Kawasaki, Koichi, Shoichi Hirai and Axel Vervoordt: Maekawa. Exhibition: Antwerp, Axel Vervoordt, 2014. 122 pages, illustrated throughout in colour. Hardback. 34 x 25cms.
Reference : 505033
ISBN : 9789491775413
Text in English
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, AsaMER, 2017 Hardback, 320x240mm, 152 pages, English edition, Fine copy. Including an index. FINE ISBN 9789492321442.
Maekawa II presents the work of Japanese artist Tsuyoshi Maekawa ( 1936) during the 1970s. In contrast to Maekawa I, which highlights his art of the previous decade made within the directives of the Gutai Art Association, Maekawa II sheds light on the artist's unremitting efforts to overcome the sudden death of Gutai's leader Jiro Yoshihara in 1972. In this volume, the ceaseless innovations and impulses Maekawa instigated in his post-Gutai practice are brought to the fore. They show the profound exercises and manipulations of sewed and dyed burlap that he shaped into oftentimes highly tactile squares, lines, triangles, and a multitude of colourful yet sober wavy patterns; at times stretched over boxes or loosely draped over walls. The result is a singular exploration of fabric, texture, colour and the possibilities of the canvas at its roughest core. Tsuyoshi Maekawa ( 1936, Japan) is one of the few remaining members of the Gutai Art Association, Japan's most important avant-garde (1954-1972), which has been receiving a lot of international attention the last few years. This book is the first monograph about Maekawa. It brings together many historic images and documents of the Gutai period, found in the archives of the Ashiya City Museum of Art. The work of Tsuyoshi Maekawa ( 1936, Japan) is an ode to matter. From the beginning he chose jute as a his main material. As is common to the art of all Gutai artists, his practice entails an authentic and personal approach with great respect for the material in all its purity. Matter is his true vehicle of expression and represents nothing other than itself. The artist is entirely at the behest of the medium. The tactility he manages to convey is deeply moving. The catalogue contains many unpublished historic image of Maekawa's Gutai period as well as an interview with the artist by Koichi Kawasaki and an essay by internationally renowned Gutai connaisseur Shoichi Hirai
1947 Tokyo, Kôgakutosho shuppan, 1947, 254x367mm, 40p., une planche en couleur, agrafé, couverture photographique avec titre et nom de l’auteur (pli central).Photographies et plans de la Kinokuniya Shoten (La librairie Kinokuniya) et ses détails, habitats préfabriqués, habitats collectifs, projet pour Paris 1937, liste de participations à différents concours, plans d'urbanisme.Textes de Maekawa, Yûsuke Sakitani, Tsutomu Ikuta.
Après les études de l’architecture à l’université impériale de Tokyo en 1928, Maekawa vient travailler à Paris auprès de Le Corbusier, et, de retour au Japon, il travaille aux côtés d’Antonin Raymond jusqu’en 1935, puis fonde avec Torao Saitô le mouvement moderniste Nihon Kosaku Bunka Remmei en 1937.La reconstruction de la librairie Kinokinuya, situé au cœur de Shinjuku, centre culturel de Tokyo, constituait, dans la ville détruite aux neuf dixièmes par les bombardements, un symbole de la reconstruction intellectuelle du pays.Conçue avec un plan libre, une façade libre, et un espace intérieur à double hauteur, elle était une belle illustration des principes corbuséens. Dictionnaire de l’Architecture du XX siècle Hazan 1996 p.563-564; Kunio Maekawa Retrospective, Tokyo Station Galleries 2005 p.116 illustré; Japan-ness p.329.(103871)
Phone number : +33 1 48 01 02 37
, AsaMER, 2014 Hardback, 320x240mm, 122 pages, English edition, Fine copy. Including an index. FINE ISBN 9789491775413.
Tsuyoshi Maekawa ( 1936, Japan) is one of the few remaining members of the Gutai Art Association, Japan's most important avant-garde (1954-1972), which has been receiving a lot of international attention the last few years. This book is the first monograph about Maekawa. It brings together many historic images and documents of the Gutai period, found in the archives of the Ashiya City Museum of Art. The work of Tsuyoshi Maekawa ( 1936, Japan) is an ode to matter. From the beginning he chose jute as a his main material. As is common to the art of all Gutai artists, his practice entails an authentic and personal approach with great respect for the material in all its purity. Matter is his true vehicle of expression and represents nothing other than itself. The artist is entirely at the behest of the medium. The tactility he manages to convey is deeply moving. The catalogue contains many unpublished historic image of Maekawa's Gutai period as well as an interview with the artist by Koichi Kawasaki and an essay by internationally renowned Gutai connaisseur Shoichi Hirai