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MAGNI Giulio
IL BAROCCO A ROMA.
Nell'architettura e nella scultura decorativa. Crudo, Torino, 1911-1913. In folio (mm. 500x370), 3 cartelle in tela editoriale contenenti, a fogli sciolti, una notevole raccolta di tavole fotografiche in b.n., ciascuna con 1 o 2 illustrazioni, cos suddivise: "Chiese", pp. 32, con 30 ill. nel t. e 137 tavole - "Palazzi", pp. 3, con 116 tavole - "Ville e fontane", pp. 3, con 66 tavole Importante opera che illustra i principali monumenti dell'arte barocca a Roma. Solo un frontespizio con alone, altrimenti esemplare molto ben conservato.
Reference : 42892
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5 book(s) with the same title
Il Mobile a Roma dal Rinascimento al Barocco
Gonzalez-Palacios, Alvar: Il Mobile a Roma dal Rinascimento al Barocco. 2023. 516 pages, 253 colour and 126 black & white illustrations. Hardback in a slipcase. 27 x 23cms. Extensive overview of Roman furniture, from the Renaissance to the Baroque period, discussing 325 works. Divided in eight sections on the study of fifteenth century furniture, wood carving, intarsia and pietre dure in the sixteenth century, early seventeenth century commissions from Pope Paul V and the Barberini family, Gian Lorenzo Bernini and his designs, sculptural furniture, intaglios, cabinet makers (such as Giacomo Herman) and the apotheosis of baroque style.
Extensive overview of Roman furniture, from the Renaissance to the Baroque period, discussing 325 works. Divided in eight sections on the study of fifteenth century furniture, wood carving, intarsia and pietre dure in the sixteenth century, early seventeenth century commissions from Pope Paul V and the Barberini family, Gian Lorenzo Bernini and his designs, sculptural furniture, intaglios, cabinet makers (such as Giacomo Herman) and the apotheosis of baroque style.
BERNINI, La straordinaria avventura umana del genio che trasformò l'architettura in scultura, donando a Roma i capolavori del seducente universo barocco
Newton Compton Italiana. 1986. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 139 pages. Illustré de nombreuses photos en noir et blanc hors texte.. Avec Jaquette. . . Classification Dewey : 450-Italien, roumain, rhéto-romain
La straordinaria avventura umana del genio che trasformò l'architettura in scultura, donando a Roma i capolavori del seducente universo barocco. Classification Dewey : 450-Italien, roumain, rhéto-romain
ROMA DALL'EPOCA ANTICA AL BAROCCO, 3 VOLUMI (I DOCUMENTARI, VISIONI D'ITALIA)
Istituto Geografico De Agostini. 1972-1974. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 63 + 64 + 64 pages (3 vol.). Illustrés de nombreuses photos en couleur dans et hors texte. Texte sur 2 colonnes.. . Sous Emboitage. . Classification Dewey : 450-Italien, roumain, rhéto-romain
I Documentari, Visioni d'Italia, 48, 70, 72. Vol. 1: G. Becatti, Itinerario archeologico di Roma Antica. Vol. 2: G. Matthiae, Roma Medioevale e Rinascimentale. Vol. 3: G. Matthiae, Roma Barocca. Classification Dewey : 450-Italien, roumain, rhéto-romain
Scipione l'Africano : un eroe tra Rinascimento e barocco : atti del convegno di studi, Roma, Academia Belgica, 24-25 maggio 2012
, Jaca Book, 2014 Paperback, 348 pages , ITA, 240 x 170 x 30 mm, very good condition / ottime condizioni , illustrations / photos in b/w, *** with signature of Walter Geerts***. ISBN 9788816412583.
The theme of this volume comes from the group of six tapestries preserved in the Belgica Academy in Rome, a partial re-edition of the series of 22 pieces depicting the exploits and triumph of Publio Cornelio Scipione, known as the African, the winner of Hannibal. Woven in Brussels on models by Giulio Romano, assisted by Gianfrancesco Penni, they were purchased by Francesco I and burned during the French Revolution to recover the gold and silver threads. The six pieces of the Belgica Academy, made in Brussels in the mid-sixteenth century, constitute one of the oldest re-editions, which belonged to Ippolito d'Este. The Renaissance and Baroque tapestry is an artifact that asks many questions: who gave the commission for the specific theme, Scipio the African? Who "invented" the scene program? What are the sources, ancient and modern, painted and literary, that inspired the program? For what reason, with what intentions, for which "audience" was the theme chosen? How was the "myth" that is being built around Scipio born? And what happens in the following centuries? The book reflects this multiplicity and various disciplines join hands: history of art, ancient and modern history, philology, history of literature and theater. And of cinema, since it ends with the refined Scipione by Luigi Magni, a director who died in 2013.
