‎Chalmers, David J‎
‎Reality+‎

‎Computer Vision Virtual Reality and Robotics in Medicine: First International Conference CVRMed '95 Nice France April 3 - 6 1995. Proceedings ... Notes in Computer Science 905 Band 905)‎

‎Springer 1995 588 pages 15 24x2 29x23 37cm. 1995. Broché. 588 pages.‎

‎Bon état‎

‎Quantum Mechanics and Physical Reality. - [BOHR'S COMMENTARY ON THE EPR-PAPER]‎

‎London, Macmillan & Co., 1935. Royal8vo. Bound in contemporary half cloth with paper title label to spine. In ""Nature"", Vol. 136, July - December, 1935. Stamp to first two leaves. Light wear to spine, otherwise a nice and clean copy. P. 65. [Entire volume offered: LXVIII, 1040 pp.]. ‎

‎First appearance of Bohr's short comment on Einstein, Podolsky and Rosen's famous paper (The EPR-paper), which ""created a stir among physisists and has played a large role in philosophical discussion""(Bohr). The paper stated an ontological and epistemological incompleteness in Quantum Physics and postulated that a causal description of all physical phenomena must be possible.""The three authors started by stating that physical concepts must corresponds to aspects of physical reality. Their reality criterion was this: ""If, without in any way disturbing a system, we can predict with certainty (i.e., with probability equal to unity) the value of physical quantity, then there exists an element of physical reality corresponding to this physical quantity."" The correspondence led to a necessary condition for the completeness of a physical theory, namely, ""Every element of the physical reality must have a counterpart in the physical theory."" Einstein, Podolsky, and Rosen (EPR) now argued that quantum mechanics combined with the reality criterion led to a contradiction and that the only alternative was to accept that a quantum mechanical decription of reality id not complete.... Bohr was greatly disturbed by the EPR argument asnd started at once to develop a counterargument, which he had ready after a period of about five months... His main line of argument was a rejection of the criterion of physical reality proposed by Einstein, Podolsky, and Rosen..."" (Helge Kragh ""Quantum Generations"", pp. 215 ff.).- Schrödinger developed his own argument in favour of the EPR positions and against Bohr (""Schrödinger's Cat""- argument).Wolfgang Pauli wrote Heisenberg a long and angry letter. ""Einstein has once again expressed himself publicly on quantum mechanics (together with Podolsky and Rosen - no good company, by the way... (and) ""As is well known, every time that happens it is a catastropphe.""‎

‎Vedanta Or The Science Of Reality. With a foreword by Dr. S. Radhakrishnan. Revised by Swami Satchidanandendra Saraswati‎

‎Holenarsipur, Adhyatma Prakasha Karyalaya Publishers, 1957, in-8, harcover, 540p. Good condition. ‎

‎NB. Tous les ouvrages peuvent être consultés et retirés gratuitement à Bruxelles (1060) ou Paris 5e, sous quelques jours. Contactez-nous. ‎

‎Illusions of Reality: Naturalist Painting, Photography and Cinema, 1875-1918,‎

‎Brussels, Fonds Mercator, 2010 Hardcover with dust-jacket, 25,1 x 30,1 cm, 224pp., 226 colour illustrations, of which 90 full pages. ISBN 9789061539414.‎

‎Capturing realistic images on canvas has been a staple of western art since the renaissance development of scientific perspective. At the end of the nineteenth century, however, artists attempted not only to paint realistically, but also to create images that reflected the reality of the world around them. Naturalist painters portrayed life as they observed it, utilizing their academic artistic training to illustrate the existence of everyday people. Illusions of Reality: Naturalist Painting, Photography and Cinema, 1875-1918, published in association with an eponymous exhibition developed by the Van Gogh Museum in Amsterdam, traces the relationship between several art forms that utilize the Naturalist aesthetic. Painting, literature, theatre, photography and film, and the important relationship between these art forms, are examined within the context of Naturalism as a vehicle for understanding the lives of ordinary people at a time of great social, economic and cultural transformation. The cultural and technological threads that wove these diverse art forms together emerged earlier in the nineteenth century with the development of photography. In the 1840, painters began to experiment with the use of the camera as a tool for composition, and by the 1870s, Naturalists novelists, such as Emile Zola, recognized that the camera could supplement their written notes in documenting scenes from daily life. Likewise, the theatre became more receptive to producing plays about social and cultural concerns, broadening the repertoire to include dramas based on contemporary issues. The advent of film in the late nineteenth century added yet another dimension to the Naturalist aesthetic, basing this new art form on the models provided by large-scale narrative painting, Naturalist photography, and contemporary, socially conscious theatre productions. In a series of essays, the authors of Illusions of Reality: Naturalist Painting, Photography and Cinema, 1875-1918 explore the international scope of Naturalism through a number of interwoven themes. The livres of ordinary people are at the heart of Naturalist art in any medium, and so the themes of these works reflect the common concerns shared by urban an rural populations in both Europe and North America. The social ills created by industrialization are frequent themes, as are the social responses to these problems in the form of public education and newly energized religious faith. Likewise, the transformation brought about by industrialization led many artists to focus on the loss of traditional agrarian culture as well as the political upheaval caused by working conditions in the factories. In short, Illusions of Reality: Naturalist Painting, Photography and Cinema, 1875-1918 offers a fresh interpretation of how Naturalist artists, and the aesthetic the espoused, attempted to understand and explain the rapid and profound changes of their own time. Accompanies the exhibitions in the Van Gogh Museum Amsterdam, 8 October 2010 - 16 January 2011, and in the Ateneum Art Museum, Helsinki, February - June 2011.‎

‎Deutsche D. Reality Structure. The Fabric of Reality. In Russian /Doych D. Stru‎

‎Deutsche D. Reality Structure. The Fabric of Reality. In Russian /Doych D. Struktura realnosti. The Fabric of Reality. Translation from English by N.A. Zubchenko. Izhevsk: RHD, 2001. You are welcome to reach out to us for a detailed description of the copies currently available. Delivery of this book may take longer than usual including extended processing and pre-shipping time, no expedited shipping is available. Please advise us if you have a set date or a deadline to receive your order. SKUalbc90540ca811653a1‎