Couverture souple. Broché. 120 pages. Papier bruni.
Reference : 39770
Livre. Editions P.U.F (Collection : Que sais-je? N° 98), 1949.
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Alambritis, Maria and Matthias Wivel: Parmigianino. The Vision of Saint Jerome. Exhibition: London, New Gallery, 2024. 95 pages, over 50 colour illustrations. Paperback. A study of Parmigianino's 'Vision of Saint Jerome'. Six essays explore the painting's creation, examine preparatory drawings including the British Museum's study for the whole composition, trace the work's provenance up to its arrival at the National Gallery, and discuss its recent conservation. Followed by an illustrated catalogue of 33 drawings.
A study of Parmigianinoâs âVision of Saint Jeromeâ. Six essays explore the paintingâs creation, examine preparatory drawings including the British Museumâs study for the whole composition, trace the workâs provenance up to its arrival at the National Gallery, and discuss its recent conservation. Followed by an illustrated catalogue of 33 drawings. Text in English
[Sir Peter Lely] - Campbell, Caroline
Reference : 095676
(2012)
ISBN : 9781907372407
Campbell, Caroline: Peter Lely: A Lyrical Vision. Exhibition: London, Courtauld Institute, 2012. 152pp., with 100 colour illustrations. Paperback. 26 x 21cms. Accompanies an exhibition dedicated to Sir Peter Lely (1618-1680), a leading artist of Restoration England and Principal Painter to Charles II. Before turning to portraiture (the style eagerly commissioned by his aristocratic patrons) Lely's ambition was to be a painter of narrative scenes. He produced massive works characterised by strong lighting and idealised landscape settings, likely influenced by the pictures of Van Dyck and the Venetian Renaissance, which were available for him to study at the houses of his patrons.
Accompanies an exhibition dedicated to Sir Peter Lely (1618-1680), a leading artist of Restoration England and Principal Painter to Charles II. Before turning to portraiture (the style eagerly commissioned by his aristocratic patrons) Lely's ambition was to be a painter of narrative scenes. He produced massive works characterised by strong lighting and idealised landscape settings, likely influenced by the pictures of Van Dyck and the Venetian Renaissance, which were available for him to study at the houses of his patrons.
TapiÃ, A. (ed.): Baroque, vision jÃsuite du Tintoret à Rubens. Exhibition: Caen, MusÃe des Beaux-Arts, 2003. 400pp with 200 colour and monochrome illustrations. Cloth. 28x25cms. Explores the impact of the Counter-Reformation and the Jesuit contribution to the formation of the Baroque style, when beauty of form and colour were viewed as vital tools of Catholic propaganda. Dynamic use of perspective and diffuse light effects were developed to suggest infinity and to convincingly depict the great spiritual themes of the Last Judgement, Heaven and Hell, and the lives of Christ, the Virgin, the Saints and Martyrs. Text in French.
Explores the impact of the Counter-Reformation and the Jesuit contribution to the formation of the Baroque style, when beauty of form and colour were viewed as vital tools of Catholic propaganda. Dynamic use of perspective and diffuse light effects were developed to suggest infinity and to convincingly depict the great spiritual themes of the Last Judgement, Heaven and Hell, and the lives of Christ, the Virgin, the Saints and Martyrs. Text in French
Comstock, Francis Adams: A Gothic Vision: F.L. Griggs and His Work. Boston and New York: 1966. 364 pages. Black and white illustrations throughout. 1st edition number 364 of a limited edition of 600 copies sprinted by the Meriden Gravure Company, signed by the author. Hardback. 29x22cms.
Springer 1995 588 pages 15 24x2 29x23 37cm. 1995. Broché. 588 pages.
Bon état