‎Hinds, Gareth‎
‎The Iliad‎

‎Les dix premiers livres de l’Iliade. traduictz en vers françois par M. Hugues Salel. - [THE FIRST SUCCESFUL VERSION OF THE ILIAD IN MODERN FRENCH VERSE]‎

‎Paris, (Jehan Loys, for:) Vincent Sertenas, 1545. Small folio. Nice eighteenth century full calf binding with six raised bands to richly and elegantly gilt spine (matching the style of the illustration-borders) and triple gilt line-borders to boards., spine richly gilt with seven raised bands. A bit of wear ti extremities. Title-page has been professionally restored and re-enforced, and the upper 3 cm with the first line of the title has been reinstated. Otherwise, the copy is in excellent condition, with only very mild, light brownspotting, clear, bright paper, and good margins. CCCL, (1) ff. Roman type, italic side-notes, translator's note to the reader in verse and errata on final, unnumbered leaf. Colophon on verso of last leaf, with Loys' large woodcut device, title woodcut of Homer as the Fountain of Poetry (14,2 x 10,4 cm.), ten woodcuts, one at the beginning of each book (the first the same size as the title-llustration, the rest ab. 8,6x8,6 cm.) and all set within the same four-piece ornamental border, the upper border containing the French royal arms, the lower a small coat-of-arms (possibly Salel's), lovely large initials.‎

‎Very rare first edition of Salel's groundbreaking translation of The Iliad, constituting the first serious attempt at a modern verse rendering of either the Iliad or the Odyssey and one of the most important Homer-translations ever made. This first successful version of the Iliad in modern French verse served as the basis for other early vernacular translations, perhaps most famously the first English (Arthur Hall, 1581), which is a direct translation of Salal's. This splendid work is furthermore renowned for its beauty and is considered ""one of the handsomest books printed at Paris"" (Fairfax Murray). The translation includes the first 10 books of the Iliad. Salal died, before he could finish the remaining books, which were translated by Amadis Jamyn and published in 1577. ""Hugues Salel was a compatriot of Clement Marot, Eustorg de Beaulieu, and Olivier de Magny. He was born, according to the Abbé Goujet, toward the end of 1504, in Casals, Quercy, in P6rigord (Cahors). He is therefore, like several of the poets of the first half of the century, a man of the South. Salel began writing verse at a very early age. At the order of the king, Francis I, he undertook a translation of the Iliad. As a reward he was made ""valet de c hambre'"" of the King, and in 1540 we find him as the first ""abbé commendataire"" of the abbey of Saint-Chéron of the diocese of Chartres. From letters of the King, dated from Fontainebleau in 1544 (January 18), we learn of the permission granted to Salel to publish his translation of the Iliad""… (Hugues Salel, Poet and Translator (uchicago.edu)) ""The history of the first translations of the Homeric poems into the main European languages is fascinating, for it often reveals both the political and cultural mood of the recently created European nations. With the multiplication of printed editions of the poems, an increasingly larger pool of scholars made enthusiastic attempts to translate an ancient language into a new idiom. These new versions were not only philological achievements at that time but also a reason for national pride, since an ancient epic could be made alive within the context of new national exploits. The second half of the sixteenth century represents the high point in the assimilation of Homer into French humanist culture. Unlike England… France, and particularly Paris, quickly followed Italy's example to provide its own Homeric texts... This trend was particularly strong after the founding of the Còllege de Lecteurs Royaux by François I in 1530. This institution was established to teach the three ancient languages-Greek, Latin, and Hebrew-and to provide its students with editions and commentaries of ancient texts. Moreover, French translations also contributed to the awareness of the Homeric epics. The first successful version in modern French verse was made by Hugues Salel who translated the first ten books of the ""Iliad"" (From the exhibition ""Translating Homer"", Curated by Pablo Alvarez, Special Collections Library). Ezra Pound in his essay on Salel calls this translation of Homer ""delightful… he has authenticity of conversation as would be demanded by an intelligent audience not yet laminated with aesthetics"" capable of recognizing reality. He has the repetitions of the chanson de gestes. Of all the French and English versions, I think Salel alone gives any hint of some of these characteristics' (Homer: Printed editions of the Iliad and Odyssey in Greek and in Translations and Landmarks in Homeric Scholarship). ""The first serious attempts at a modern verse rendering (of the Iliad and Odyssey) were made in France by Hugues Salel, with his 1545 version of the Iliad"" (Gilbert Highet, The Classical tradition: Greek and Roman Influences on Western Literature, p. 114). The book is renowned for its splendid woodcuts, one at the beginning of each book. These woodcuts are set within magnificent ornamental borders containing the French royal arms and ""are clearly influenced by Geoffrey Tory with their lack of shading and outline depiction of the figures, and may be the work of the Maître à l'F gothique (Brun's appellation), Mortimer's F artist (sometimes identified as the Lyonese printer François Fradin), whose woodcuts illustrate several of Denys Janot's imprints. The italianate style introduced into the French book by Tory, and continued in volumes from the press of Denys Janot, reaches its height in these illustrations."" (Mortimer). The work is very rare, and we have only been able to locate three complete copies sold at aution over the last 50 years. Brunet III, 290Harvard/Mortimer 293‎

‎Ilias. Öfversatt af Marc Wallenberg. I-XII. Sången + XIII-XXIV Sången. (I.e. fully complete). - [FIRST COMPLETE SWEDISH EDITION OF THE ILIAD]‎

