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Zola, Emile.
Rome
Paris Bibliothèque-Charpentier, Eugène Fasquelle / François Bernouard 1928 2 in -8 Reliure de l'époque en demi-chagrin, dos à nerfs ornés de caissons dorés, titres et tomaisons dorés 369 [p.p]718 [p.p] Deuxième volet de la trilogie, Rome suit l'abbé Pierre Froment dans la Cité éternelle. Venu plaider la cause de son livre auprès du Pape, il se heurte à l'immuabilité de l'institution catholique. Zola livre ici une fresque monumentale, confrontant la Rome antique, la Rome chrétienne et la Rome moderne (la "Troisième Rome") dans un duel intellectuel sur l'avenir de la religion face à la montée du socialisme et de la science.L'approche de Zola dans ce volume relève d'une hyper-focalisation architecturale. Il cartographie Rome comme un système de strates historiques superposées. Pour un esprit neuro-atypique, cette description quasi maniaque des palais et des hiérarchies vaticanes offre une structure rassurante et logique : chaque lieu correspond à un rouage du pouvoir. C'est une mise en ordre spatiale de la pensée politique et religieuse.À travers les intrigues de la noblesse romaine déchue, Zola analyse les mécanismes de l'aliénation. D'un point de vue féministe, le personnage de Benedetta Boccanera illustre tragiquement la force de l'engagement passionnel face aux interdits dogmatiques. Réhabiliter ce récit aujourd'hui permet d'observer comment les structures de pouvoir anciennes tentent de réguler les corps et les désirs au nom d'un ordre moral pétrifié. L'ouvrage appelle, en filigrane, à un développement de la liberté individuelle contre les carcans institutionnels.
Reference : LCI-6490
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Le Chef d'Oeuvre Inconnu
M. Jean-Claude Codevelle
20 rue Edouard Delesalle
59000 Lille
Hauts-de-France France
contact@lechefdoeuvreinconnu.com
07 71 61 83 27
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Librairie Ancienne Arts et Lettres Le Chef d'Oeuvre Inconnu SASU au capital de 3500 € SIREN : 810 817 916 APE : 4761Z Siège Social 47 rue Turgot 59000 Lille TVA non applicable - article 293 B du CGI http://vosdroits.service-public.fr/professionnels-entreprises/F21746.xhtml\#R24406 avant expédition cash
5 book(s) with the same title
A Select Collection of Views and Ruins in Rome and Its Vicinity, Executed From Drawings Made Upon the Spot, in 1791. 2 Parts. - [BEAUTIFUL VIEWS OF ROME]
London, 1797 + 1799. Small folio. 29,5 x 23,5 cm. Both parts bound together in a nice comtemporary brown half calf with blindstamped and gilt spine. Rebacked. The original spine missing the upper part relaid over lighter brown calf. re-enforced with green cloth at the inner hinges, which were otherwise split. Single small wormtracts to upper inner margin, far from affecting text or plates. Corners bumped and wear to extremities. Marbled edges. A bit of offsetting from some of the plates at the end, but internally generally very nice and clean. Frontispice, 2 ff. (title-page & Preface), 30 plates, 30 ff., 1 f. (contents) + 1 f (title-page), 30 plates, 30 ff., 1 f. (contents). Each of the 60 plates is followed by a leaf of axplanatory text in English and French. Fully complete with the frontispiece and all 60 plates listed in the tables of contents.
First edition of this lovely book of views of Rome, one of the uncoloured ordinary paper copies, but with the plates in excellent quality. The work was reprinted twice, ca. 1805 and 1819, the impressions of both being very inferior to those of the first edition. Lowndes III:1537
Original handwritten manuscript-leaf in Rousseau's hand concerning Rome, the mother of Romulus and Remus, taken from Dionysos Halicarnassos. - [HANDWRITTEN NOTES BY ROUSSEAU FROM DIONYS HALICARNASSOS' WORK ON THE HISTORY OF ANTIQUITY]
(Unsigned, and no date, but penned between 1746 and 1751). 1 leaf 4to (25,5 x 19 cm), off-white paper in fine condition. Penned on both recto (21 lines) and verso (6 lines) in columns taking up half the pages.
This magnificent manuscript leaf in Rousseau's hand constitutes notes taken from the seminal work of Dionysos Halicarnassos, on the foundation of Rome, more particularly on the story of Rome herself, the alleged mother of Romulus and Remus and how they named the city after their mother. This manuscript leaf is part of a grandiose project that Rousseau was working on with his employer Madame Dupin during his years as her secretary. The project was that of writing the history of womankind. With its focus on gender equality, the work is nothing less than pioneering and would no doubt have been a work of seminal importance in the history of feminism and women's rights, had it ever been published. The manuscript ended up comprising more than 2.000 pages, but was never printed. Louise Marie Madeline Fontaine Dupin (1706-1799) was one of the most famous salonnieres of the 18th century, renowned for the beauty as well as her intelligence. Rousseu met her in 1743 and took an instant liking to her. In 1745, she offered him the position as her private secretary and tutor to her son. During his six years in her employment, he spent most of the time working on the grandiose project of the history of women, until it was abandoned in 1751. ""In the years between 1745 and 1749 Jean Jacques Rousseau was employed by Louise Marie Madeline Dupin as a research assistant on her ambitious project to delineate in print the history of women. After years of labor by Rousseau and Madame Dupin her ""Ouvrage sur les Femmes"" was shelved, unfinished. The research notes, drafts, and fair copies written by Rousseau and his employer were stored at the chateau of Chenonceaux, essentially forgotten, until their sale at a series of auctions held between 1951 and 1958."" (Harry Ranson Center, University of Texas)
Histoire de la fondation de Rome, L'Etablissement de la Republique, son Origine, ses Progrees, les Moeurs de ses premiers Habitans, et son Gouvernement Politique et Militaire. 4 parts in 2 vols.
Rouen, De La Compagnie, 1740. 8vo. Uniformly bound in two contemporary full vellum bindings with gilt lettering to spines. Small paper-label pasted on to spine. All edges coloured in red. Light miscolouring to extremities, otherwise nice and clean. (4), 270, (2), 271-536 pp. + 12 engraved plates. (4), 303, (3), 303-595, (1) pp. + 8 plates (complete).
Later edition of Catrou and Rouillé's popular history of early Rome and its political and military development. It was translated into several languages and published in numerous editions.
Histoire des intrigues galantes de la reine Christine de Suede et de sa cour, pendant son sejour a Rome.
Amsterdam, Jan Henri, 1697. 8vo. In contemporary full calf with five raised bands and richly gilt spine. Small paper-label pasted on to top of spine. Wear and scratches to boards. Ex-libris (F. v. Iuel) pasted on to pasted down front end-paper. Internally nice and clean. (4), 300 pp. + frontispiece.
The uncommon first edition of this work on Queen Christina of Sweden (1626 – 1689) who famously abdicated in 1654, converted to Catholicism and move to Rome. The Swedish queen is remembered as one of the most erudite women of the 17th century, wanting Stockholm to become the ""Athens of the North"".
Les Musées et Galeries de Rome. Catalogue général de tous les Objets d'Art qui y sont exposés.
Rome, Jos. Spithover, 1870. Small 8vo. Contemp. hvellum. Richly gilt spine. Titlelabel with gilt lettering. IV,582,(2) pp. A few pencil additions.
