NOVA SCIENCE PUBLISHERS INC (5/2014)
Reference : SLIVCN-9781631172526
LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9781631172526
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, Posture Editions, PB, 195 x 130 mm, 168 pages, EN-NL edition. ISBN 9789491262487.
One way or another is the title of the very first Posture Pockets and the guide to the exhibition of the same name that took place in the S.M.A.K. in Ghent (30.10-28.11.2021). The independent publisher ? Posture Editions ? was founded in 2011 and has since published 47 artist?s books in A4 format. In this first issue of this parallel series in novel format, all the Posture artists? books from the past ten years are presented chronologically and juxtaposed with that artist?s work exhibited at the S.M.A.K. In addition to the cover and an inside page, the paperback also contains a text fragment from the published essay, poem or interview. The text fragments testify to the wealth of thoughts put forward by the authors. They are texts that not only deal with the artists? oeuvres, but can often be read as autonomous works of art. One way or another ends with a biography in images: photographs taken during work sessions with artists, book presentations, exhibitions and book fairs, as an ode to the beautiful collaborations with artists, gallerists, curators, writers and readers. Both the book and the exhibition in the S.M.A.K. follow the logic of a timeline, so that the book can be read in the order of the exhibition and the exhibition is built up according to the logic of the book. Realised with the support of Cultuur Gent.
, Posture Editions, 2016 Oorspronkelijk uitgevers omslag, 72 pagina's, 21 cm × 30 cm . ISBN 9789491262180.
The work of Joke Van den Heuvel (b. 1983) initiates an interaction with (historical) fragmented material that she presents the viewer. The interaction with images concerns a perpetual (re) assembling and constructing /organizing of the now and the past. Van den Heuvel is interested in narratives produced by the barely perceptible, acknowledging that the meaning of images cannot be contained by language. Recordings of repetitive actions and monotonous characters in looping scenes blur the observer?s focus, inducing a kind of blindness towards the object ? a blindness that makes seeing possible again. ?134340 is a fragmentary, juxtaposing anti-story about shifting contexts and transformations, but not because it is intended to analyse processes of meaning for the sake of the analysis. The work expresses above all a melancholy desire to search in the rubble of what is broken, to link together the dots, in the heavens and here below, to make a drawing once again. Not in order to arrive at an unbreakable circle, but to be still truly involved and personal. Which means: building up a subjective resistance to both the fragmentation of images and the urge to let a moving multiplicity implode into a point of meaning.? From ?Pluto in the space of things?, Koen Sels in: 134340. Launched at Kunstroute Waregem 25.03.2016 With the support of Be-Part, centre for contemporary art
In Russian. Shamatov, Nasretdin Mirakhmedovich. Watch children's posture. Tashkent: Ukituvchi, 1974. All images are for identification of editions only. Several books of the same edition may be available. Please feel free to request photos of available books. SKU7095906
In Russian. Belyakova, Nadezhda Terentyevna. Figure, grace, posture. Moscow: Enlightenment, 1978 All images are for identification of editions only. Several books of the same edition may be available. Please feel free to request photos of available books. SKU7620838
, Posture Editions, 2025 Hardback, Dimensions 297 x 210 mm, 104 Pages, Language(s) Eng./ Fin. ed. *new. ISBN 9789491262685.
While studying fine art, Vala-shortened from Valgerður-ended up at KASK Antwerp through an Erasmus scholarship. After graduating from Reykjavik, she returned to Belgium and studied sculpture in Ghent, where she obtained her master's degree in 2018. In contrast to the materials she uses, Vala's works are very light-hearted. In a childlike, seemingly naive way, she depicts the extremely mundane and ordinary to the point of absurdity.