‎Stockholm, Olof Grahn, 1814-15. 8vo. Bound in one lovely, contemporary brown half calf binding with gilt and blindstamped ornamentation to spine. A bit of wear to spine and extremities, but overall an excellent copy, also internally. The errata-leaf has been strengthened at the top, blank margin. Bound with both half-titles, which are not always present. (16), 303, (1)" (4), 327, (1, - errata) pp.‎

‎Scarce first edition of the first complete Swedish translation of The Iliad, Marcus Wallenberg's famous magnum opus, which constitutes the first full Scandinavian translation of any Homeric work and which in many ways introduced Homer to the Swedish public. The work exercised great impact upon the reading public of Sweden and came to be highly influential. It was both highly praised and the source of much controversy, over metrics and translation-principles in general. ""The first volume of Marcus Wallenberg's translation of the Iliad-which was going to be the first complete Swedish translation of the Homeric epics-appeared 1814… The reviewer in Stockholms Posten began by exclaiming ""A Swedish translation of Homer in metric verse!!"" He argued that the translation was a major achievement for Swedish literature and noteworthy for two reasons. Firstly, because of the source text. He describes Homer as the oldest and greatest poet in Greece and the world but says that he suspects that readers would be surprised by this description. This indicates that Homer was moving towards the top of the epic genre hierarchy and was overtaking Virgil, but that his position there was not quite uncontested yet. Secondly, because of the method of translating. The reviewer commends Wallenberg for choosing to make a faithful translation"" (Goldwyn, edt.: ""The Trojan Wars and the Making of the Modern World: Classical Reception Since Antiquity"", p. 161). At the turn of the 19th century, as Swedish translators of the classics began to question the old conventions governing translation, the Iliad became a locus of aesthetic contestation, and Wallennberg's great achievement became the centre of attention. But the translation not only played a central part in academic descussions about Homer, the classics, and translation-principles, it paved the way for an understanding of the Homeric epics in Sweden and placed Homer among the canonical authors that had otherwise been neglected. ""When the second volume of Wallenberg's Iliad appeared (1815), the whole Iliad was reviewed by Lorenzo Hammarsköld in Swensk Literatur-Tidning. Hammarsköld began by welcoming the translation and detailing the difficulties facing a Swedish translator of the Iliad, the main one being lack of interest and understanding for the Homeric epics among the Swedish readership. What Swedes of his time knew of Homer was, according to Hammarsköld, not much more than that Homer was sublime, majestic, and bold beyond description, but at times prosaic and unpolished, and that he, since he did not know of literary societies, could fall so far below epic grandeur, that he likened a king to a bull and a charming prince to a fly. Further, the Swedish public lacked in the education needed to properly appreciate the Homeric narrative and the beauty of his unaffected and unsentimental style. Therefore, Hammarsköld feared that ""a translation in the genuine and grand style"" would not be appreciated and that readers were likely to feel deceived, suspecting that a garrulous storyteller has been passed off as Homer and not know what to think of the translation at hand"" (ibid. pp. 171-72) The translation did in fact prove to be very popular indeed and he gave to the general Swedish public the opportunity of reading one of the greatest world classics in their own language. ""Marcus Wallenberg, lecturer in Greek in Linköping gymnasium and later bishop in the diocese of Linköping, was the author of the first complete Swedish translation of the Iliad (1814-1815) and the Odyssey (1819-1821). The preface to the first volume of the Iliad gives readers to understand that Wallenberg had been observing the translations of Homer with great interest. These, he says, had made him hope that it would appear soon in a complete Swedish hexametric translation, a translation so faithful that it would preserve the spirit of the original and reproduce the effect of the Greek verse.48 When no Swedish Iliad appeared, he started working on a translation of that sort, even though he had no intention of publishing it."" (ibid. p. 169)‎

‎The Iliad of Homer; VOLUME 1 + 2 --- 3e édition + The Odyssey of Homer; VOLUME 1 + 2 --- 3e édition‎

‎J. Johnson 1809 in8. 1809. Relié. 4 volume(s). The Iliad of Homer translated into English blank verse with copious alterations and notes prepared for the press by the translator William Cowper esq. and published with a preface by his kinsman J. Johnson: VOLUME 1 + 2 --- 3e édition The Odyssey of Homer Translated Into English Blank Verse with Copious Alterations and Notes Prepared for the Press By the Translator William Cowper Esq. And Published with a Preface By His Kinsman J. Johnson LL.B.: VOLUME 1 + 2 --- 3e édition‎

‎cuirs frottés accrocs coins émoussés manque en bas du dos du volume 1 de Odyssey premier plat du volume I de l'Iliad quasiment détaché ex-libris dans l'intérieur des plats intérieurs propres par ailleurs‎

‎Iliada, v izlozhenii Lukasa Kollinza. In Russian /The Iliad, as presented by ...‎

‎Short description: In Russian. Collins, Lucas. The Iliad, as presented by Lucas Collins. V. Kovalevsky. Iliada, v izlozhenii Lukasa Kollinza. In Russian /The Iliad, as presented by Lucas Collins. The image is provided for reference only. It may reflect condition of one of the available copies or only help in identifying the edition. Please feel free to contact us for a detailed description of the copies available. SKU4383776‎

‎D.W. Homer Panchenko, The Iliad, Troy. In Russian /Panchenko D.V. Gomer, «Iliad‎

‎D.W. Homer Panchenko, The Iliad, Troy. In Russian /Panchenko D.V. Gomer, «Iliada», Troya. St. Petersburg European University Publishing House. 2016. 304 pp. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalbe0433fed1093d6e0.‎