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Sacks, Oliver W.
The Mind's Eye
Vintage USA
Reference : 9780307473028
LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9780307473028
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2 book(s) with the same title
Belgium and Nassau - The continental tourist and pictorial companion : illustrated with sixty-two beautiful engravings on steel of the most interesting European scenery : commencing at Antwerp and proceeding through the placid garden-like scenery of the Netherlands; and by way of Cologne to the banks of that beautiful river, whose splendid and stupendous scenery delights the eye and enchants the mind : thence through the baths of Nassau and the Taunus range of mountains to Frankfort on the Main.Belgique et Nassau - Pour le touriste continental, Illustré de soixante-deux magnifiques gravures sur acier - Intéressant paysage européen, Commençant à Anvers, en passant par ... les Pays-Bas, et à travers Cologne ...puis les Bains de Nassau ... et la montagne de Taunus à Francfort sur le Main
1836 LONDON, Parry & Co,The British Library - 1836 - Edition Originale - Petit in-4 -Cartonnage éditeur vert polychrome romantique, sali, coins émoussés - Dos orné - illustration au 1 er Plat -Toutes tranches dorées - 62 illustrations hors-texte protégées par serpente - 140 pages - 2 Ex-libris imagés "Perth Academy & Fernand de Ruyter" -Superbe exemplaire, très frais intrieurement - Envoi rapide et soigné
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Tributes to Elizabeth Sears. Activating the Eye and Mind
, Brepols - Harvey Miller, 2026 Hardback, Pages: 192, Size:210 x 275 mm, Illustrations:8 b/w, 64 col., Language: English. ISBN 9781915487056.
Summary For nearly four decades Elizabeth Sears has been an esteemed voice in the field of art history; her rich analyses, keen eye, and perceptive insights have shed new light on diverse areas of study, from Carolingian manuscripts, to Gothic ivories, to historiography. A dedicated teacher, generous colleague, and exceptional mentor, Sears has shaped younger scholars in the United States and abroad, and served the field in multiple capacities: as Editor of Gesta, chair of the ICMA publications committee, and member of the Executive Committee of the Medieval Academy of America. In addition to her numerous publications, her two most well-known books, The Ages of Man and Reading Medieval Images: The Art Historian and the Object, have introduced students to the rich world of medieval images, and to the methods with which they are discussed. This volume celebrates Sears' distinguished career. Through a collection of essays by some of the most respected voices in the field, the volume provides a fresh look at the areas of art history that Professor Sears has done so much to shape, namely, the role of historiography in the study of art history, what it means to "read" and "interpret" images, the relation between cultures of learning and artistic endeavors, and the value systems by which art is produced. The volume comprises three sections: manuscripts and medieval book culture, the movement of scholars and ideas and the ways in which scholarly interactions create new art historical methods, and medieval ideas of vision and perception. TABLE OF CONTENTS Heidi C. Gearhart, Preface: Honoring Elizabeth Sears Achim Timmermann, Publications by Elizabeth Sears I. Thinking: Categories and Definitions in Medieval Art History Paul Binksi, The Name of the Rose Paroma Chatterjee, The Trouble with Antithesis Robert A. Maxwell, Negotiating 'Fausses oeuvres' Kirk Ambrose, A Divergent Centaur on the Font at Bro Helmut Puff, Speaking (of) Furniture: The 'Wrangelschrank' (1566) Achim Timmermann, 'You Will Offer a Ship of Silver': A Brief History of Medieval Votive Ships II. Seeing: Reading Medieval Manuscripts Lucy Freeman Sandler, A Flying Book in the Bedford Hours Elina Gertsman, Abstractive Image in Medieval Jewish Art Elizabeth C. Teviotdale, Time in the Stammheim Missal Beatrice Kitzinger, Crafting (and) Godesscalc's Colophon Ulrich Rehm, Seeing/Reading: Illuminators in Connection and Conflict with an Initial Letter in the Dover Bible Kathryn A. Smith, Vanities and Verities: Reading Nebuchadnezzar's Dream in the Welles-Ros Bible Jacqueline Jung, The Pleasures and Perils of Women's Agency in the 'Büchlein von der geistlichen Gemahelschaft' Megan McNamee, Writing Weaving in Nuremberg, c. 1500 III. Writing: Historiographical Studies William Diebold, Bernward's Hildesheim through the Ages: The Ottonians and Their Art in Gardner's 'Art through the Ages, 1926-2020' Kathryn Brush, Between Manhattan and Ann Arbor: Arthur Kingsley Porter and Fiske Kimball on Colonial America David Ganz, The Grand Master of our Order: Ludwig Traube, Mommsen and Warburg Kevin Korsyn, Musical-Poetic Images in Schubert: David Lewin and Anthony Newcomb on Musical Meaning in 'Auf dem Flusse'
