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[MIRÓ (Joan)]
Catalogue raisonné : Paintings
Paris, Daniel Lelong, 1999-2004. 6 vol. in-folio, cartonnage éditeur, jaquette originale illustrée (quelques infimes frottements).
Reference : 23634
Édition originale du catalogue raisonné des peintures de Miró illustré de très nombreuses reproductions. Bon exemplaire. * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve.
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5 book(s) with the same title
Joan Miro. Catalogue raisonné. Paintings. Volume III - 3 : 1942-1955.
Paris Galerie Daniel Lelong - Successio Miro 2001 In-4 Cartonnage toilé, jaquette illustrée
Catalogue raisonné des peintures de Joan Miro. 347 oeuvres décrites et reproduites en noir ou en couleurs. 264 pp. >Bel exemplaire Comme neuf 0
Joan Miro. Catalogue raisonné. Paintings. Volume I - 1 : 1908-1930.
Paris Galerie Daniel Lelong - Successio Miro 1999 In-4 Cartonnage toilé, jaquette illustrée
Catalogue raisonné des peintures de Joan Miro. 322 oeuvres décrites et reproduites, en noir ou en couleurs. 248 pp. >Bel exemplaire Très bon 0
THE PAINTINGS OF HENDRICK GOLTZIUS (1558 - 1617) A Monograph and Catalogue Raisonne.
, Davaco, 2013 Cloth bound with dust jacket, 4to. 466 pp. text, 207 plates and ills. (145 in colour). NEW. ISBN 9789070288281.
This long-awaited volume is a comprehensive study of the paintings of Hendrick Goltzius (1558-1617), the most important artist in the Netherlands at the turn of the seventeenth century. A poem published in Haarlem in 1617 lamented the death that year of the most artful master Hendrick Goltzius, in his life [a] skillful painter, draftsman, and artful engraver. The fact that "painter" heads the list of his accomplishments is significant, for although Goltzius enjoyed international fame as a draughtsman and engraver, to his contemporaries he was equally renowned for his skill in the art of painting, which was considered the highest artistic calling. This volume on his paintings, the first since Hirschmann's short study of 1916, finally completes a full assessment of this artist of Haarlem, whose drawings were the subject of Reznicek's publication of 1961 and whose prints were catalogued by Leesberg in the New Hollstein series that appeared in 2012. Goltzius abandoned his engraver's burin and turned to painting in the year 1600. Exploring the new medium, he worked on small coppers, as well as large canvases and panels. Goltzius's determination to work in oil, after acquiring international fame as a printmaker, was a deliberate decision to embrace an even greater challenge and to seek greater recognition for his artistry. Although archival records show that Goltzius painted more portraits than has previously been assumed, it was the depiction of the human nude that was his primary goal. He mostly chose to paint biblical and mythological themes: the same subject matter, in fact, that he had treated in his engraved histories. The difference, however, was that Goltzius now began to paint figures that were nearly life-size. His manner of depicting figures may be considered an extension of what he had learned during his stay in Rome (1590-91) and subsequently pursued in his prints of the 1590s. Only rarely are traces of his Spranger-inspired, anti-classical past encountered in his paintings. Instead, Goltzius strove with his brush to portray human forms at once idealized and naturalistic. His points of departure were antique Roman sculpture, the sixteenth-century masters - Michelangelo, Raphael, Titian, Veronese, Durer, and Van Heemskerck - and Rubens, his contemporary. Four chapters are dedicated to a consideration of the reasons for Goltzius's conversion to painting, his biography in the years 1600 to 1617, an examination of the style and iconography of his works in oil, and a thorough review of the critical appraisal of his paintings from his day to the present. The extensive catalogue discusses 59 paintings by Goltzius, and also includes 160 pictures known only from descriptions and 38 rejected works. A lengthy appendix - the result of extensive archival research - includes, in the original language, all known sources that mention Goltzius and every known inventory listing of his paintings.The catalogue of accepted works is ordered iconographically, whereas the color plates of Goltzius's entire extant oeuvre are arranged in chronological order, visually demonstrating the development of his career as a painter. In addition to the color plates, 121 black-and-white figures provide material for comparison. A complete bibliography and three indexes enhance the accessibility and usefulness of this volume.
NICOLAUS KNUPFER - An original Artist. Monograph and Catalogue Raisonne of Paintings and Drawings.
, Aetas Aurea, Vol. XIX , Cloth bound.wiyh dusjacket, With a Catalogue Raisonne of Paintings and Drawings 2004. 4to. 295 pages text, 245 plates and illustrations (from which 32 in colour) and 61 comparative figures. ISBN 907028877X.
The catalogue raisonne presents Knupfer's oeuvre as a coherent entity for the first time. It contains detailed information for all 304 items, not only in terms of provenance, literature and attribution but also concerning the subject-matter. The catalogue breaks down into 78 paintings and 31 drawings which are accepted as authentic, 21 paintings and 9 drawings for which the attribution is problematic, and 126 works which are mentioned in historic literature but remain untraced. In addition, 30 paintings and 9 drawings which can no longer be attributed to Knupfer are included. The latter are not just listed but are discussed and in a number of cases new attributions are suggested. The catalogue is complemented by a discussion of the chronology of Knupfer's oeuvre, a list of works which are signed and dated, and a concordance with Kuznetzov's numbers from his articles on Knupfer of 1964 and 1974.
AERT VAN DER NEER (1604-1677) Life and Work. With a Catalogue Raisonne of Paintings and Drawings
2002.Davaco, Aetas Aurea, Vol. XVIII, With a Catalogue Raisonne of Paintings and Drawings Cloth bound with dusjacket, 4to. 520 pp. text and 416 ills. on 309 plts. (63 in color). *new ISBN 9070288575.
The catalogue raisonne comprises all works painted by, or attributed to, the artist and known to the public since 1850. A luxuriously illustrated reference book, this publication forms the basis for all further research on the work of Aert van der Neer. The monograph also contains the results of new investigations into the life and work of such artists as Jochem and Rafael Camphuysen, Anthonie van Borssom, and others. A choice of quotations, taken from art-historical assessments made since 1800, completes the author?? s appraisal of Aert van der Neer?? s reputation. Complete bibliographies for each work, several indexes of former owners and present whereabouts, and a concordance with Hofstede de Groot?? s 1918 numbers facilitate the use of the catalogue by collectors, art dealers and art historians.as new !!
