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Doyle, Lorraine
Pottery
NOVA SCIENCE PUBLISHERS INC
Reference : 9781536159554
LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9781536159554
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5 book(s) with the same title
Karnak-Nord XI. The Painted Pottery of the New Kingdom.
<div id="txt-lg-2" class="resume_lg"><p>The volume publishes the painted pottery from the excavations at Karnak North by Jean and Helen Jacquet, and Philippe Brissaud. The material attests three categories: monochrome- and bichrome-painted, and blue-painted pottery, with the majority of the latter type. The forms occurring in each category are presented separately and the motifs employed upon each category are identified and presented in an extensive list. While the pottery derives from disturbed contexts, and the majority was dumped at the site and may have been moved several times, it is an important selection of material. This is especially the case with the blue-painted pottery. The collection enables a comparison of the categories to be made and their interconnections identified. The corpora of bichrome-painted pottery and blue-painted pottery are compared with those from elsewhere in Egypt and their evolution from the mid-18th to mid-20th Dynasties is analysed. The function of each category is reviewed and, in relation to the blue-painted pottery, the marks found upon certain forms are analysed to shed light upon this topic and its place/s of manufacture. Most of the blue-painted pottery is of the period covered by the reigns of Amenhotep III to Tutankhamun; its origin in the temples erected by Akhenaten at Karnak East is considered.</p></div><div id="txt-lg-1" class="resume_lg"><p>Ce volume est la publication de la céramique peinte provenant des fouilles de Karnak-Nord par Jean et Helen Jacquet, et Philippe Brissaud. Le matériel se divise en trois catégories : la céramique monochrome, la céramique bichrome et la céramique peinte en bleu, ce dernier type étant majoritaire. Les formes attestées dans chacune des catégories font l’objet d’une présentation individuelle, et les motifs employés dans le décor de chaque catégorie sont identifiés et présentés dans une liste exhaustive. Bien que la céramique provienne de contextes perturbés, que la majorité soit issue de dépotoirs et ait pu être déplacée à plusieurs reprises, il s’agit d’une importante sélection de mobilier. C’est particulièrement le cas pour ce qui concerne la céramique peinte en bleu. La collection permet en outre de comparer les catégories entre elles et de mettre en évidence leurs interconnexions. Les deux corpus de céramique peinte bichrome et de céramique peinte en bleu sont comparés à des corpus provenant d’autres régions d’Égypte, et une analyse de leur évolution entre le milieu de la XVIIIe et le milieu de la XXe dynastie est proposée. La fonction de chaque catégorie est examinée et, en ce qui concerne la céramique peinte en bleu, les marques mises en évidence sur certaines formes sont analysées, de manière à améliorer notre connaissance de cette pratique et de son ou ses lieux de fabrication. La plupart des céramiques peintes en bleu datent de la période comprise entre les règnes d’Amenhotep III et de Toutânkhamon et l’hypothèse de leur origine dans les temples érigés par Akhénaton à Karnak-Est est examinée.</p></div><div id="txt-lg-4" class="resume_lg"><p>ينشر هذا الكتاب أعمال الخزف الملون من حفائر موقع الكرنك الشمالي، التي أجراها ﭼﺎن وهيلين ﭼﺎكيه، وفيليب بريسو. وقد قسمت المواد إلى ثلاث فئات: الخزف أحادي اللون، الخزف ثنائي اللون، والخزف الملون بالأزرق – وهو الفئة الغالبة عددا. كما خصص عرض وصفي تحليلي مستقل لكل نوع من الأشكال المثبتة ضمن هذه الفئات، وجرى توثيق الزخارف المستخدمة في تزيين كل فئة ضمن قائمة حصرية شاملة. ورغم أن هذا الخزف استخرج من سياقات أثرية مضطربة، وأن غالبه يأتى من مكبات النفايات وربما نقل عدة مرات، فإنه يعد مجموعة مختارة وهامة من القطع الأثرية، وخصوصا للخزف الملون بالأزرق. بالإضافة إلى ذلك فإن هذه المجموعة تتيح إمكانية إجراء مقارنة بين الفئات الثلاث، وإبراز العلاقات والتداخلات فيما بينها. كما يقارن كل من الركامين ثنائي اللون وذو اللون الأزرق بمجموعات مماثلة في مناطق أخرى في مصر، وترصد دراسة تحليلية التغيرات والتطورات التي طرأت على هذا الخزف ما بين منتصف الأسرة الثامنة عشرة ومنتصف الأسرة العشرين. وقد جرت مراجعة الوظيفة المفترضة لكل فئة، وبخاصة ما يتعلق بالخزف الأزرق؛ إذ خضعت العلامات المميزة المكتشفة على بعض القطع لتحليل دقيق يهدف إلى تعزيز فهمنا لهذه الممارسة ومواقع إنتاجها. يعود تاريخ معظم الخزف الملون بالأزرق إلى الفترة الممتدة بين حكم أمنحتب الثالث وتوت عنخ آمون، وتتم دراسة فرضية أن أصله يعود إلى المعابد التي شيدها أخناتون في موقع الكرنك الشرقي.</p></div> Le Caire, 2026 IFAO 344 p., cartonnage éditeur 24,3 x 32,5
Neuf
Anemurium: The Roman and Early Byzantine Pottery, The Excavation at Anemurium in Rough Cilicia.
, Brepols - Harvey Miller, 1992 Hardcover. 213 p., 606 figures, 24 plates, 165 x 245 mm, Languages: English, Including an index. Fine copy. ISBN 9780888443656.
