerpen. //// Marlene Dumas ( 1953, Cape Town) is considered one of the most influential painters of the twentieth century. For more than thirty years she has touched on existential subjects with her paintings and drawings, which often refer to art-historical motifs and current political themes. She is inspired by images she finds in magazines and newspapers or by personal photos she takes of her loved ones. Through her works she tries to explore and reveal the social, political, psychological and emotional aspects of an image. This catalog offers an overview of all works that were shown in Zeno X Gallery during her Marlene Dumas Zeno X Gallery 25 years of collaboration twenty-five years of collaboration with the Antwerp gallery. Dumas has presented five solo exhibitions there since 1993, entitled Give the people what they want, Time and Again, For Whom the Bell Tolls, Twice and Double Takes. The book contains accompanying texts by the artist to her exhibitions, as well as newspaper articles and archive photos. Marlene Dumas had solo exhibitions at Fondation Beyeler in Basel, Tate Modern in London, Stedelijk Museum in Amsterdam, Haus der Kunst in Munich, The Menil Collection in Houston, MoMA in New York, MOCA in Los Angeles, MOT in Tokyo, the Art Institute in Chicago, Center Pompidou in Paris, MMK in Frankfurt, et cetera.
Jan Andriesse, Bert Boogaard, Ulrich Bischiff, Marlene Dumas, Christfried Weirauch
Reference : 54120
MARLENE DUMAS An Altarpiece for the Annenkirche in Dresden
, Walter Koenig Verlag, 2017 Hardcover + dusjacket, 320 x 235 mm, 88 pages , 75 illustrations, ENG/ DE edition.*as new ISBN 9783960982494.
The renowned international artist Marlene Dumas created a big new altarpiece for the Annenkirche in Dresden. It draws on Christian motifs and explores their meaning in the story of Salvation. The publication includes a lot of illustrations of the altarpiece and Dumas' working process. In her own article she speaks about the background and motives of her paintings. Die international renommierte Malerin Marlene Dumas hat f r die Dresdner Annenkirche ein neues, gro es Altarbild geschaffen. Es greift christliche Motive auf und setzt sich mit ihrer heilsgeschichtlichen Bedeutung auseinander. Dumas selbst stellt ihr gro formatiges Bild von der Idee bis zur Ausf hrung in Text und zahlreichen Skizzen, Plan- und Werkfotos detailliert vor. Marlene Dumas, 1953 in Cape Town. Lives and works in Amsterdam.Die international renommierte Malerin Marlene Dumas hat f r die Dresdner Annenkirche ein neues, gro es Altarbild geschaffen. Es greift christliche Motive auf und setzt sich mit ihrer heilsgeschichtlichen Bedeutung auseinander. Dumas selbst stellt ihr gro formatiges Bild von der Idee bis zur Ausf hrung in Text und zahlreichen Skizzen, Plan- und Werkfotos detailliert vor.
Dangerous Woman Defeated Men / Marlene Dumas, Andries Botha, * Playing cards set,
Amsterdam,, Marlene Dumas/Andries Botha, 1998, 1998 Playing cards set,18,6 x 15 cm, boxed set with 52 playing cards, 2 jokers and 1 colophon card, ** NO CD. 1/300 ex unnumberd. *fine
Playing cards set, 18,6 x 15 cm, boxed set with 52 playing cards, 2 jokers and 1 colophon card, all illustrated by Marlene Dumas / ***NO CD.
Marlene Dumas Measuring Your Own Grave Measuring your Own Grave
London, Thames & Hudson, 2008 Illustrated hardcover, 288 pages, 30.5 x 24.5 cm, English text. *as new . ISBN 9781933751085.
Synopsis: In her expressionistic drawings and paintings of the last three decades, acclaimed South African artist Marlene Dumas has focused on the human figure, probing themes of love, desire, despair and confusion in order to slyly critique social and political attitudes toward women, children, people of color and others who have historically been victimized. From her evocative portraits, based on photographs of friends and family as well as figures culled from printed pornography, to her large-scale images highlighting charged relationships within groups, Dumas' work explores the contradictions behind the physical reality of the body, merging acute social commentary with personal experience and art-historical antecedent to create unsettling and ambiguous psychological statements. Accompanying Dumas' first major mid-career survey in the U.S., with stops in three major American cities, (one yet to be announced) this substantial, fully-illustrated publication features a newly commissioned essay by renowned scholar Richard Shiff, placing the artist's work in relation to both American figurative painting since the 1980s and Abstract Expressionism. The book also includes curator Cornelia H. Butler's examination of Dumas' photographic sources and shorter texts by Lisa Gabrielle Mark and Matthew Monahan. Writings by the artist, as well as an extensive illustrated exhibition history and bibliography, complete this comprehensive examination of the work of one of the most thought-provoking artists working today. Born in Capetown, South Africa, in 1953, Marlene Dumas has lived in Amsterdam since 1976. Over the last three decades she has had numerous solo exhibitions throughout Europe and the U.S., including the Tate Gallery, London; the Institute of Contemporary Art, Boston; and the Centre Georges Pompidou, Paris. In 1995 she represented The Netherlands at the 46th Venice Biennale. About the Author: Marlene Dumas was born in 1953 in Capetown, South Africa. After studying at the Michealis School of Fine Arts there, she relocated to the Netherlands, where she studied in Haarlem and Amsterdam. She has participated in numerous solo and group exhibitions, including at the Centre Georges Pompidou, Paris; the Hirshhorn Museum and Sculpture Garden, Washington, D.C.; the Tate Gallery, London; and the Museum fur Moderne Kunst, Frankfurt.
Marlene Dumas. Against the Wall
, [UK] T & H, Distributed / David Zwirner Gallery , 2015 Hardback, 320x245mm, 68p, throughout colour illustrations, English edition . ISBN 9781941701003.
Described by Deborah Solomon in a 2008 New York Times profile as one of contemporary arts most compelling painters, Marlene Dumas has continuously explored the complex range of human emotions, often probing questions of gender, race, sexuality, and economic inequality through her dramatic and at times haunting figural compositions. Originally published in 2010 on the occasion of Against the Wall, Dumass first solo presentation at David Zwirner in New York, this much sought-after exhibition catalogue which sold out shortly after publication has been reprinted in 2014 to coincide with the artists European retrospective exhibition The Image as Burden, organized by Tate Modern, London, in collaboration with the Stedelijk Museum, Amsterdam, and the Fondation Beyeler, Basel, traveling through 2015. The large-scale works included in Against the Wall are primarily based on media imagery and newspaper clippings documenting Israel and Palestine, exploring the tension between the photographic documentation of reality and the constructed, imaginary space of painting. The sombre colour plates reproduced in the publication are given context by Dumas's own musings, a text framed as a letter to David Zwirner in which she tries to tell him about the why of this powerful series.
