2003 Oslo, Museet fur Samtidskunst, 2003, 285x208mm, 136p., pleine toile noire avec titre estampé en bleu, étui toile noire réservé aux exemplaires de luxe.Editiion originale, un des 15 exemplaires du tirage de tête, numéroté et signé, accompagné d’un tirage original 178x235mm signé et numéroté 1/15 par le photographe.(104075)
Reference : 104075
Librairie Chloé et Denis Ozanne Déesse sarl
M. Denis Ozanne
21 rue Monge
75005 Paris
France
+33 1 48 01 02 37
Conforme aux usages de la librairie ancienne et moderne, tous les ouvrages présentés sont complets et en bon état, sauf indication contraire. L'exécution des commandes téléphonées est garantie mais sans règle absolue, la disponibilité des livres n'étant pas toujours vérifiable lors de l'appel. Les frais de port sont à la charge du destinataire. Les livres sont payables à la commande. Nous acceptons les règlements par chèque bancaire ou postal, mandat postal ou international, carte bancaire, Visa, Eurocard, MasterCard et virements bancaires dans certaines conditions.
Reference : bds-84f7234111ad227b
"Poster We are waiting for you days and nights the fighter is thin. V. Ivanov. M.; L.: State Publishing House of Art; Printing House Red Proletarian 19/Plakat Dni i nochi zhdem tebya boets khud. V. Ivanov. M.; L.: Gosudarstvennoe izdatelstvo Iskusstvo; Tipografiya Krasnyy proletariy 19 Poster Days and nights we are waiting for you the fighter V. Ivanov. M.; L.: State Publishing House of Art; Printing House of the Red Proletarian 1945. 78 - 53 sm. SKUbds-84f7234111ad227b."
Reference : albf4cb5cbe532cb19d
Zhdanovich Adeliya. Days and Nights of Love. Erotic Stories. Poems. In Russian (ask us if in doubt)/Zhdanovich Adeliya. Dni i nochi lyubvi.Eroticheskie rasskazy. Stikhi.. description: In Russian (ask us if in doubt).Minsk. SCF RYABINA. 1995. 256 p. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalbf4cb5cbe532cb19d
Reference : alb1e7db64681d5d738
Angela. A diary of my days and nights. In Russian (ask us if in doubt)/Andzhella. Dnevnik dney moikh i nochey grani. St. Petersburg 1914. Book Publishing House Prometheus. 135 2 p. 23.0x18.5 sm. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb1e7db64681d5d738
London, Macmillan & Co, 1923, in-8vo, 212 p., + ill. with photographs & sketches by J. H. Norton, small legacy-stamp Dr. Guggisberg, orig. cloth, ill. gilt on front cover, upper & bottom spine a bit faded, very good copy.
Phone number : 41 (0)26 3223808
, Kannibaal, 2017 hardcover, Size: 28,5 x 24,5 cm | Pages: 160 | English-Dutch . ISBN 9789492081995.
The things mankind is capable of: endless procreating and killing, creating and fireraising, embracing and strangling, hating and loving. We are proficient in all of these. This is who we are. Raquel Maulwurf examines the dark side of human nature and shows us the havoc we wreak. She records our failings and depicts the doom that we call down upon ourselves. We look into the dark charcoal mirror that she holds in front of us.? Cherry Duyns, writer, theatre- and filmmaker Over the past decade, Spanish/Dutch artist Raquel Maulwurf (Madrid, 1975) has gained a unique position with her drawings depicting the untameable forces of nature as well as human shortcomings. Maulwurf is fascinated by humankind?s relentless urge for destruction that results in the devastation of his own habitat by war and ecocide. By working with a very large format and creating wall drawings that cover several walls, she previously captured the feeling of ?walking into a drawing?. This third dimension was also added literally from the moment she began scratching the museum board she uses for her drawings with a box cutter. This publication is issued on the occasion of her solo exhibition at the Gemeentemuseum Den Haag for which she developed the installation The Carbon War Room. It arose from the desire to physically create the depth that is evoked in her charcoal drawings. This extraordinary book comprehends images of the works from the exhibition and a wide selection from Maulwurf?s rich oeuvre of the past ten years. Photos of her studios and magnificent close-ups of the special scratching technique which Maulwurf applies in her work, give a good impression of her creative process. With text contributions by Benno Tempel, director of the Gemeentemuseum Den Haag and Jeroen Dijkstra of Livingstone Gallery and quotes from renowned art professionals and critics like Cherry Duyns and Hans den Hartog Jager