The pottery published in this volume comes from fourteen years of survey and systematic excavations at Anemurium in Cilicia. The study provides the first detailed ceramic history of a Roman site on the south coast of Turkey since the publication of the material from Tarsus in 1950. In incorporating the results of ceramic studies from around the Mediteranean done in the decades following the appearance of the pottery from Tarsus, the work establishes a new starting point for pottery studies in this region of the eastern Mediteranean. The ceramic assemblage from Anemurium contributes much useful evidence for the history of this small provincial city in Asia Minor. From the point of view of ceramic studies in the Roman and early Byzantine periods, Anemurium is located approximately halfway between two important fineware producing areas (the west coast of Asia Minor and the Syrian littoral) and very close to a third (Cyprus). Relative quantities at Anemurium of the ceramics from each area at various periods can provide clues to trade in this particular corner of the Roman Empire. The geographical location of the site also helps to confirm or refute suggestions, based on distribution patterns, about the sources of some well-known pottery types. The status of Anemurium as a relatively minor urban centre within the Empire is in itself of interest when considering what was or was not imported to the site. In addition, the discussion of evidence for local production of an important Roman amphora type makes a significant contribution to ceramic studies. The examination of datable groups from these excavations in conjunction with external evidence from other sites, resulting in the establishment of a cooking-pot series, further enriches our understanding of common-and coarsewares. Ancient pottery production, trade and use are highlighted in this volume devoted to the results of the Canadian excavations at Anemurium. The study illuminates one facet
Sanctuary of Parthenos at Ancient Neapolis (Kavala), Volume II Pottery, Stone Inscriptions, and Small finds
, Brepols - Harvey Miller, 2025 Paperback, xviii + 272 Pages, Size:216 x 280 mm, Illustrations:253 b/w, 83 col., 4 tables b/w., Language:English, *new. ISBN 9782503617671.
The ancient city of Neapolis (modern Kavala, Greece) was founded by Thasos in the seventh century BCE at a strategic location where the Thracian hinterlands meet the Aegean Sea. The patron deity of this North Aegean polis was Parthenos (the Maiden), a goddess often associated with Artemis and known to us through epigraphic and archaeological evidence. Her sanctuary came to light in the twentieth century, during rescue excavations, and yielded numerous finds, most of which date from the Archaic period. This edited volume draws together the material evidence from the Sanctuary of Parthenos, with a particular focus on the ceramic wares, stone inscriptions, and small finds from the site. Published as a counterpart to an earlier publication in this series, Amalia Avramidou?s monograph, The Sanctuary of Parthenos at Ancient Neapolis (Kavala): Incised and Painted Ceramic Inscriptions from the Sanctuary and in Aegean Thrace, the essays gathered here nonetheless form a stand-alone volume that sheds light on both the importance of the site as a place of cult, and more broadly the role that it played within the commercial networks and cultural dynamics of the Aegean. TABLE OF CONTENTS List of Illustrations List of Contributors Foreword Michalis Tiverios, Maria Nikolaidou-Patera, Amalia Avramidou, Konstantia Amoiridou Introduction Amalia Avramidou 1. Parthenos: The Patron Deity of Neapolis par? ?ntisaran (???????? ???? ??????????): A Suggestion Regarding her Identity Michalis Tiverios 2. Parthenos through the Inscriptions Denise Demetriou 3. Handmade Pottery Konstantia Amoiridou 4. G 2?3 Ware from the Sanctuary of Parthenos at Ancient Neapolis (Kavala) Petya Ilieva 5. Corinthian Pottery Eleni Manakidou and Elina Papadopoulou 6. North Aegean ?Waveline? Pottery Konstantoula Chavela 7. Transport Amphoras Konstantinos Filis 8. Relief ?Megarian? Bowls Penelope Malama 9. Lamps Stella Poimenidou 10. Textile Production Tools Bela Dimova 11. ?New? Terracotta Figurines Alexandra Prokova 12. Small Finds Amalia Avramidou 13. Concluding Remarks Amalia Avramidou
Irving, Pamela V and Steven Willis (eds)
Reference : 090811
(2009)
ISBN : 9781842173244
Journal of Roman Pottery Studies 14
Irving, Pamela V and Steven Willis (eds): Journal of Roman Pottery Studies 14. Oxford: 2009. 200pp with black and white illustrations. Wrappers, 29.7x21cms. Presents papers on recent and current work on Roman pottery from around Britain.
Presents papers on recent and current work on Roman pottery from around Britain. Text in English
Iron Age Pottery from Tell Atchana / Ancient Alalakh. A Typological and Functional Analysis
, Brepols, 2026 Hardback, Pages: x + 182, Size:216 x 280 mm, Illustrations:28 b/w, 27 col., 3 tables b/w., 1 tables col., Language: English. ISBN 9782503621609.
Summary Tell Atchana, ancient Alalakh, lies in the Amuq Valley in modern Hatay, southern T rkiye. Long thought to have been abandoned by the end of the Late Bronze Age, recent excavations reveal partial Iron Age occupation, prompting a reassessment of the site's chronology. This book discusses the Iron Age occupation on the site, presenting detailed stratigraphic data and a morphological analysis of the pottery assemblage from the excavated square to establish a relative chronological framework. It also examines the assemblage functionally to identify changes or continuities in habits and actions across the Late Bronze to Iron Age transition and within the Iron Age itself. Through this approach, the study sheds new light on the nature and dynamics of Iron Age I occupation at Tell Atchana. TABLE OF CONTENTS List of Illustrations Abbreviations Chapter 1: Historical Background Chapter 2: The Amuq Valley and Tell Atchana / Ancient Alalakh Chapter 3: Pottery Typology Chapter 4: Functional Analysis Chapter 5: Final Remarks Plates and Catalogue Works Cited Index
