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Reference : 9782253249009
LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782253249009
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David Baumbach, Jens: The Significance of Votive Offerings in Selected Hera Sanctuaries in the Peloponnese Ionia and Western Greece. Oxford: BAR, 2006. 212 pages, numerous black and white illustrations. Paperback.
Text in English
Rahman Dar, Saifur: Taxila and the Western World. 1984. 284 pages of text, 24 black & white illustrations and XXII plates. Paperback.
Lomas, Kathryn ed.: Greek Identity in the Western Mediterranean. Leiden: Brill, 2004. 504 pages, some illustrations in black and white. Hardback.
Chen Cantang (ed.): Western Han Bronze Mirrors with Dragon Designs. Shanghai: 2012. 164 pages, with colour plates throughout. Hardback. 29 x 22cms. Catalogues 80 mirrors, in each case outlining the dragon motif for easy visual reference and comparison. Text in Chinese.
Catalogues 80 mirrors, in each case outlining the dragon motif for easy visual reference and comparison. Text in Chinese
Karcheva, Elena: Western European Sculpture of the 19th and 20th century. Catalogue of the Collection. St. Petersburg: 2016. 336 pages, over 200 colour illustrations. Hardback. 27.5 x 22.5cms. This volume in the Hermitage's series of collection catalogues is devoted to the nineteenth and twentieth century sculpture of Germany, Austria, Britain, Denmark, Finland, Switzerland and Sweden. However, out of the 183 catalogue entries 138 of these are German. The book accompanies each entry with high quality illustrations and paticularly draws attention to the provenance of the works, with many coming from imperial and grand-ducal collections. Text in Russian (Cyrillic).
This volume in the Hermitage's series of collection catalogues is devoted to the nineteenth and twentieth century sculpture of Germany, Austria, Britain, Denmark, Finland, Switzerland and Sweden. However, out of the 183 catalogue entries 138 of these are German. The book accompanies each entry with high quality illustrations and paticularly draws attention to the provenance of the works, with many coming from imperial and grand-ducal collections. Text in Russian (Cyrillic)