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[Sebastiano Luciano called Sebastiano Veneziano or Sebastiano del Piombo] -
Hirst, Michael
Sebastiano del Piombo
Hirst, Michael: Sebastiano del Piombo. Oxford: at the Clarendon Press, 1981. xvii, 175 pages plus 140 pages with 204 monochrome illustrations. Hardback. 28.5x22.5cms. The first detailed assessment in English. Appendices include explanation of confusion of different drawing styles of Michelangelo and Sebastiano. Illustrated with many previously unpublished detals of paintings. Select bibliography; topographical index; general index. Ex library copy, poor condition.
Reference : 028638
ISBN : 0198173083
The first detailed assessment in English. Appendices include explanation of confusion of different drawing styles of Michelangelo and Sebastiano. Illustrated with many previously unpublished detals of paintings. Select bibliography; topographical index; general index. Ex library copy, poor condition
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Thomas Heneage Art Books
Thomas Heneage
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Thomas Heneage and Co. Limited is a company that was founded in 1977 doing business as Thomas Heneage Art Books. It is Registered in England Number 657656 The Registered office and shop is 42 Duke Street St James’s, London SW1Y 6DJ. Our shop in London's gallery district of St. James's is open Monday to Friday 9.30am to 6pm (otherwise by appointment). Our VAT Number is: GB 242 1045 14 and the responsible director is T. P. W. Heneage. Thomas Heneage and Co. Limited has a fully paid share capital of £37,789. All prices are net. Postage is extra. Payment by Credit Card, PayPal, Cheque in GBP on a UK bank or in USD on a US bank or bank transfer All books are offered subject to prior sale. Books listed will normally be available as our computer updates the database automatically every 24 hours. Shipping: Orders are usually shipped within 2 days of payment Shipping costs are based on books weighing 2.2 LB, or 1 KG. If your book order is heavy or oversized, we may contact you to let you know extra shipping is required. Our Distance-Selling Cancellation Policy Right to cancel You have the right to cancel your orders within 14 days without giving any reason. The cancellation period will expire after 14 days from the day on which you acquire, or a third party other than the carrier and indicated by you acquires, physical possession of the last delivered goods that are covered by this contract. To exercise the right to cancel, you must inform us, Thomas Heneage Art Books of 42 Duke Street St. James’s, London, SW1Y 6DJ, United Kingdom (Our telephone number: 0044 (0)207 930 9223; E-mail address: artbooks@heneage.com) of your decision to cancel this contract by a clear statement (e.g. a letter sent by post, fax or e-mail). You may use the model cancellation form below, but it is not obligatory To meet the cancellation deadline, it is sufficient for you to send your communication concerning your exercise of the right to cancel before the cancellation period has expired. You shall send back the goods or hand them over to us without undue delay and in any event not later than 14 days from the day on which you communicate your cancellation from this contract to us. Books must be returned in the same condition as supplied, unused. The deadline is met if you send back the goods before the period of 14 days has expired. You will have to bear the direct cost of returning the goods. Effects of cancellation If you cancel this contract, we will reimburse to you all payments received from you, including the costs of delivery (except for the supplementary costs arising if you chose a type of delivery other than the least expensive type of standard delivery offered by us). We may make a deduction from the reimbursement for loss in value of any goods supplied, if the loss is the result of unnecessary handling by you. We will make the reimbursement without undue delay, and not later than – (a) 14 days after the day we receive back from you any goods supplied, or (b) (if earlier) 14 days after the day you provide evidence that you have returned the goods, or (c) if there were no goods supplied, 14 days after the day on which we are informed about your decision to cancel this contract. We will make the reimbursement using the same means of payment as you used for the initial transaction, unless you have expressly agreed otherwise; in any event, you will not incur any fees as a result of the reimbursement. We may withhold reimbursement until we have received the goods back or you have supplied evidence of having sent back the goods, whichever is the earliest. Please find our cancellation form in PDF format on our website : http://www.heneage.com/contact.htm Our Complaint Handling Policy We hope that you are happy with our services, but should you wish to make a complaint please feel free to do so in writing to artbooks@heneage.com, and we will address your concerns as swiftly as possible. We are a member of LAPADA and have access to their conciliation services.
5 book(s) with the same title
Sebastiano del Piombo and Michelangelo: The Compass and the Mirror. An Anthology
, Brepols, 2022 Paperback, 344 pages, Size:210 x 297 mm, Illustrations:10 b/w, 150 col., Language(s):English, Italian. ISBN 9782503580265.
