Couverture souple. Broché. 288 pages.
Reference : 26534
Livre. Edition originale. Editions Jacques Vautrain, 1947.
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Bureau de la revue. 15 janvier 1977. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Paginé de 1 à 64.. . . . Classification Dewey : 200-RELIGION
Sommaire : La présentation du Seigneur - Jésus et Marie au Temple par H. Cazelles, La fête de la présentation par A.M. Roguet, Présentation au Temple et eucharistie par J. Laurenceau, Selon la loi du Seigneur par H. Holstein, A propos de la présentation par A. Manaranche Classification Dewey : 200-RELIGION
Hermann & Cie, 1939. Royal 8vo. Bound uncut with the original printed wrappers (""Actualités scientifiques et industrielles"", no. 838. Essais philosophiques II, Publiés par Cavaillès), also the backstrip (mounted with a little loss). in an exquisite, beautiful black morocco binding with gilt horizontal and vertical lettering to spine. Beautiful silvered paper over boards. Housed in an exquisite silvered marbled paper slip-case with black morocco edges. Binding signed to bottom of inside of front board: ""C. et J-P. Miguet"". Near mint copy. 52 pp.
First printing, presentation-copy, of Sartre's highly important early philosophical work, which is recognized as the best introduction to his ""L'Étre et le Néant"" (1943). The work was only printed as it is here, as no. 838 of Cavaillè's ""Actualités scientifiques et industrielles"", and only appeared in a new (not revised) edition in 1960. The large presentation-inscription reads as thus : "" A Olivier Briot/ en la remerciant de "" Les lignes "" qui j'ai/ beaucoup aimé/ JP Sartre "".""L'Esquisse d'une théorie des émotions "" ("" Sketch for a Theory of the Emotions""), although now considered one of Sartre's most important works, was originally written as the first part and introduction to a greater work on psychological phenomenology that was supposed to be entitled ""La Psyché"". The great psychological project was abandoned due to Sartre's eagerness to finish ""Le Mur"". ""L'Esquisse"" thus remains the only part of the work ever published, and perhaps exactly because of its introductory character, it has come to have the effect on modern philosophical thought that it has. Due to being at the same time accessible and rigourous, the work is considered the best introduction to Sartre's fundamental philosophical ideas, an almost indispensible presentation of and introduction to ""L'Étre et le Néant"", which appeared four years later. ""L'Esquisse d'une théorie des émotions "" is a phenomenological essay on emotion, in which Sartre ettempts to present a phenomenological psychology, treating emotion as a "" phenomenon "" and placing it within the realm of signification. The primary presentation of his own phenomenological analysis is essantial to all his later philosophy.""Although written fairly early in his career, in 1939, Sketch for a Theory of the Emotions is considered to be one of Jean-Paul Sartre's most important pieces of writing. It not only anticipates but argues many of the ideas to be found in his famous Being and Nothingness. By subjecting the emotion theories of his day to critical analysis, Sartre opened up the world of psychology to new and creative ways of interpreting feelings. Emotions are intentional and strategic ways of coping with difficult situations. We choose to utilize them, we control them, and not the other way around, as has been posited elsewhere. Emotions are not fixed"" they have no essence and indeed are subject to rapid fluctuations and about-turns. For its witty approach alone, Sartre's Sketch for a Theory of the Emotions can be enjoyed at length. It is a dazzling journey to one of the more intriguing theories of our time."" (Sketch for a Theory of the Emotions, 2nd Edition, By Jean-Paul Sartre, Published October 12th 2001 by Routledge - 80 pages, Series: Routledge Classics)
JANNEAU Guillaume, HENRIOT Gabriel, GUIDOT Raymond (présentation d)
Reference : 1368588
Paris: Charles Moreau, SNR Baudouin, 1992 in-4, 483 pages, 204 planches représentant 562 modèles de luminaires. Biographies de 64 designers . Reliure toile, jaquette, très bon état. Sommaire: Présentation de Raymond GUIDOT - Guillaume JANNEAU, Le luminaire et les moyens d'éclairage nouveaux (Exposition internationale des arts décoratifs Modernes 1925, 1930, 1930-1931) - Gabriel HENRIOT, Luminaire moderne (Exposition internationale de 1937)
Le luminaire par Guillaume Janneau, 3 séries. suivi de Le luminaire moderne par Gabriel Henriot. Présentation de Raymond Guidot. (Paris: Charles Moreau, SNR Baudouin, 1992). [M.C.: arts décoratifs, luminaire, art deco]
Berlin & Stettin, 1782. 8vo. Two volumes, vol. 1 in the original marbled paper covered boards. With author's presentation inscription to verso of front board. Ex-libris to verso of front board and stamp to title-page. Internally very nice and clean. Printed on good paper. (4), II, 215, (1) pp.Volume 2 in contemporary full calf with richly gilt spine. With author's presentation inscription to front free end-paper. Internally very nice and clean. Printed on good paper. Stamp to title-page. 249, (5) pp. + frontispiece.
Presentation copy of first edition of this seminal work on the Knights Templar. The present work presents a critical re-examination of the accusations brought against the Templars during the suppression of the Order rejecting the previous sensational and conspiratorial interpretations in favour of a rational, source-based historical analysis - hence being one of the earliest works to treat the Templars systematical and histiographical way. Of particular interest is the essay on the origins of Freemasonry in which Nicolai addresses and partly reject the widely held notion of a direct continuity between the Templars and the Masonic fraternity. The second part was published only because the first volume caused several counter-writings on the one hand because Nicolai assigns the Templars a share of responsibility for their downfall, and on the other because he allegedly cast Freemasonry in a negative light. In the second part he defends his investigations. Christoph Friedrich Nicolai (also spelled Nickolai) (1733–1811), German writer, publisher-bookseller, historian and a leading representative of the Berlin Enlightenment. As a Freemason he was a member of the Berlin lodge “Zu den drei Weltkugeln.” “Nicolai wrote many independent works. His “Charakterischen Anekdoten von Friedrich II” (1788–92), an account of events in the court of Frederick II the Great, has some historical value. His romances are forgotten, although “Das Leben und die Meinungen des Magisters Sebaldus Nothanker” (1773–76 “The Life and Opinions of Master Sebaldus Nothanker”) and his satire on Goethe’s Werther, “Die Freuden des Jungen Werthers” (1775 “The Joys of Young Werther”), were well known in their time.” (Encyclopedia Britannica). Nicolai’s alternative “happy ending,” of Werther prompted Goethe to immortalize him in the satirical poem “Nicolai auf Werthers Grabe”. Goethe later caricatured him again in “Faust”. Kloss 2232Wolfstieg 5138
RELIE COMME NEUF SOUS RHODOIDE Cartonné 150 pp.GRANDS CORSAIRES. PRESENTATION DE GEORGES BLOND GAUTIER-LANGUEREAU, collection nouveaux bibliophiles, Relié, 1972
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