NOVA SCIENCE PUBLISHERS INC (8/2011)
Reference : SLIVCN-9781612092027
LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9781612092027
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John Hoyland: Power Stations: Paintings 1964-1982. 2016. 144 pages, fully illustrated in colour. Hardback. 31 x 24cms. Published on the occasion of the inaugural exhibition at Newport Street Gallery, built to house work from Damien Hirst's art collection, the catalogue explores Hoyland's intuitive manipulation of color, form and texture. Including work drawn from a pivotal period in Hoyland's career (1964 to 1982) Power Stations shows an artist equally comfortable with geometric and gestural abstraction, combining elements of both in vividly hued, large-scale paintings. The first extensive survey of Hoyland's work since the artist's death in 2011.
Published on the occasion of the inaugural exhibition at Newport Street Gallery, built to house work from Damien Hirstâs art collection, the catalogue explores Hoyland's intuitive manipulation of color, form and texture. Including work drawn from a pivotal period in Hoylandâs career (1964 to 1982) Power Stations shows an artist equally comfortable with geometric and gestural abstraction, combining elements of both in vividly hued, large-scale paintings. The first extensive survey of Hoylandâs work since the artistâs death in 2011.
Sassoon, Adrian: Wapping Hydraulic Power Station: Christie Brown, Fragments of Narrative. 2000. 24 pages pages, illustrated in both colour and black & white. Paperback. 21 x 26cms. Catalogue documenting Christie Brown's work for Wapping Hydraulic Power Station [commissioned by WPT].
Catalogue documenting Christie Brown's work for Wapping Hydraulic Power Station [commissioned by WPT]. Text in English
Evans, Helen C. et al: Byzantium. Faith and Power (1261-1557). Exhibition: New York, Metropolitan Museum, 2004. c.650pp with 718 colour and 152 monochrome illustrations. Cloth, 31.5x24cms. The third and final of the major exhibition catalogues after 'The Age of Spirituality and 'The Glory of Byzantium', this lavishly presented book features over 350 artefacts, including 40 major icons, magnificent textiles, metalwork, glass, gems, coinage and illuminated manuscripts, from the last golden age of the Byzantine Empire. Byzantine artistic and intellectual practices influenced both the development of the Renaissance in Italy, and the Islamic world, which adapted motifs drawn from Byzantium's imperial past. Also explores how Byzantine art was also emulated and transformed in other Eastern Christian centres of power, among them Russia, Serbia, Bulgaria, and Cilician Armenia. Supported by scholarly essays, maps and photography of ecclesiastical architecture.
The third and final of the major exhibition catalogues after 'The Age of Spirituality and 'The Glory of Byzantium', this lavishly presented book features over 350 artefacts, including 40 major icons, magnificent textiles, metalwork, glass, gems, coinage and illuminated manuscripts, from the last golden age of the Byzantine Empire. Byzantine artistic and intellectual practices influenced both the development of the Renaissance in Italy, and the Islamic world, which adapted motifs drawn from Byzantium's imperial past. Also explores how Byzantine art was also emulated and transformed in other Eastern Christian centres of power, among them Russia, Serbia, Bulgaria, and Cilician Armenia. Supported by scholarly essays, maps and photography of ecclesiastical architecture. Text in English
Koja, Stephan: Body of Power: The Mars by Giambologna. 2025. 304 pages, illustrated in colour. Hardback. 26 x 22cms. Comprehensive study of Giambologna's bronze statuette of Mars, situating it within the context of the late Renaissance and other Mars statuettes by Antonio Susini, Giovanni Francesco Susuni, Pietro Tacca and Adrien De Vries. Focusing on the Dresden version, which Giambologna sent with other diplomatic gifts from Francesco I de' Medici to Elector Christian I of Saxony in 1587. Discusses the figure's nudity against the usual depictions of the god in full armour.
Comprehensive study of Giambologna's bronze statuette of Mars, situating it within the context of the late Renaissance and other Mars statuettes by Antonio Susini, Giovanni Francesco Susuni, Pietro Tacca and Adrien De Vries. Focusing on the Dresden version, which Giambologna sent with other diplomatic gifts from Francesco I de' Medici to Elector Christian I of Saxony in 1587. Discusses the figure's nudity against the usual depictions of the god in full armour.
Stewart, Andrew: Faces of Power Alexander's Image and Hellenistic Politics. University of California Press, 1993. xxxvii, 507pp with 13 colour plus 191 monochrome illustrations. Hardback. 26.2 x 18.2cms. Study of Alexander portraits, incorporating an analysis of these in the context of Hellenistic political culture. Three main sections cover: Approaching Alexander; King and Conqueror; Survivors and Successors. Includes many previously unpublished images, appendices (including: a catalogue of The Getty Fragments: Preserved Alexander portraits discussed in the text; and a chronology of Alexander and the Successors. With bibliography, index.
Study of Alexander portraits, incorporating an analysis of these in the context of Hellenistic political culture. Three main sections cover: Approaching Alexander; King and Conqueror; Survivors and Successors. Includes many previously unpublished images, appendices (including: a catalogue of The Getty Fragments: Preserved Alexander portraits discussed in the text; and a chronology of Alexander and the Successors. With bibliography, index.