Summary The collaboration between Michelangelo Buonarroti (1475-1564) and Sebastiano del Piombo (1485-1547), is among the most extraordinary artistic partnerships of the early modern period. It produced works of startling originality, crucial to the development of the so-called High Renaissance in the first decades of the sixteenth century. It was arguably Michelangelos most creative collaboration, helping him refine motifs and narrative strategies, and it proved determining for Sebastianos development of a monumental, spiritually invested idiom whose influence became a touchstone for religious art deep into the following century, and for principles of painterly abstraction beyond. Inspired by the exhibition Michelangelo & Sebastiano, mounted at The National Gallery in London in 2017, this book unites a group of international scholars in reflection on the two artists, their collaboration and its wider significance. TABLE OF CONTENTS Matthias Wivel ? The Compass and the Mirror Elena Calvillo ? Friendship, Medium and the Diverging Lives of Sebastiano del Piombo and Michelangelo Piers Baker-Bates ? Copies and Versions in Sebastiano's Art? The Christ Carrying the Cross Sheryl E. Reiss ? A Word Portrait of a Medici Maecenas: Giulio de' Medici (Pope Clement VII) as Patron of Art Arnold Nesselrath ? Raphael: Of Heirs and Pretenders Matthias Wivel and Rachel Billinge ? Sebastiano's Vich Triptych Carlo Piga ? Da Michelangelo a Sebastiano: antiche suggestioni e moderne invenzioni nel ciclo decorativo della Cappella Borgherini in San Pietro in Montorio a Roma Stefania Pasti ? Aperietur in tempore: Sebastiano del Piombo and the Borgherini Chapel in the Light of Prophetic Readings Paul Joannides ? A New Drawing by Sebastiano del Piombo for the Semi-Dome of the Borgherini Chapel Costanza Barbieri ? Sebastiano as Portraitist and a Case Study: The Portrait of Michelangelo Pointing at His Drawings Oriana Sartiani ? A Portrait of Michelangelo Attributed to Sebastiano del Piombo: Technical Examination, Discoveries, and Treatment Simonetta Antellini ? L'originalità compositiva della Nascita della Vergine di Sebastiano del Piombo Daniela Luzi ? 'Il bel secreto': La pittura sperimentale sulla pietra di Sebastiano nella Cappella Chigi Morten Steen Hansen ? The Readings of Angels: Sebastiano del Piombo and the Politics of the Immaculate Conception Andrea Donati ? Marcello Venusti, Michelangelo and the Legacy of Sebastiano del Piombo Charles Robertson ? Michelangelo's Last Judgement: Sebastiano del Piombo's Contribution
[Sebastiano Luciano called Sebastiano Veneziano or Sebastiano del Piombo] - Pallucchini, Rodolfo
Reference : 029603
(1944)
Sebastiano Viniziano. (Fra Sebastiano del Piombo).
Pallucchini, Rodolfo: Sebastiano Viniziano. (Fra Sebastiano del Piombo). Milan: Mondadori, 1944. xvi, 237pp. plus 1 colour and 112 monochrome plates. Hardback. 26x19cms. Text in Italian.
Text in Italian
[Sebastiano Luciano called Sebastiano Veneziano or Sebastiano del Piombo] -
Reference : 080418
(1995)
Sebastiano del Piombo y Espana
Sebastiano del Piombo y Espana. Exhibition: Madrid, Museo Nacional del Prado, 1995. 142pp with 40 colour plates, and 50 monochrome illustrations. Paperback. 30 x 24cms. Text in Spanish.
Text in Spanish
Sebastiano del Piombo and the Sacred Image. Mediating the Divine in the Age of Reform
, Brepols, 2022 Hardback, 270 pages, Size:220 x 280 mm, Illustrations:121 col., Language: English. ISBN 9782503594750.
Summary On account of the artists' collaborative practice, Sebastiano del Piombo's oeuvre is often misconstrued as a coloristic supplement to Michelangelo's disegno or as a mere extension of the older master's drawings and ideas. Marsha Libina's book complicates this narrative by offering a critical reevaluation of the devotional art of Sebastiano del Piombo (1485-1547), an important Venetian artist whose Roman work stands at the nexus of questions regarding art, religious reform and the largely unexplored history of artistic collaboration. Investigating new ways of understanding Sebastiano's interest in soliciting Michelangelo's drawings as catalysts of invention, Libina tells the story of a collaboration driven neither by a compliant imitation of Michelangelo nor the reconciliation of opposing regional styles but, rather, by an interest in hermeneutically productive difference - generating complementary yet divergent approaches to art as a vehicle of reform. This volume presents an in-depth exploration of how Sebastiano's experiments with the sacred image - like Michelangelo's - were formulated in response to the early years of Catholic reform. The years preceding the Council of Trent saw the rise of divisive investigations into the repercussions of an increasingly mediated knowledge of the divine. Libina reveals how these concerns converge in Sebastiano's new language of devotional painting, which embraces an aesthetic of figural stillness, isolation and psychological detachment. At a moment when religious debates and questions about the role of image-based devotion took center stage, Sebastiano's work offered a reflection on what it meant to view and meditate on the body of Christ in the Renaissance altarpiece. TABLE OF CONTENTS Introduction. Sebastiano del Piombo and Michelangelo. A Collaboration in Art and Reform Chapter I. Picturing Time and Eternity Chapter II. Mediation and Scripture's Interpreters Chapter III. Imitatio Christi and the Internal Image Chapter IV. The Holy Face and the Face of Art Conclusion. Mediated Truths after the Council of Trent Bibliography Index
Portrait lithographié représentant le peintre SEBASTIANO del PIOMBO - 1485 - 1547 - Ecole Vénitienne -
Lithographie d'après Maurin - format 49 x 31 cm marges comprises - quelques piqures en marge -
Joint: une notice biographique (piqures) et une reproduction de tableau lithographiée - Ensemble extrait de la Galerie des Peintres par M. Chabert publiée à Paris à l'Imprimerie lithographique de Chabert vers 1840 -
